"So how closely does the 2600 V reproduce the flavour of the original? [...] So while I can't attest to how truly authentic at waveform level Arturia's True Analog Emulation methodology is, I can definitely say that the 2600 V does seem to very successfully capture much of that specific Arp "flavour" in terms of oscillator and filter "punchiness [...] If you're fairly synth-savvy, or if you already know your way around the original Arp 2600, then with its flexible semi-modular approach as well a new extended modulation routings, the 2600 is recommended for a wide array of classic analog sounds both as an instrument and as source of wild sound effects."
Three ARP2600 V have been used for this short sequence:
the rhythmic patern is played by the preset "Celmar Engel / Sequences / cheap Bossa" (an old analog rythme box like sounds)
A simple bass sound (JM.Blanchet/Basses/JMB_Bass_SubOsc) played in sequence with Cubase SX.
A warm pad sound based on the "C.Engel/Pads/ CE_RythmPad02", using a resonant low pass filter frequency swept by the MIDI synchronized sample and hold, and a slow sinus wave LFO.
A little groove sample track using 8 ARP2600 V on Sonar 4 All the drums sounds have been programmed with the ARP2600 V (you will find all these separated drums elements on the k.Lamb/Percussives bank)
A cheap 70'science fiction sound effects using five ARP2600V sequenced on Sonar 4 The famous Edgard Winter "Frankeinstein" sound has been used in the end of this track.