"Arturia has done the original Jupiter-8 justice. Not only has the company captured the original instrument's essence and character, but have upped the ante by adding new and creative touches that expand the reach of its sound.
As far as I'm concerned, this is not only the strongest analog emulation on the market, but is quite possibly the best soft synth I have yet encountered. Once hooked up with a good control surface, this could be the only virtual analog you'll ever need - and it will definitely be my go-to instrument of choice in the future."

"All in all, Arturia's Jupiter-8V is an excellent recreation of the famed Roland '80s synth with several intelligent sound sculpting accoutrements added for taking the original sound into new wonderful directions."

"This synth sounds wonderful, with the majestic warmth of Roland's original Jupiter present in every sound. My hat comes off, my bow is deep, my thanks to Arturia are heartfelt."

"Arturia has produced a natural maturation of the classic. The synthesis is a superb match, and the new features feel right and elegantly provide what users originally had to concoct outboard workarounds for."

"Jupiter-8V is a must have for all lovers of the Roland "J-sound" and definitely worthy of consideration for those looking for a contemporary-sounding analog companion to today's sampler hybrids."

"This softsynth is a total TEN STARS! The name Jupiter 8 is definitely within my galaxy of "Vintage Synths" but Arturia has completely knocked this synth eons into the future and brought the Jupiter 8, perhaps the greatest analog synth of all time, from 1981 to 2007 and beyond with the incredible add-ons. With their careful, meticulous attention for preserving the true nuances of this synth and then by adding visionary and complementary modules to the Jupiter-8V; I truly believe that this softsynth should be in everyone's collection for one simple reason... TO CREATE! That's what the Jupiter 8 was all about and Arturia has given us an instrument that can produce more new sounds than most of us have heard in a long time. Trust me. Go Out and Buy The Jupiter-8V! You will not be sorry!"

"The Jupiter-8V is a worthy addition to the Arturia family. It sounds superb, is easy to customise and a joy to play. - MusicTech Excellence Award -"

"What we have here is a big synth with a big sound and a big appetite. Rest assured, though, that the Jupiter-8V is well worth the processing power - this is arguably Arturia's best effort yet. -Computer Music Performance Award-"

"After a solid month of living with the Jupiter-8V, I can honestly say that it's my favorite Arturia virtualization so far, perhaps even my favorite analog soft synth ever. -Key Buy Award-"

"The Jupiter-8V maintains the standard we have come to expect from Arturia. it's a beautifully warm and expressive synth that's equally at home in pop tunes or experimental sound design. The overhaul of the presets management system and the addition of the user-friendly sequencer and effects make the instrument immediately accessible to beginners as well as experienced users, which hasn't always been the case with these complex synths."

"An instrument with a great sound, very expressive, easy to use, beautiful to see, with a lot of new features and an inspirational charm, a very low CPU load - unlike many other VSTi - and it's also not expensive... so what are you waiting for?"

"This synth sounds wonderful, with the majestic warmth of Roland’s original Jupiter present in every sound. My hat comes off, my bow is deep, my thanks to Arturia are heartfelt."

"Analog Factory delivers impressive, archaic analog tones with aplomb. Mac Life Editors'Choice Award."

"In whatever context Analog Factory is used, it sounds very good indeed and represents an excellent way of gaining access to a lot of classic analogue sounds for a very modest outlay."

"The Analog Factory sounds are excellent, concentrating on what each synth does best: the MiniMoog for cutting lead and squelchy bass lines, the Moog Modular for strong multi-oscillator noises, the ARP2600 V for weird effects, the Yamaha CS80 for swirly ensembles, and so on.
Even taking this simplification of each synth emulation into account, Analog Factory represents a new record for value. It's hard to beat the concept of providing some of the best virtual analogue sounds marketed over the last couple of years in a compact, affordable package. Quick accessibility of sounds using the Favourites list makes this a powerful tool in the studio or, if you're brave enough to take out a laptop, on stage."

"Cleverly, the presets are grouped not only by instrument, characteristics, and type, but also by CPU usage, allowing for swift, intelligent choices in (for example) a laptop-type scenario. Much like a "best-of" compilation from a band, Analog Factory saves you the digging and dollars, and allows for instant gratification."

"Ultimately, Analog Factory is useful for anyone who wants an extremely easy-to-use but phat-sounding synthesizer."

"Arturia Analog Factory is perfect for anyone who likes vintage synth sounds, and likes to load up a good sound quickly and easily, with a fair bit of control to edit the parameters. The sounds are powerful and ready to use. Arturia have made it easy, all you need to do is sit down and make some music!"

"An innovative new approach to synthesis, using the advantages of virtual instruments to provide less technically inclined musicians with access to their favourite sounds."

"Video: http://www.sonicstate.com/articles/article.cfm?id=111"

"Analog Factory is a fantastic bargain for the computer musician who doesn't require all the bells and whistles of the full emulations and may even inspire a new way of working for the gear obsessed among us (raise your hands). DJs and live performers will find Analog Factory's low overhead, streamlined operation, and performance-oriented features to be a fine companion for their laptop. Analog compulsives will be better served by the individual emulations with their sometimes-idiosyncratic interfaces. For everyone else, Analog Factory cuts the crap and delivers what truly made these instruments great, the killer sounds."

"So whether you're an electronic musician/producer/DJ or you just need access to some vintage sounds once in a while, Analog Factory is an absolute must have... and if you're producing Drum'n'Bass, that goes double time! But don't take my word for it... Laurent Garnier and Paul Hartnoll from Orbital are official endorsees... and Klaus Schulze is one of the sound designers... what more do you need to know?..."

"Over the past three years, Arturia have been responsible for developing some of the best hardware synth emulations money can buy. Their latest release -Analog Factory- will inevitably be perceived as a 'greatest hits' package, as it features the best of their sounds in an accessible, user-friendly and configurable interface."

"An outstanding collection of Arturia's best sounds wrapped in a slick and exceptionally user-friendly instrument. -MusicTech Excellence & MusicTech Choice Awards-"

"A savvy software recreation of Sequential Circuits' groundbreaking Prophet 5, and the equally influential wavetable synth Prophet VS, Arturia's V is literally two synths in one, a mightily flexible instrument that takes both software instrument design and sonics to new levels. The must-have soft synth of 2006. - Future Music Ace Awards 2007 - "

"Overall, Arturia Prophet V replicates the sound and feel of the Prophet 5 very well, while adding a number of features that modern synth users will want. With the inclusion of the VS model and Hybrid mode, Prophet V offers plenty of bang for your buck."

"There have already been numerous soft synths purporting to emulate the Prophet 5, and I have not been impressed by any of them. Arturia have created something closer to the original than any of these, and I am confident that Prophet V will continue to improve. Furthermore, by creating this strange marriage of the Prophet 5 with one of my all-time favourite synthesizers, the Prophet VS, the company have shown the imagination needed to take their offering way beyond those of their competition."

"Arturia has done a frighteningly good job of capturing the beloved gritty characteristics of this American-made classic. Being the first polyphonic analog synth, the Prophet 5's sound was all over records from '80s artists like Talking Heads, INXS, and Gary Numan, and as such, the presets do well to cover the sounds used in those days. However, Arturia includes emulation of the Prophet VS and a hybrid mode, meaning this synth goes far beyond churning out throwback fare. Certainly a great all-around plug-in that especially excels with leads and percussive sounds."

"Prophet V is easy to load and learn, it sounds excellent and looks stunning, it is relatively CPU friendly and it carries a sweet price tag (especially versus the hardware). If you want to go deep into the heart of both traditional analog and vector synthesis without going deep into your pocket, look directly at Prophet V."

"Video: http://www.sonicstate.com/articles/article.cfm?id=105"

"With the Prophet-V, Arturia's product line breaks new ground by taking classic sounds yet pushing them further than mere emulations. The sound is both familiar and new, criss-crossing the boundaries between analog warmth and digital sparkle. Exploiting the Arturia Prophet-V to the fullest is a challenge, but one well worth undertaking."

"Another Arturia triumph. The Prophet V is a beautifully re-created, amazing sounding and very flexible instrument. - MusicTech Excellence Award -"

"Prophet V is a worthy addition to the roster of Arturia soft synths. It autentically imitates the originals while going beyond their limitations with up to 32 voice polyphony, decent chorus/delay effects and the endless potential of hybridising Prophet 5 and Prophet VS sounds."

"Prophet V belongs to a new generation of virtual instruments that take full advantage of today's processing prowess to deliver a sound that even the most synth obsessed would be hard-pressed to tell from the originals. While I remain a fan of analog hardware, this is one soft synth that will definitely be finding its way onto my own tracks."

"France's Arturia continues it's string of hits with the Prophet V. With Arturia's devotion to quality, excellent user interfaces and bringing this all to the musician at an extremely low cost, other virtual synth makers are now all looking up at the new high water mark."

"I would be most inclined to use BRASS -the solo trumpet in particular- in conjunction with sampled instruments, not to their exclusion. If BRASS is viewed as a step on what will undoubtedly be a continuing journey to maximize the possibilities of physical modeling, Arturia deserves a lot of credit."

"By anyone's standards, Brass is an impressive piece of technology, and you really feel it does represent a breakthrough in software renditions of real instruments. The trumpet model in particular is quite brilliant, both in terms of its sound and the way you can interact with it via a MIDI keyboard. It's also uncannily human in its response...."

"Bottom Line - BRASS is a comprehensive, astonishing software package that has opened new avenues in the world of softsynths. I hope that Arturia continue to move in this direction because they aren't just emulating anymore; they're giving something back to musicians that we haven't seen in years; and that is the capability to create, control and add soul back into the often sterile software that merely offers instant gratification and then rapidly loses it luster...."

"Brass provides resources for realism and user control that sampled brass libraries, no matter how good, simply can't match. The program is sure to be embraced by jingle producers who need quick access to high-energy pop arrangements, film-score composers who need to rough out convincing demos, and home-studio owners who want to spice up a funk or Latin track but aren't set up to record a real horn section."

"BRASS is clearly the result of much research and programming. Arturia has taken care to write an outstanding manual; they want to equip you with everything you need to be a success in creating music with this program. Yes, BRASS is a cpu hog, but the results speak for themselves: three vibrant instruments that take a significant step forward in the electronic creation of acoustic sound. This won't replace mammoth sample libraries for film scorers, but can take a place along side those libraries, as an adjunct to those libraries. The amount of expressivity coupled with the realism of sound put this virtual instrument in a class by itself. Très bien, Arturia."

"Arturia makes an impressive move into physical modelling. BRASS might be heavy on your CPU resources, but the expression and character achievable with the trumpet model alone is certainly worth the drain."

"Arturia's software version of the famed 2600 is exactly what one should expect out of an emulation piece: It has both the coveted sound of the original and the modern extras that users don't want to live without."

"Arturia's 2600 V is the company's best software synth to date. It's powerful, it's flexible, and the bugs are few and far between. While it does not sound precisely like an ARP 2600, it offers much more than the original. Given the cost of buying a vintage ARP 2600 and 1601 Sequencer, 2600 V has to be worth serious consideration."

"France's Arturia earned acclaim for its emulations of the Minimoog, Moog Modular and yamha CS-80, si it's not surprise their 2600 V is stunning as well. [...] The 2600 V is a great place to begin your adventure in synthesis, or, for the initiated, it's a refreshing return to classic tones and modular programming."

"The ARP 2600 sounds awesome -even if you don't explore outside of the presets. It does tax your processor though, and quite heavily if you've got an ancient computer (two years or older). While the ARP 2600 may be a retro concept, Arturia's emulation sounds as futuristic as the original did when it came out. "

"I'll just summarize by saying that for both novices and experienced users alike, Arturia's revamping of ARP's classic synth looks and sounds incredible; it is stable and efficient; and it shouldn't get boring for a very long time - if ever."

"Arturia turns a classic synthesizer into a superb piece of software [...] This is a great product that will appeal to fans of the original ARP 2600. Beginners, however, may well find it a little bit confusing, but persevere! ARP2600 V sounds authentic and can accurately recall complex sound patches. A major achievement. "

"A few obvious advantages of the 2600 V over the original hardware unit cannot be overstated.[...] For us it has become an immediate favourite -- a very worthy addition to anyone's virtual synth collection. "

"So how closely does the 2600 V reproduce the flavour of the original? [...] So while I can't attest to how truly authentic at waveform level Arturia's True Analog Emulation methodology is, I can definitely say that the 2600 V does seem to very successfully capture much of that specific Arp "flavour" in terms of oscillator and filter "punchiness [...] If you're fairly synth-savvy, or if you already know your way around the original Arp 2600, then with its flexible semi-modular approach as well a new extended modulation routings, the 2600 is recommended for a wide array of classic analog sounds both as an instrument and as source of wild sound effects."

"Thanks to the Arturia 2600 V and Way our Ware TimewARP2600 virtual synths, not only is the 2600 sound available again in an inexpensive and easy-to-find package, but the Arturia version features a recreation of the 1601 sequencer. [...] As an ARP 2600 reproduction, Arturia's 2600 V comes tantalizingly close. [...] as a modular synth with a built-in analog sequencer, the 2600 V positively rocks! It's got that definitive Arturian warmth with oodles of modulation options and is perfect complement to a rig that already has a few more traditional virtual synths. "

"The system requirements are moderate by current standards and the results you get from the 2600 V are fantastic. Somehow it just sounds more authentic, more instantly gratifying than many other virtual synths. Given the scarcity of the real thing, this is as close as most of us will ever need to get to owning a real ARP2600."

"At a glance at the back of any Arturia box reveals that these developers are serious. The stellar line-up of electronic musicians whose photos appear on the cartons is like a synthesist hall of fame, and they're not just there to endorse the instruments - they're also responsible for the presets. [...] Some of the best patches come from Arturia themselves. Not for the first time, Jean-Michel Blanchet proves himself to be one of the best programmers in the business with his tumbling sequences, blistering leads and smooth pads. [...] if you've ever coveted the original ARP 2600, picking this up is a no-brain. If you've never heard of the original, you still might find the 2600 V to be an excellent way to ease into modular synthesis. It's another winner from Arturia."

"It sounds and responds like the hardware original. In fact, it's now a remarkable imitation that I would happily use and be confident that you would never realise that it was not the 'real thing'. - Gordon Reid"

"For anyone wanting the elusive Minimoog sound from a software synth, look no further [...] Arturia Minimoog V delivers the sonic weight and complexity of its namesake, without the hassles of a vintage instrument. "

"When it comes to copping "that" sound, the Minimoog V does not disappoint, and it then builds on that solid foundation with some new twists to the original Minimoog that most of us could only dream about years ago. [...] If you really enjoy twisting the knobs and getting your virtual hands "dirty", I very highly recommend the Minimoog V. You at least owe it to yourself to download the demo version and see if you get those same chills up your spine that I got when I first got my hands on it. If you crave that classic Moog sound, I don't think you'll be disappointed. Har"

"Managing to perfectly capture the charm and unique sound of the original hardware, the Minimoog V can be used either as a plug-in or in a standalone mode [...] The Minimoog V is one of the most exciting and enjoyable vintage synth emulations ever to be released."

"A stunningly realistic recreation of the legendary Minimoog synth. Every electronic musician should have one!"

"The Minimoog was one of the easiest synths to program - undoubtedly contributing to its popularity - and Arturia's version is no less approachable."

"It's undeniable that the V is the best basic Minimoog emulator ever"

"The Minimoog is one of the most desirable and sought-after classic synths [...] the minimoog V largely impressed us. It sounds great (if not quite Moog-great), has an excellent sound library and, once you learn what the badly-labelled knobs on the portly interface do, is easy and satisfying to program."

"Fully endorsed by Moog Music, The Minimoog V is a faithful recreation of the original, though it adds polyphony, MIDI management, preset handling, a modulation matrix, an LFO, an arpeggiator, a chorus and a delay - all thanks to the power of modern technology, of course."

"If some synths are destined to stay with us forever then probably the daddy of them all is the Minimoog"

"Arturia, a company that made a name for itself with Moog Modular V and CS-80V, is the first company to produce an accurately detailed Minimoog emulation that runs native, without the need for additional hardware."

"A perfectly emulated ultra-rare synth that -quite simply- sounds different. There's a place for its smooth strings in every track."

"In terms of sound quality, the CS-80V is absolutely divine. It's a first-rate-analog-style synthesizer with a wealth of detuning and modulation possibilities that allow you to cook up truly retro sounds-if that's what you're looking for. On the other hand, thanks to the sequencer, stereo delay and multitimbral aspects of the instrument, the CS-80V can sound as up-to-date as your programming chops will allow. The filters have plenty of bite - so much so that you have to watch for clipping. And I particularly like the implementation of the ring modulator, suboscillator and Touch Response features, which enable you to add weird little subtleties to a sound."

"So just how close has Arturia got to emulating such a classic monster? I think they've done a superb job with just the right balance between faithful re-creation and modern elaboration. [...] The CS-80V is a phenomenal machine, and well worth the asking p"

"Overall, the CS-80V is a wonderful sounding synth, capable of producing warm analogue sounds, from fat basses and leads to complex, organic sounding textures that would be ideal for atmospheric film music. It costs a fraction of Yamaha's original, has ins"

"Aesthetics and programming considerations aside, there's no doubt that the CS-80V captures the classic analogue sound of the original instrument. The additional features Arturia has added stands the virtual instrument well above the original hardware version. Arturia has taken all the good bits, enhanced them, and created a classy, high-quality synth with great appeal to those with an interest in analogue synthesizers."

"The CS-80V is a killer soft synth. It's been over 25 years since the CS-80's introduction, and it remains a sought-after powerhouse to this day. Considering that there were only 2,000 or so produced, and quite a few of those still in service suffer from t"

"With their much-hyped TAE (True Analogue Emulation), Arturia have tackled the challenge of emulative analogue synthesis, and succeeded in a way that has rarely been matched. "

"With the audio quality from soft synths such as Arturia's Moog Modular V being so good, is there any longer a need to worry about replacing hardware with software?"

"The Moog Modular V software is an absolute bargain piece of software, especially in light of the ultra-high prices of the real hardware [...]. Its great audio quality, flexible patching and interesting performance options are bringing a new level to audio"

"Endorsed by Bob Moog himself, Moog Modular V probably comes as close as any software to re-creating complex analog synthesizer hardware, and it does it on a large scale. It runs standalone or as a plug-in for a variety of formats. We applaud Arturia's sig"

"Der Moog Modular V klingt edel, warm und druckvoll wie kaum ein anderer derzeit erhältlicher Software-Synthesizer auf dem Markt."

"One of the most daunting monsters of analog synthesizers, the venerable Moog Modular, has been brought to glorious life in Arturia Software's stunning Modular V. Not only is this one of the best-sounding software emulations of a specific piece of hardware"

"The Arturia Moog Modular V ist the most authentic analog synth emulation we have ever heard. It looks and sounds just like the real thing. [Editor's Choice]"

"A software recreation of the famous Moog Modular systems, MMV has an authentic tone, a nice user interface and really brings out your creativity. [...] this is a very well-behaved piece of software that is also enormous fun."

"The Moog Modular V is a powerhouse that models the old hardware to a tee, producing rich and beautiful tones that compare favorably to a real Moog system. If you're looking for a top-quality software synth that really does sound like the analog hardware it claims to emulate, look no further than Arturia's Moog Modular V. This powerful tool is good enough for Bob Moog, and I'll wager it's good enough for you, too."

"The Moog Modular V is one of the closest analogue emulations to date. It is an amazing product that I think will only get better as newer software patches become available."

"Arturia bring an unobtainable synth to the masses. It's powerful, easy to use and totally addictive. (Platinum Award)"

"The Moog Modular V offers the sounds and programmability of the original, plus the powerful extras of modern technology such as MIDI, presets and polyphony. Outstanding!"

"This is truly a no-compromise Moog, no ifs, ands or buts. It's also an absolutely rock solid application. All of our little complaints aside, the boys at Arturia have achieved a milestone here. This simply doesn't sound like software - and that's the bigg"

"Arturia has done it right. Theyíve teamed up with Bob Moog, researched how to best emulate the sometimes quirky nature of analogue circuits via TAE, and had talented artists and sound designers create some great patches to illustrate the depth that this s"

"For people that are happy living in the software world, I'll suggest that nothing currently on the market will provide the deep sound and unique interface of the Modular V. This software combines the organic feel of a real modular with a ground-breaking"

"STORM3 vs GarageBand
MIDI function of both software has their own characters. But GarageBand is only for MAC and
STORM3 can use both platform."

"[Storm 3.0]
Composition Wizard is great function for users.
Especially for beginners, this Composition Wizard is best solution I ever experience.
You can create your own song very easy but musical quality also great."

"Moog Modular V2 with STORM3
Let's record Moog Modular V2 sound to STORM3. You can use EZTrack and record Moog Modular V2.
STORM3's sound and Moog Modular V2 sound is best much for great Dance track like Techno. It's same situation YMO (Yellow Magic Orchestra) was using MOOG IIIc in their production!!

"

"STORM3 is looks fit for Dance music, Of course STORM3 can create this kind of music easier but other style like Ballade, Jazz, Hardrock can create!!
MIDI function of STORM3 is big improved!! Piano roll,GM synth...It's fantastic!!

"

"STORM3 is now completed !!
Ujiie and Sakaue went around Frankfurt, Paris and Grenoble and they got newest STORM3 finally !!
They visit ARTURIA in Grenoble and they met engineers, Frederic.

"

"New STORM3 has improved as one of complete ALL-In One Studio.
You can import MIDI file and by using GM Synth you can get great sound and you can produce any kind of music ! Of course AUDIO data can use H3Oplus with realtime pitch change and stretch. Also you can record any king of sound like your voice, guitar etc to EZTrack. It means complete hard disk recording system!!"

"In NAMM show, Arturia has announced minimoog V and STORM3.
minimoog V is emulation of most famous synthesizer "Minimoog".
Warm and Fat sound of Minimoog is simurated completely and new idea of Modulation Matrix, Arrpegiator, Polyphonic mode, etc...minimoog V will be great product in this year.
STORM3 has big change from pribious version like GUI, New Modules, Mixing Console, etc... It looks great improvement.

"

"Budding emo artist? Techno wannabe? If you've got something to say and are looking for tools, Arturia's Storm Music Studio 3.0 might be for you. [...] The possibilities of Storm go farther than demo; it's a cool, fun tool that's easy to use. The street price of Storm 3.0 is about $99. The price of the competition (Project 5) turns Storm 3.0 into an incredible value. Gary Hook"

"[Storm 3.0]
Catch the eye of the storm with this must-have upgrade.
Unlike earlier versions of Storm, you can add and remove instruments and effects from the rack, as well as move them around within the rack - even while the song is playing. [...] Storm is an excellent piece of software for the price. GUI issues aside, it can put you on the fast track to composing pattern-based music in a variety of styles. It might not be all you need for a complete composition, but it integrates smoothly as a ReWire 2 slave, and you can easily route each of its instruments and effects to a separate bus in your ReWire host software. If you're already a Storm user, this is a must-have upgrade. If you've never tried Storm, the demo is well worth a look. Len Sasso
"

"[Storm 3.0]
For me, the high points here are Storm's sound and feel, its different approach to composition and sound design [...] and its good value for money. [...] The bottom line is that Storm keeps getting better. [...] The ReWire implementation is also great [...] And at a shade under £130, this remains a viable, good-value all-in-one studio. At this price point, it'll attract many users who'll appreciate the tons of presets patterns and ready-to-go samples that are included in the package. Derek Johnson

"

"[Storm 3.0]
This is one of the best software applications I have seen in a long time and the fact that it is now so easy to create music (big band, rock, techno, drum and bass, and so on) makes this the perfect product for any budding composer. Price wise, this software is very affordable and, considering its capabilities, is extremely well priced. RVDB
"

"[Storm 3.0]
After the fun I had composing with Storm's earlier version, I was extremely impressed with how the designers were able to add so much new powerful functionality without sacrificing the absolute ease-of-use that has been the product's trademark. Considering its cross-platform compatibility, Storm makes an excellent choice for anyone interested in creating their very own grooves for the dance floor. Dan Walsh"

"[Storm 3.0]
New ergonomics have been added, including an elegant piano roll, with full MIDI management, a new audio sequencer, an improved mixing table, and a new synthesizer... Now, all layers can be reduced or closed so you can work in a way most comfortable to you. If you keep the studio window open you can jam in realtime! [...] check out the elegant Piano Roll! [...] You have to hear Storm Studio 3 to appreciate what it can do!"

"For its cost, Storm 3.0 is still far ahead of the price and performance curve. It's still an easy, fast option to get beginners up and running, and with ReWire support and a stronger composition feature set, advanced producers shouldn't thumb their noses at it, either. "

"[Storm 3.0]
Extremely cost-effective. Very complete automation facilities. Excellent ReWire implementation. Flexible effects routing. GM module is a welcome addition. Efficient audio engine. Instruments have several novel features. Vastly improved sequencer and GUI. Easy to get up and running. Global shuffle function. [...] If you liked Storm 2, Storm 3 is in a different league, and well worth the $50 upgrade. If you haven't gotten into Storm, check out the demo and see what you're missing. [...] This is fun, cost-effective software where the technology doesn't interfere with your creativity. Craig Anderton"

"V3.0 [...] enhances its mixer with basic EQ (high and low shelf, sweepable mid) and an effects routing section, offers a far more flexible sequencer, and adds a GM synth to the roster of instruments, samplers, and effects. Thanks to new code, efficiency is way improved. [...] Storm 3 is truly fun standalone software, as well as a superb companion to programs that lack pattern-oriented looping or could use more virtual instruments. If you work with loops or groove-oriented material, at this price you simply can't go wrong. Craig Anderton"

"[Storm 3.0]
For users of previous versions of Storm, there's a new synthesizer and lots of improvements. Better ergonomics, an improved mixer and audio sequencer and window management on your desktop complement full MIDI control. Other software companies should take note: Arturia always includes a printed manual."

"People who like to create music in the 'traditional' way have sometimes be heard to say: "Making music on a computer? Load of nonsense, all you do is press a couple of buttons! Innit!" Well, now they're nearly right -even the most brain-dead Neanderthal can churn out track after track of music they vaguely had something to do with thanks to Storm's innovative Composition Wizard tool."

"Storm is one of the greatest values in the music-software world...The program's short learning curve and Composition Wizard make Storm 2.0 the go-to product for anyone who is just starting out in computer music and extremely strapped for cash."

"(Rated Great) - So who would want Storm? Anyone who wants to have big fun and quick results making electronic music - and who doesn't?"

"Simpler than Reason and more flexible than iSynth, Storm holds a middle ground of flexibility vs. simplicity that many users will find appealing."

"Storm is a lot of fun to use and a great loop-making tool."

"Overall, Storm represents tremendous bang for the buck - either as a VST instrument, ReWire device, or stand-alone loop mojo creation device."

"Value: 4/5 stars - A music studio that's beginner-friendly, with plenty of depth of control for more advanced users."

"If you are looking for an elegant, electronica-oriented combination of high-powered tools and ease-of-use, Storm 2.0 is ready to help you rock the house."

"Storm biggest's point of differentiation is that it can appeal to hobbyists who know virtually nothing about music and want instant musical gratification, but thanks to its VST and ReWire capabilities, Storm is viable for professional applications as well"

"For people serious about making music using their computers, this is an exceptional tool to have in their composition toolboxes."

"Overall, Storm is a great tool, especially (but not only) for musicians at the beginning of their game or on a limited budget. Storm offers flexibility, choice, and growth without any major hamstrings - a rare combination in its price range."

"Storm is a terrific loop machine; I was addicted from minute one. Its strong points are its excellent array of drum boxes, its ease of use, and its well-thought-out supply of factory patterns to get you started. Its synths are good sounding, and Bass-52 is excellent. H3O and Scratch fill a niche in sample looping, and H3O makes combining multiple samples into creative new loops a breeze."

"Storm 1.5 is a rock solid little studio with a colossal sound. On the surface it may not seem as versatile as Fruity Loops in terms of functions and expandabilty using Fruity's VST 2.0 effect plugins, DirectX instruments or Buzz machines in version 3.3 and price - but arguably, the quality of the Storm synths are superb and very individual. For $149 that's a lot of synth. You will not be disappointed!"

"Storm is a stable and most appealing product with many strengths, from a company who seem keen to continuously improve it [...] there's a lot of great music to be made with Storm."

"Storm is a competent application with all the features you'd expect, and it can produce some polished music. The Generators sound great, and once you've mastered Storm's eccentricities, it's a doddle to use. "

"Anyone who shuns the intricacies of standard sequencing software but wants something rather more comprehensive than a dance music construction kit, will find it in Storm. A bargain."

"Somebody save me -- I'm having too much fun[...].This program takes PC-based synthesis to new heights of interactivity. And you don't need to be a pocket-protector-wearing geek to get into it. Storm doesn't give you a million parameters to tweak, just the ones that will produce stylish results quickly."