[{"data":1,"prerenderedAt":301},["ShallowReactive",2],{"WCmzjLxSf7":3,"X68qULSjHR":45,"6LcaREZIbU":91,"i7r2J0egyf":119,"jyu6EUSAF2":172,"OffiqgEqPY":203},[4],{"product_id":5,"uid":6,"slug":7,"sku":8,"product_name":9,"display_name":9,"product_range":10,"product_type":11,"supported":12,"bundle":13,"zendesk_faq_url":14,"product_generation":15,"hardware":12,"protection":16,"category_alias":17,"buyable":12,"out_of_stock":13,"free":13,"licensable":12,"demoable":13,"current":12,"erp_skus":18,"bundle_composition":20,"details":21,"prices":38,"has_resources":12},268,"01cpe4sfr0sh84p2krf10gdjzx","drumbrute-impact","drumbrute-impact,0","DrumBrute Impact","brute","HardwareSynth",true,false,"https://support.arturia.com/hc/sections/4405740811922",0,"hardware_serialized","hardware-synths",[19],"561101",[],{"baseline":22,"description":29,"display_flags":36},{"de":23,"en":24,"es":25,"fr":26,"ja":27,"zh":28},"Das Biest schlägt zurück","The Beast Strikes Back","La bestia contraataca","Le colosse revient en force","'ビースト'の再来","野兽反击战",{"de":30,"en":31,"es":32,"fr":33,"ja":34,"zh":35},"Mach dich bereit, eine andere Art des Brute zu erleben. Eine Drum-Maschine mit Charakter –  der DrumBrute Impact ist ein süchtigmachender, spaßbringender und zutiefst beeindruckender Beat Maker mit einem massiven, einzigartigen Sound.","Get ready to meet a different kind of Brute. A drum machine with attitude, DrumBrute Impact is an addictively fun, instantly satisfying beat maker with a beefy, unique sound.","Prepárate para conocer a otro tipo de Brute. Una caja de ritmos con actitud: la DrumBrute Impact es una caja de ritmos divertida, adictiva y convincente al instante, con un sonido denso y único.","Préparez-vous à rencontrer un autre type de Brute. Le DrumBrute Impact est une boîte à rythmes au caractère bien trempé, qui produit instantanément un son musclé très original  dont vous n’êtes pas près de vous lasser.","新しいBruteを試す準備はできましたか？ これまでのドラム・マシンとは一味違うDrumBrute Impactは、思わず夢中になってしまうほど使ってて楽しく、パワフルで個性的なサウンドを瞬時に得ることができるビート・メイカーです。","准备好迎接另一种野兽。DrumBrute Impact 是一款有态度的鼓机，这款令人上瘾的有趣、立即令人满意的节拍制作器，具有强劲、独特的声音。",{"featured":13,"new":13,"promo":13,"show":12,"size":37},1,[39,42],{"currency_code":40,"product_price":41,"use_override":13},"USD",349,{"currency_code":43,"product_price":44,"use_override":13},"EUR",299,[46,56,63,70,77,84],{"id":47,"title":48,"description":49,"category":50,"ordering":51,"preset_description":52,"genre":52,"file":53,"artist":52},42707,"Bass Jam","Jam showing the rawer side of the machine. All sounds coming from the DrumBrute Impact, using the built-in distortion, and with additionnal touch of processing from Ableton's Color Limiter.\n","sound_corner",99,null,{"id":54,"url":55},11381,"https://audios.arturia.net/audios/Bass_Jam_Sebastien_Rochard_9802a7920d.mp3",{"id":57,"title":58,"description":59,"category":50,"ordering":51,"preset_description":52,"genre":52,"file":60,"artist":52},42710,"Groove Jam","This very lively jam was recorded straight from the machine, performed in one take. It is clearly making the most of all the instruments' ranges and performance features.\nAll sounds coming from DrumBrute Impact and its built in distortion circuit, n o external processing applied.",{"id":61,"url":62},11384,"https://audios.arturia.net/audios/Groove_Jam_Gustavo_Bravetti_f58297586c.mp3",{"id":64,"title":65,"description":66,"category":50,"ordering":51,"preset_description":52,"genre":52,"file":67,"artist":52},42713,"Lighthouse","Ambient and relaxing track made using DrumBrute impact for drums, as well as Analog Lab for synth sounds.\nAdditional processing was made using Ableton's native ping pong delay effect on the Snare 2.",{"id":68,"url":69},11387,"https://audios.arturia.net/audios/Lighthouse_Lily_Jordy_312aefd8d5.mp3",{"id":71,"title":72,"description":73,"category":50,"ordering":51,"preset_description":52,"genre":52,"file":74,"artist":52},42716,"Micro Jam","This à la micro-house jam/track shows well the variety of sounds that can be achieved by using accent tracks and automating the color of the instruments.\nAll sounds coming from the DrumBrute Impact, using the built-in distortion, and with additionnal touch of processing from Ableton's Color Limiter.",{"id":75,"url":76},11390,"https://audios.arturia.net/audios/Micro_Jam_Sebastien_Rochard_3b30e98f98.mp3",{"id":78,"title":79,"description":80,"category":50,"ordering":51,"preset_description":52,"genre":52,"file":81,"artist":52},42719,"Overtimed","Groovy and ambient electro composition put together very quickly thanks to the handy sequencer.\n3 Instances of DX7V were used for the synth parts. Processing include DrumBrute Impact's built-in distortion at a discrete setting, and Ableton's Glue Compressor for mild compression.",{"id":82,"url":83},11393,"https://audios.arturia.net/audios/Overtimed_Victor_Morello_2b25aa7164.mp3",{"id":85,"title":86,"description":87,"category":50,"ordering":51,"preset_description":52,"genre":52,"file":88,"artist":52},42722,"Slow Rise","In this ethereal track, Snare 2 is being used as a way to simulate a crash, thanks to its longer decay settings.\nAdditional processing was made using Ableton's native ping pong delay effect on the Snare 2. All synth sounds come from Analog Lab.",{"id":89,"url":90},11396,"https://audios.arturia.net/audios/Slow_Rise_Lily_Jordy_c789e3b831.mp3",[92,101,110],{"ordering":51,"id":93,"quote":94,"artist":95},4202,"Don’t let the small size fool you, the sound of this thing is massive! The redesigned engine is amazing. Add in the distortion, and it’s on another level! Punchy as f**k! This bad boy is my new go to machine for kick and snare!",{"id":96,"name":97,"band":98,"thumbnail_name":99,"types":100},1709,"Kenny Larkin","Techno producer from Detroit","Kenny_Larkin-thumb.jpg",[],{"ordering":51,"id":102,"quote":103,"artist":104},4565,"The DrumBrute Impact is built like an absolute analog tank! It instantly became the warmest and punchiest drum machine in my studio. It sounds amazing and plays even better.",{"id":105,"name":106,"band":107,"thumbnail_name":108,"types":109},1877,"JT Daly","Songwriter / Engineer","JT_Daly-thumb.jpg",[],{"ordering":51,"id":111,"quote":112,"artist":113},4808,"This thing is really inspiring. Every sound is usable and it’s lots of fun.  ",{"id":114,"name":115,"band":116,"thumbnail_name":117,"types":118},1928,"Ross McNae","Twin Atlantic","Ross_McNae-thumb.jpg",[],[120,129,137,146,154,163],{"ordering":52,"id":121,"baseline":122,"text":123,"image_path":124,"url_alias":125,"title":126,"featured":12,"quote":123,"locale":127,"content":128},341,"Drums With Impact","Making a name for himself as a session drummer and sequencer, Emre Ramazanoglu gained a reputation for his outstanding work, and soon became an in-demand producer and engineer in the UK’s bustling music scene.","/images/stories/emre/top.jpg","emre","Emre Ramazanoglu","en","\u003Cdiv class=\"itemFullText  \">\u003Csection class=\"section cover \" style=\"background-color: white; background-position: center bottom; background-image: url('https://www.arturia.com/images/stories/emre/top.jpg');\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row ratio-900 justify-content-center align-items-end\">\u003Cdiv class=\"col-sm-7  hide-sm\">\u003Ch1>Emre Ramazanoglu\u003Csmall class=\"d-block\">Drums\n                    With Impact\u003C/small>\u003C/h1>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section   \" style=\"background-color: white;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"container \">\u003Cdiv class=\"row justify-content-center text-center \">\u003Cdiv class=\" col-12  text-center show-sm\">\u003Ch1>Emre Ramazanoglu\u003Csmall class=\"d-block\">Drums\n                    With\u003Cbr>Impact\u003C/small>\u003C/h1>\u003C/div> \u003Cdiv class=\"col-12 col-sm-8\">\u003Cp class=\"h3 small\">Making a name for himself as a session drummer and sequencer, Emre Ramazanoglu\n                    gained a reputation for his outstanding work, and soon became an in-demand producer and\n                    engineer in the UK’s bustling music scene.\u003C/p> \u003Cp>Knowing that he had worked with the likes of Sia and Lilly Allen, and having recently\n                    completed Noel Gallagher’s High Flying Birds album “Who Built The Moon?”, we jumped at the\n                    chance to meet him in his West London studio to chat about his techniques, and to hear how\n                    he uses Arturia’s DrumBrute Impact in his productions.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-sm-8 mt-3 mb-3 red ratio-600\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/ES7GJRkryOk?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Femre&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Femre&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"655348881\">\u003C/iframe>\u003C/div>\u003C/div> \u003Cdiv class=\"row\">\u003Cdiv class=\"col-sm-5 col-12 my-3\">\u003Cp class=\"quote\">I’ve used DrumBrute Impact pretty much every day since I’ve had it. Writing\n                    sessions, augmenting kicks and snares in mixes, adding percussion parts, replicating beats\n                    for tricky mix points in fashion shows. It’s a great and versatile piece of kit! Very\n                    intuitive.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-sm-5 my-3\">\u003Cp>When we heard that one of our favorite producers was using our latest drum machine, we knew\n                    we were on to a winner. For the uninitiated, Emre is an accomplished jazz and session\n                    drummer who’s also been “behind the desk” and either performed or sequenced drums for a\n                    whole host of outstanding tracks. As if being a percussion mastermind wasn’t enough, Emre\n                    has also earned a reputation as skilled mix engineer and producer, making him the classic\n                    “double threat” in the studio.\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cdiv class=\"row\">\u003Cdiv class=\"col-6 col-sm-3\" style=\"padding: 0px;\">\u003Cimg src=\"https://medias.arturia.net/images/stories/emre/Emre_Carly_Rae_Jepson.jpg\" error=\"function(){return function(){}}\" alt=\"Carly Rae Jepson\" class=\"img-responsive img-full-width mx-auto\">\u003C/div> \u003Cdiv class=\"col-6 col-sm-3\" style=\"padding: 0px;\">\u003Cimg src=\"https://medias.arturia.net/images/stories/emre/Emre_Lily_Allen.jpg\" error=\"function(){return function(){}}\" alt=\"Lily Allen\" class=\"img-responsive img-full-width mx-auto\">\u003C/div> \u003Cdiv class=\"col-6 col-sm-3\" style=\"padding: 0px;\">\u003Cimg src=\"https://medias.arturia.net/images/stories/emre/Emre_Noel_Gallagher.jpg\" error=\"function(){return function(){}}\" alt=\"Noel Gallagher\" class=\"img-responsive img-full-width mx-auto\">\u003C/div> \u003Cdiv class=\"col-6 col-sm-3\" style=\"padding: 0px;\">\u003Cimg src=\"https://medias.arturia.net/images/stories/emre/Emre_Sia.jpg\" error=\"function(){return function(){}}\" alt=\"Sia\" class=\"img-responsive img-full-width mx-auto\">\u003C/div>\u003C/div> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"container \">\u003Cdiv class=\" row justify-content-center align-items-center  mt-3 \">\u003Cdiv class=\"col-12 col-sm-8\">\u003Ch2 class=\"full-width\">Real analog fire\u003C/h2> \u003Cp class=\"h3 small\">With a deceptively simple sound palette and “distortion” focused controls, it\n                    would be easy to think DrumBrute Impact is only useful for only a few niche genres.\n                    However, Emre shows us that nothing could be further from the truth.\u003C/p>\u003C/div> \u003Cdiv class=\"col-sm-6 col-12 my-4\">\u003Cimg src=\"https://medias.arturia.net/images/stories/emre/closeup.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto\">\u003C/div> \u003Cdiv class=\"col-sm-6 col-12  \">\u003Cp class=\"quote\">I’m lucky in that I get to work on a huge range of projects, sometimes just in\n                    one field but often combining many at once. I do a lot of mixing, mainly for commercial\n                    releases, but also some film score and sound design and mixing for large fashion events,\n                    sometimes mixing for quad systems in large spaces. I still do some engineering gigs, but\n                    they’re more often combined with writing or production nowadays.\u003C/p> \u003Cp class=\"quote boldnbig\">DrumBrute Impact is a little beast!\u003C/p>\u003C/div> \u003Cdiv class=\"col-sm-6 col-12  \">\u003Cp class=\"quote \">It’s so hands-on and intuitive; so easy to use and made by people who\n                    understand programming and the importance of a human connection to what you are doing when\n                    working with drum machines! It’s an essential tool for me now!\u003C/p> \u003Cp>His combined experience as a drummer and a producer gives Emre a powerful understanding of\n                    the creative process, letting him chat technically and relate emotionally to the performers\n                    he works with. It’s this same unique skill that makes DrumBrute Impact such an important,\n                    versatile instrument for him. Arturia’s latest analog drum machine features several\n                    outputs, so its drum sounds can also be in more esoteric, creative ways.\u003C/p>\u003C/div> \u003Cdiv class=\"col-sm-6 col-12 my-4\">\u003Cimg src=\"https://medias.arturia.net/images/stories/emre/face.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto\">\u003C/div> \u003Cdiv class=\"col-sm-6 col-12 my-4\">\u003Cimg src=\"https://medias.arturia.net/images/stories/emre/back.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto\">\u003C/div> \u003Cdiv class=\"col-sm-6 col-12  mt-4\">\u003Cp class=\"quote\">I can use a mix of outboard and plugins according to the job at hand to really\n                    make the most of the performance aspect of the DrumBrute Impact. I love experimenting with\n                    different processing chains on each output and patching between them to get radical changes\n                    in tone quickly. It’s great having just a few outs to capture the whole machine as I can\n                    keep the processing load manageable and really get creative.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-sm-8\">\u003Cp>Emre also uses DrumBrute Impact’s exclusive “Color” parameter to quickly add new tones to\n                    his tracks. Spicing up each instrument with a unique element, like heating up the kick,\n                    making a snare super-snappy, or ramping up the decay of the FM drum, he can find new sounds\n                    and textures that give his products the cut and individual character needed to stand out\n                    and make people take notice.\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/emre/02.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"container \">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-sm-6 col-12\">\u003Ch2 class=\"full-width \">Backbeat Backbone\u003C/h2> \u003Cp class=\"boldnbig quote\"> It’s been really well thought through, and the sequencing aspect of\n                    it is great!\u003C/p> \u003Cp>An early adopter of DrumBrute Impact, it has now become a firm favorite of Emre’s studio.\n                    Knowing that he has a reliable, great-sounding, and sonically adventurous drum machine\n                    available whenever he needs it lets him focus on the task at hand, safe in the knowledge\n                    that any requests from his clients can be met with punch and style, with no menu-diving in\n                    sight.\u003C/p>\u003C/div> \u003Cdiv class=\"col-sm-6 col-12 my-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/emre/0010240059_10-2.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto\">\u003C/div> \u003Cdiv class=\"col-sm-6 col-12 my-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/emre/final.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto\">\u003C/div> \u003Cdiv class=\"col-sm-6 col-12\">\u003Cp class=\"quote\">I tend to just do my thing in alignment with what the artist is after. I can\n                    draw from quite a diverse range of musical experience so hopefully I can get something\n                    going that everybody vibes with. If I feel the direction is problematic, I’ll flag it or\n                    steer the session away from the looming dead-end perhaps but often I’ll go with what the\n                    artist is feeling as it can lead to places I’ve never considered. If it doesn’t, then it’s\n                    still their record and it needs to be cool with them!\u003C/p> \u003Cp>Aside from playing, producing, and engineering for some of the world’s top acts,\n                    you might catch a glimpse of Emre drumming in his jazz outfit Ill Considered during their\n                    European mini-tour in Fall 2018.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-sm-8 mt-5\">\u003Cp class=\"h3 small\">Interested in DrumBrute Impact, and how it might transform the way you create\n                    drums and percussion in your studio and on the stage? Head to our \u003Ca href=\"/products/hardware-synths/drumbrute-impact/overview\">dedicated\n                        page\u003C/a> to learn more.\u003C/p>\u003C/div> \u003Cdiv class=\"col-sm-7 col-12 my-4\" style=\"background-position: center center; background-size: contain; background-repeat: no-repeat; background-image: url('https://www.arturia.com/images/products/drumbrute-impact/narrow-drumbrute-impact-banner.jpg');\">\u003Ca href=\"/products/hardware-synths/drumbrute-impact/overview\">\u003Cimg src=\"https://medias.arturia.net/images/products/drumbrute-impact/drumbrute-impact-image.png\" error=\"function(){return function(){}}\" class=\"product-image img-responsive\">\u003C/a>\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"clr\">\u003C/div> \u003Cdiv class=\"clr\">\u003C/div>\u003C/div>\u003C/section>\u003C/div>",{"ordering":52,"id":130,"baseline":131,"text":132,"image_path":133,"url_alias":134,"title":135,"featured":12,"quote":132,"locale":127,"content":136},353,"Emre Türkmen creating beats & DrumBrute impact","We caught up with one of our idols, songwriter and producer Emre Türkmen of the British synth-pop act Years & Years, to chat about his songwriting methods and inspiration. Sometimes, it can all start with a beat...","/images/stories/yearsandyears/top.jpg","years-and-years","Years & Years","\u003Cdiv class=\"itemFullText  \">\u003Csection class=\"section ratio-900 cover \" style=\"background-color: black; background-position: center bottom; background-image: url('https://www.arturia.com/images/stories/yearsandyears/top.jpg');\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-start align-items-end ratio-700\">\u003Cdiv class=\"col-12 col-md-8 hide-sm text-white\">\u003Ch1>Years & Years\u003Cbr> \u003Csmall>EMRE TÜRKMEN CREATING BEATS & DRUMBRUTE IMPACT\u003C/small>\u003C/h1>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center\">\u003Cdiv class=\"col-12 col-md-8 show-sm text-white text-center\">\u003Ch1>Years & Years\u003Cbr> \u003Csmall>EMRE TÜRKMEN CREATING BEATS & DRUMBRUTE IMPACT\u003C/small>\u003C/h1>\u003C/div> \u003Cdiv class=\"col-12 col-md-8\">\u003Cp class=\"h3 small text-center\">We caught up with one of our idols, songwriter and producer Emre Türkmen of the\n                    British synth-pop act Years & Years, to chat about his songwriting methods and inspiration.\n                    Sometimes, it can all start with a beat...\u003C/p> \u003Cp class=\"quote\">\"I got into music through The Beatles and then I wanted to become a guitar\n                    player, so I bought myself a Les Paul knockoff which weighed a ton, and started learning\n                    guitar. I learned the Nirvana MTV Unplugged album back to front.\"\u003C/p> \u003Cp class=\"quote\">\"I just made music in my room. I was too shy, but that meant that I had to\n                    learn how to do everything myself, so by the time I got to a place where I was like ‘I’m\n                    getting bored, I want to do something with other people,’ I was sort of ready.\"\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-8 my-4\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/endhxeWnR_k?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fyearsandyears&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fyearsandyears&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"910050106\">\u003C/iframe>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-6\">\u003Ch2>Don't Panic\u003C/h2> \u003Cp class=\"quote boldnbig\">\n                    \"I generally start with beats, I could sit around making beats all day.\"\"\n                \u003C/p> \u003Cp>While software instruments can give you almost unlimited choice and flexibility with your\n                    sound, sometimes the overwhelming number of options can stifle your creativity. This is\n                    where hardware can really help. An analog instrument like DrumBrute Impact gives its users\n                    a unique “voice” and soundset, and just enough limitations to keep you creative, and not\n                    endlessly searching for the right sound. When DrumBrute Impact was released, one if its\n                    first adopters was Emre: a true pioneer!\u003C/p> \u003Cp class=\"quote\">\"You can audition a kick sample for 5 hours instead of writing a song. When you\n                    have a DrumBrute Impact you’ll be surprised by how much variation and opportunity you have.\n                    You’ll be ten times more creative than if you have ten times more options.\"\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cimg src=\"https://medias.arturia.net/images/stories/yearsandyears/beat.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cimg src=\"https://medias.arturia.net/images/stories/yearsandyears/feat.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cp class=\"quote boldnbig\">\n                    \"DrumBrute Impact has a monster kick!\"\"\n                \u003C/p> \u003Cp>DrumBrute Impact features 10 high-energy sounds, a tasty drum-optimized distortion on the\n                    master bus to add some grungy crunch, and a seriously powerful sequencer that makes\n                    complex, polyrhythmic patterns as easy as A-B-C.\u003C/p> \u003Cp class=\"quote\">\"The cool thing is you can also enter your steps unquantized. The distortion is\n                    just great!” If you want to have all the options, you can; feed the outputs separately\n                    through their own external effects.\"\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/yearsandyears/gig.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive full-width-img  mx-auto\"> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\" row justify-content-center align-items-center \">\u003Cdiv class=\"col-12 col-md-6\">\u003Cimg src=\"https://medias.arturia.net/images/stories/yearsandyears/Still011.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Ch2>All for you\u003C/h2> \u003Cp class=\"h3 small\">We were incredibly grateful to chat with Emre, and wondered if he had any parting advice to musicians out there who are struggling to find, or keep their musical inspiration going.\u003C/p> \u003Cp class=\"quote\">\"Doing something is better than thinking about ‘what’s the right thing to do,’ because coming up with ideas isn’t easy, but that’s the fun bit. But finishing stuff is the difficult part, and what you’ll find is if you finish things you’ll be absolutely shocked as to where it leads.  Even if it’s something I think Years & Years won’t like, I finish it.\n                        \u003Cbr>\u003Cbr>\n                A) You’ll feel better. \u003Cbr>\n                B) You’ll likely end up with something that’s great.\u003Cbr>\n                C) You’ll end up learning something.\"\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6 \">\u003Cp class=\"quote boldnbig\">\"If I was going to have a t-shirt with a slogan about recording, it would be ‘FINISH IT.\"\u003C/p> \u003Cp>Years & Years are currently on their Palo Santo 2018-19 World Tour, so be sure to catch them in a city near you!\u003C/p> \u003Cp>If you’d like to find out more about Emre’s latest beat-making flame, check out our dedicated DrumBrute Impact page.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cimg src=\"https://medias.arturia.net/images/stories/yearsandyears/band.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto my-3\">\u003C/div>\u003C/div>\u003C/div>\u003C/section>\u003C/div>",{"ordering":52,"id":138,"baseline":139,"text":140,"image_path":141,"url_alias":142,"title":143,"featured":12,"quote":144,"locale":127,"content":145},365,"meets DrumBrute Impact","Risa Taniguchi is one of Japan’s most exciting new electronic music producers. She recently added our fiery DrumBrute Impact to her creative setup, so we got in touch to find out how she’s using it.","/images/stories/risa-taniguchi/top.jpg","risa-taniguchi","Risa Taniguchi","Risa Taniguchi is one of Japan’s most exciting new electronic music producers. She recently added our fiery DrumBrute Impact to her creative setup, so we got in touch to find out how she’s using it. ","\u003Cdiv class=\"itemFullText  \">\n    \u003Csection class=\"section ratio-900 cover \"\n        style=\"background-color: black; background-position: center bottom; background-image: url('https://www.arturia.com/images/stories/risa-taniguchi/top.jpg');\">\n        \u003C!---->\n        \u003C!---->\n        \u003C!---->\n        \u003Cdiv class=\"container\">\n            \u003Cdiv class=\"ratio-800 row align-items-center\">\n                \u003Cdiv class=\"col-12 text-white hide-sm\">\n                    \u003Ch1>\n                        Risa Taniguchi\n                        \u003Cbr>\n                        \u003Csmall>\n                            meets DrumBrute Impact\n                        \u003C/small>\n                    \u003C/h1>\n                \u003C/div>\n            \u003C/div>\n        \u003C/div>\n    \u003C/section>\n    \u003Csection class=\"section bg-white\" id=\"languageBlock_en\">\n        \u003C!---->\n        \u003C!---->\n        \u003C!---->\n        \u003Cdiv class=\"container\">\n            \u003Cdiv class=\"row justify-content-center align-items-center\">\n                \u003Cdiv class=\"col-12 show-sm text-center\">\n                    \u003Ch1>\n                        Risa Taniguchi\n                        \u003Cbr>\n                        \u003Csmall>\n                            meets DrumBrute Impact\n                        \u003C/small>\n                    \u003C/h1>\n                \u003C/div>\n                \u003Cdiv class=\"col-12 col-md-8 text-center mb-3\">\n                    \u003Cp class=\"h3 small\">\n                        Risa Taniguchi is one of Japan’s most exciting new electronic music producers. She recently\n                        added our fiery DrumBrute Impact to her creative setup, so we got in touch to find out how she’s\n                        using it.\n                    \u003C/p>\n                \u003C/div>\n                \u003Cdiv class=\"col-12 col-md-6\">\n                    \u003Cimg src=\"https://medias.arturia.net/images/stories/risa-taniguchi/dbi.jpg\"\n                        error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\n                \u003C/div>\n                \u003Cdiv class=\"col-12 col-md-6\">\n                    \u003Cp class=\"quote\">\n                        \"Around the time when I started DJing, the club scene in Tokyo was deeply connected with its\n                        fashion scene. One of my friends brought me to a club one day, and that was when I felt a real\n                        connection with electronic music for the first time. Before that, I had been obsessed in the\n                        classical music world. The electronic music act I fell in love with was Chemical Brothers.\"\n                    \u003C/p>\n                    \u003Cp class=\"quote \">\n                        \"Since I was a child, I’ve been playing classical piano, and was also taught to play the violin\n                        and trombone in school. I’m not sure about what the modern music education is like now, but\n                        looking back when I was there, my music class was pretty much about singing and performing\n                        together, so electronic music was something very new to me.\"\n                    \u003C/p>\n                    \u003Cp class=\"quote boldnbig \">\n                        \"DrumBrute Impact is such a great instrument to use in electronic and techno music.\"\n                    \u003C/p>\n                    \u003Cp class=\"quote\">\n                        \"I usually go with the flow with DrumBrute Impact, and enjoy jamming to get a big picture of the\n                        drum programming for my entire song. I also sometimes record single drum hits to my computer and\n                        use it as a one-shot sample.\"\n                    \u003C/p>\n                    \u003Cp class=\"quote\">\n                        \"I generally start a song either with recording a vocal sample or sequencing drums.\"\n                    \u003C/p>\n                    \u003Cp class=\"quote boldnbig \">\n                        \"I believe the power behind the DrumBrute Impact is its sound quality.\"\n                    \u003C/p>\n                    \u003Cp class=\"quote \">\n                        \"For me, it’s more about the way it sounds rather than its sequencer or other functions.\"\n                    \u003C/p>\n                \u003C/div>\n                \u003Cdiv class=\"col-12 col-md-6\">\n                    \u003Cp class=\"quote \">\n                        \"For the year ahead, I’m planning to really define my sound, and ask myself “what is my music”,\n                        rather than try a variety of sounds. Also, 2018 was pretty much about creating my music, so in\n                        2019 I’d like to perform more often and hopefully play at many venues in countries all over the\n                        world. When I do, DrumBrute Impact will definitely be a part of that.\"\n                    \u003C/p>\n                \u003C/div>\n                \u003Cdiv class=\"col-12 col-md-6 my-3\">\n                    \u003Ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\n                        src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/657174213&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true\">\n                    \u003C/iframe>\n                \u003C/div>\n            \u003C/div>\n        \u003C/div>\n    \u003C/section>\n    \u003Cscript type=\"application/javascript\">\n        var url = location.href;\n        var idx = url.indexOf(\"#\");\n        var language = idx != -1 ? url.substring(idx + 1) : null;\n        if ((!language || language == \"null\") && localStorage) {\n            language = localStorage.getItem('language');\n            if (!language || language == \"null\") language = \"en\";\n            location.href = (location.origin + location.pathname + '#' + language);\n        }\n        else if (localStorage) {\n            localStorage.setItem('language', language);\n        }\n        switch (language) {\n            case 'jp':\n                var enBlock = document.getElementById('languageBlock_en');\n                var jpBlock = document.getElementById('languageBlock_jp');\n                enBlock.parentNode.removeChild(enBlock);\n                jpBlock.style.display = null;\n                break;\n            default:\n                var enBlock = document.getElementById('languageBlock_en');\n                var jpBlock = document.getElementById('languageBlock_jp');\n                jpBlock.parentNode.removeChild(jpBlock);\n                break;\n        }\n        function setLanguage(language) {\n            if (localStorage) localStorage.setItem('language', language);\n            location.href = (location.origin + location.pathname + '#' + language);\n            location.reload();\n        }\n    \u003C/script>\n\u003C/div>",{"ordering":52,"id":147,"baseline":148,"text":149,"image_path":150,"url_alias":151,"title":106,"featured":12,"quote":152,"locale":127,"content":153},422,"Nashville Nights to                        Title Fights","Composer, producer, and musician JT Daly is used to getting his hands dirty in\r\n                    the studio. Now, he’s taken on yet another challenge – creating music for ESPN Films’\r\n                    Peabody and Emmy award-winning 30 for 30 series, “Chuck & Tito.”","/images/stories/jt-daly/top.jpg","jt-daly","Composer, producer, and musician JT Daly is used to getting his hands dirty in the studio. Now, he’s taken on yet another challenge – creating music for ESPN Films’ Peabody and Emmy award-winning 30 for 30 series, “Chuck & Tito.” ","\u003Cdiv class=\"itemFullText  \">\u003Cscript type=\"application/javascript\">\n    /* Add range theme to main page */\n    document.body.classList.add('theme-lab');\n\u003C/script> \u003Csection class=\"section\" style=\"background-color: black; background-repeat: no-repeat; background-size: cover; background-position: left bottom; background-image: url('https://www.arturia.com/images/stories/jt-daly/top.jpg');\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"ratio-900 row align-start justify-start p-5\">\u003Cdiv class=\"col-12 text-white text-left hide-sm\">\u003Ch1>JT Daly\u003Csmall class=\"d-block\">Nashville Nights to\n                        Title Fights\u003C/small>\u003C/h1>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section text-white\" style=\"background-color: white;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center  text-black\">\u003Cdiv class=\"col-md-10 col-12 justify-content-center mt-3\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/sa9Rp8twtEE?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fjtdaly&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fjtdaly&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"46388622\">\u003C/iframe>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"text-black\" style=\"background-color: white;\">\u003Cdiv class=\"container p-5\">\u003Cdiv class=\"row justify-content-center   \">\u003Cdiv class=\"col-12 col-sm-10  mt-0\">\u003Cp class=\"h3 small\">Composer, producer, and musician JT Daly is used to getting his hands dirty in\n                    the studio. Now, he’s taken on yet another challenge – creating music for ESPN Films’\n                    Peabody and Emmy award-winning 30 for 30 series, “Chuck & Tito.”\n                \u003C/p> \u003Cp>After years recording and touring in Nashville-based band Paper Route, multiple\n                    Grammy-nominated producer has been keeping himself busy.\n\n                \u003C/p>\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"container \">\u003Cdiv class=\"row text-black justify-content-center align-items-center  mt-5 \">\u003Cdiv class=\"col-12 col-sm-6 pt-5  \">\u003Cp class=\"h3\">Doing the Paper Route\n                \u003C/p> \u003Cp class=\"quote\">Writing songs with Paper Route was different every time. The best songs usually\n                    came from one of us bringing in an idea and we’d pull it apart and then piece it back\n                    together. It was the easiest way we could get something that sounded unique to us - but also\n                    was a song. We always tried to keep it so it could be deconstructed down to just a single\n                    instrument and the voice.\n                \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-sm-6 pt-5    \">\u003Cimg src=\"https://medias.arturia.net/images/stories/jt-daly/01.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive margin-0-auto \">\u003C/div> \u003Cdiv class=\"col-12 col-sm-6  pt-5   \">\u003Cimg src=\"https://medias.arturia.net/images/stories/jt-daly/02.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive margin-0-auto \">\u003C/div> \u003Cdiv class=\"col-12 col-sm-6  pt-5   \">\u003Cp class=\"h3\">Writing with Others\n\n                \u003C/p> \u003Cp class=\"quote\">That’s always the goal, to have fun, it should never feel like a chore.\n                    Recently I’ve spent some time with Arlie (Nathaniel Banks) and have been just blown away\n                    with what he has to say- both melodically and lyrically. He is an incredible talent. I’m in\n                    LA now with Lynn from PVRIS working on her new album. I love writing with her, and she is a\n                    very visual artist and person. There is an aesthetic to everything she does with that band.\n                    So if I pull up a drum beat with some chords and tell her to imagine a music video where\n                    she’s falling in slow motion through the sky… she knows how to approach the vocal melody. We\n                    can use almost our own language. It’s a special thing when you can understand another artist\n                    like that. It helps hunt down the appropriate emotion or feeling.\n                \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-sm-10  pt-5  \">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/sa9Rp8twtEE?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fjtdaly&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=2&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fjtdaly&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"793786820\">\u003C/iframe>\u003C/div> \u003Cdiv class=\"col-12 col-sm-10  pt-5 \">\u003Cp class=\"quote\">Like any extensive synth software it might seem daunting, but the Analog Lab\n                    was effortlessly incorporated into my creative process. It’s never been too taxing on my CPU\n                    or hard to use. I don’t find myself sifting through 200 decent sounds to find the thing I’m\n                    looking for. It’s very user friendly and sounds outstanding. It can be used with ease from\n                    the surface, or you can “open the hood” and discover the breadth of what the software\n                    offers.\n                \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cdiv class=\"item-100 mt-0\">\u003Cimg src=\"https://medias.arturia.net/images/stories/jt-daly/a.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width margin-0-auto\">\u003C/div> \u003Csection style=\"background-color: black;\">\u003Cdiv class=\"container text-white\">\u003Cdiv class=\"row justify-content-center align-items-center  \">\u003Cdiv class=\"col-12 col-sm-10 pt-5   \">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/nyci22cMXxo?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fjtdaly&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=3&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fjtdaly&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"763309004\">\u003C/iframe>\u003C/div> \u003Cdiv class=\"col-12 col-sm-8  pt-5 \">\u003Cp class=\"h3\">Chuck & Tito\n\n                \u003C/p> \u003Cp class=\"quote\">The movie is about the two UFC legends Chuck Liddell and Tito Ortiz and how\n                    their relationship evolved from friendship to enemies. Micah Brown, the director of the\n                    film, reached out to me and asked if I would create the music, and I could tell from just\n                    one conversation with him that he was going to make something great. He wanted to explore\n                    the psychology of why fighters fight and also why we’re drawn to watching it. The one thing\n                    that stood out to me was how at the peak of these fighters careers they were almost\n                    superheroes, and that’s how I wanted to approach the music. Even though it’s a documentary,\n                    I wanted to treat the score as more of a feature film. Both main characters have ‘theme\n                    songs’ there are some movements that repeat in different styles or on different instruments.\n                    I had my engineer (Josh Lovell) sample the sounds of the fights and training. We spent a\n                    little over a month just building a catalogue of things to pull from. Then I sort of just\n                    locked myself in the studio with the film. The initial cut had 37 original pieces in it.\n                    When I started it I had a few friends who had done projects similar tell me it would be one\n                    of the hardest things I would have ever done……. and they were definitely correct. It takes a\n                    lot of time with all of the edits to the film etc. It was also the first time where I’ve had\n                    to make music that wasn’t for me. Whether or not it was stylistically “my thing” or not\n                    didn’t matter. I had to create something that assisted in telling this story. That was the\n                    only thing that mattered.\n                \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-sm-4 pt-5  \">\u003Cimg src=\"https://medias.arturia.net/images/stories/jt-daly/03.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive margin-0-auto \">\u003C/div> \u003Cdiv class=\"col-12 col-sm-4  pt-5 \">\u003Cimg src=\"https://medias.arturia.net/images/stories/jt-daly/04.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive margin-0-auto \">\u003C/div> \u003Cdiv class=\"col-12 col-sm-8 pt-5  \">\u003Cp class=\"h3\">Building the Sounds\n                \u003C/p> \u003Cp class=\"quote\">There was one month where I had to travel as I was working on the film and\n                    figured I could keep writing by just bringing a MIDI controller and my laptop. A few of the\n                    songs I was working on seemed pretty special so when I came back to my studio I opened them\n                    up and went to replace the MIDI sounds. I noticed that the only tracks I couldn’t beat or\n                    replace were the Arturia Analog Lab sounds. I own some of the keyboards the software is\n                    replicating and I couldn’t even tell the difference. Nothing felt too thin or cheapened.\n                    This was kind of early on in the process and from that point on it was in every song. One\n                    other huge factor for me was\n                \u003C/p> \u003Cp class=\"quote boldnbig\">I could recall sounds with ease and adjust them in no time with each\n                    edit of the film. This saved me hours.\n                \u003C/p> \u003Cp class=\"quote\">I used the CMI, Prophet 5, and the DX7 a lot. The preset options are pretty\n                    stellar but the most important thing to me is that it never seemed daunting. Too many\n                    options can be crippling to me sometimes. I like to be forced into thinking creatively. If\n                    my choices are infinite I rely too much on them. I never had that issue with Analog Lab. It\n                    always felt inspired.\n                \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-sm-6  pt-5 \">\u003Cp class=\"h3\">Golden Beats\n                \u003C/p> \u003Cp class=\"quote\">DrumBrute Impact; this machine is insane. I can’t talk about it enough. It is\n                    so warm, so punchy, so easy to use. It has become a staple in my studio. The pitch control\n                    on the kick can turn it into a bass. I used that a lot. And it’s fun to play. I know that\n                    might sound elementary, but it’s so important. The way the pads feel and react is musical.\n                    You can perform with it.\n                \u003C/p> \u003Cp class=\"quote boldnbig\">You can perform with it.\n                \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-sm-6  pt-5 \">\u003Ca target=\"_blank\" href=\"https://www.arturia.com/products/hardware-synths/drumbrute-impact/overview\">\u003Cimg src=\"https://medias.arturia.net/images/products/drumbrute-impact/drumbrute-impact-image.png\" alt=\"\" class=\"img-responsive margin-0-auto\">\u003C/a>\u003C/div> \u003Cdiv class=\"col-12 col-sm-10  pt-5 \">\u003Cp class=\"h3\">Thank You, Next\n                \u003C/p> \u003Cp class=\"quote\">I actually have a project coming out early next year that I’m really excited\n                    about. My dream album. More info coming soon.\n                \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section>\u003C/div>",{"ordering":52,"id":155,"baseline":156,"text":157,"image_path":158,"url_alias":159,"title":160,"featured":12,"quote":161,"locale":127,"content":162},428,"State-of-the-arcade","Having produced video game soundtracks for the ‘Halo’ series and the Tom Clancy franchise, Tom Salta is a creator of truly epic, soulful music that fills its listeners with deep suspense and hope.","/images/stories/tom-salta/top.jpg","tom-salta","TOM SALTA","Having produced video game soundtracks for the ‘Halo�� series and the Tom Clancy franchise, Tom Salta is a creator of truly epic, soulful music that fills its listeners with deep suspense and hope. ","\u003Cdiv class=\"itemFullText  \">\u003Csection class=\"section  cover ratio-800\" style=\"background-color: white; background-image: url('https://www.arturia.com/images/stories/tom-salta/top.jpg'); background-repeat: no-repeat; background-position: center bottom;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-start ratio-800 \">\u003Cdiv class=\"col-md-8 hide-sm\">\u003Ch1>TOM SALTA\u003Cbr>\u003Csmall>State-of-the-arcade\u003C/small>\u003C/h1>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center  text-center \">\u003Cdiv class=\"col-md-8 show-sm\">\u003Ch1>TOM SALTA\u003Cbr>\u003Csmall>State-of-the-arcade\u003C/small>\u003C/h1>\u003C/div> \u003Cdiv class=\"col-12 col-md-8\">\u003Cp class=\"h3 small\">Having produced video game soundtracks for the ‘Halo’ series and the Tom Clancy franchise, Tom Salta is a creator of truly epic, soulful music that fills its listeners with deep suspense and hope.  \n                        \u003C/p> \u003Cp>We sat down with Tom to hear about the way he evolved his sound over time, changes to his studio setup enabled by virtual instruments, and his long-term history with Arturia.  \n\n                        \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-8 my-4\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/uMTa6HF_PU4?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Ftomsalta&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Ftomsalta&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"652694004\">\u003C/iframe>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/tom-salta/b.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-5\">\u003Cp class=\"h3\">_Entering the world of video game music   \n                        \u003C/p> \u003Cp class=\"quote\">\"For the first 15 years of my career, I was mainly in the record business. I spent a lot of time on tour and then I got back into record production. At that time, I was also playing video games like Halo, Rainbow 6, and Prince of Persia, and it wasn’t until 2001 that I actually fell in love with the idea of doing video game music.\"\n                        \u003C/p> \u003Cp class=\"quote boldnbig\">\"There was something about it that just drew me in.\"\n                        \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-7\">\u003Cimg src=\"https://medias.arturia.net/images/stories/tom-salta/02.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cimg src=\"https://medias.arturia.net/images/stories/tom-salta/03.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6 \">\u003Cp class=\"h3\">_Arturia saves the day\n                        \u003C/p> \u003Cp class=\"quote\">\"I first discovered Arturia in 1999, right on the cutting edge of virtual instruments. I just love it because it gives me instant access to synths that I would have only dreamed about having access to back when those synths were available.\"\n                        \u003C/p> \u003Cp class=\"quote\">\"In the Wolfenstein soundtrack, I was going for technology only available in 1980. I was limiting myself to things like the Prophet, the ARP 2600, and the Synclavier. The way I wanted to approach it was to come up with an authentic collection of instruments and signal chains. That’s where Arturia gave me a huge leg-up because I don’t own a lot of that stuff, like the Fairchild, the ARP 2600, or the Synclavier, and the list goes on and on. \"\n                        \u003C/p> \u003Cp class=\"quote boldnbig\">\"Arturia was like my saviour.\"\n                        \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-7 mt-4\">\u003Cp class=\"h3\">_Endless gear’\n                        \u003C/p> \u003Cp class=\"quote\">\"It’s amazing to see how much a studio has changed. If you look at my studio, it probably has the least amount of gear that it’s ever had. \"\n                        \u003C/p> \u003Cp class=\"quote boldnbig\">\"But because of virtual instruments, I have a whole museum of endless gear that I can call upon that is all right there in a computer.\"\n                        \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-5\">\u003Cimg src=\"https://medias.arturia.net/images/stories/tom-salta/04.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cimg src=\"https://medias.arturia.net/images/stories/tom-salta/05.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6  mb-4\">\u003Cp class=\"h3\">_Patching up soundtrack magic  \n                        \u003C/p> \u003Cp class=\"quote\">\"I allow myself that phase to explore, experiment, and assemble a palette of sounds that works for whatever I’m doing. Arturia was a huge part of that and gathering together patches that really capture the atmospheres and the textures that I wanted to create. \"\n                        \u003C/p> \u003Cp class=\"quote\">\"Because I’ve played so many games over the years and have played games that I’ve done music for, I’ve learned from experience what works best and what doesn’t work best. That gives me experience to judge how to improve and how to do things better the next time.\"\n                        \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/tom-salta/c.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section text-white\" style=\"background-color: rgb(58, 71, 78);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center \">\u003Cdiv class=\"col-12 col-md-6 text-white mt-4\">\u003Cp class=\"h2\">On his DrumBrute Impact\n                                        \u003Ca target=\"_blank\" href=\"https://www.arturia.com/products/hardware-synths/drumbrute-impact/overview\">\u003Cimg src=\"https://medias.arturia.net/images/products/drumbrute-impact/drumbrute-impact-image.png\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto my-3\">\u003C/a>\u003C/p>\u003Cp class=\"quote\">\"I just love this thing, it has so much attitude. It’s a great retro-sounding drum machine.\"\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6 text-white mt-4\">\u003Cp class=\"h2\">On using MatrixBrute\u003C/p> \u003Ca target=\"_blank\" href=\"https://www.arturia.com/products/hardware-synths/matrixbrute/overview\">\u003Cimg src=\"https://medias.arturia.net/images/products/matrixbrute/matrixbrute-image.png\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto my-3\">\u003C/a> \u003Cp class=\"quote\">\"The scariest beast of all is the MatrixBrute. That thing’s amazing because it brings a flexibility of modular synthesis but the convenience of digital patch saving, so I can still have that serendipitous patch creation where I can just turn knobs, not know what I’m doing, and come upon something that sounds great - but then recall it. Because if you’re just using modular synths and you have all those wires and you find something you love, you better take a lot of good photos because you’re never gonna get it back again. But with this thing, I can save it, I can recall it, and it’s right there.\"\u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"clr\">\u003C/div> \u003Cdiv class=\"clr\">\u003C/div>\u003C/div>\u003C/section>\u003C/div>",{"ordering":52,"id":164,"baseline":165,"text":166,"image_path":167,"url_alias":168,"title":169,"featured":12,"quote":170,"locale":127,"content":171},431,"Mind, Body, and Synthesis","Brazilian producer, DJ, and synth enthusiast Amanda Chang crafts electronic anthems and dynamite sets that hypnotize and energize in equal measure. When it comes to finding inspiration, she’s keen to keep an open mind. Uniting the intricacies of synth hardware, the meditative power of yoga practice, and the serenity of Brazil’s natural landscape, Chang unlocks a deeper connection with her music...","/images/stories/amanda-chang/01.jpg","amanda-chang","Amanda Chang","Brazilian producer, DJ, and synth enthusiast Amanda Chang crafts electronic anthems and dynamite sets that hypnotize and energize in equal measure. ","\u003Cdiv class=\"itemFullText  \">\u003Csection class=\"section  cover ratio-800\" style=\"background-color: white; background-image: url('https://www.arturia.com/images/stories/amanda-chang/01.jpg'); background-repeat: no-repeat; background-position: center bottom; padding-top: 10%;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-end ratio-800 \">\u003Cdiv class=\"col-md-8 hide-sm\">\u003Ch1>Amanda Chang\u003Cbr>\u003Csmall>Mind, Body, and Synthesis\u003C/small>\u003C/h1>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center text-center \">\u003Cdiv class=\"col-md-8 show-sm\">\u003Ch1>Amanda Chang\u003Cbr>\u003Csmall>Mind, Body, and Synthesis\u003C/small>\u003C/h1>\u003C/div> \u003Cdiv class=\"col-12 col-md-8\">\u003Cp class=\"h3 small\">Brazilian producer, DJ, and synth enthusiast Amanda Chang crafts electronic anthems and dynamite sets that hypnotize and energize in equal measure. When it comes to finding inspiration, she’s keen to keep an open mind. Uniting the intricacies of synth hardware, the meditative power of yoga practice, and the serenity of Brazil’s natural landscape, Chang unlocks a deeper connection with her music...\n  \n                        \u003C/p> \u003Cp>Born and raised in South East Brazil, Chang’s electronic music career began in the state of Rio de Janeiro. She cut her teeth performing at clubs in and around the state’s namesake city, with house music being the flavor of choice. Her reputation for intense, fiery performances quickly gained traction, and it wasn’t long before she started making waves on the international circuit, DJing in Ibiza, London, Berlin - the musical destinations of the world.\u003C/p> \u003Cp>It was when she started experimenting with hardware synthesizers, however, that her workflow took on an entirely new form.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-8 my-4\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/eRkP5keoT0w?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Famandachang&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Famandachang&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"680987906\">\u003C/iframe>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/amanda-chang/02.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section text-white bg-black\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-7\">\u003Cp class=\"h3\">_A leap of faith\n                        \u003C/p>\u003Cbr> \u003Cp class=\"h3 small\">Swapping the decks and faders for desktop synthesizers was a bold move, but for Chang, it felt like a necessary one. \n                        \u003C/p> \u003Cp class=\"quote boldnbig\">\"It was really liberating for me to be bold enough to get the equipment and perform live, having very little experience. I didn’t even know how to use the console mixer properly. But I made it work!\"\n                        \u003C/p> \u003Cp>Her live setup now consists almost entirely of desktop units, synchronized via MIDI and analog connections. This enables Chang to directly interact with every component of her mixes, enabling performances that are more immersive, human, and straight-up hypnotic. \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-5\">\u003Cimg src=\"https://medias.arturia.net/images/stories/amanda-chang/03.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-5\">\u003Cimg src=\"https://medias.arturia.net/images/stories/amanda-chang/03-2.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-7\">\u003Cp>Amanda mentions that this revelation was the result of time spent at Siesta del Fauno with seasoned synth veteran Ernesto Romeo. This synthesizer oasis, nestled in the middle of Buenos Aires, was the perfect environment for Amanda to explore the deepest corners of analog, digital, and modular, which now forms an integral part of her live and composition setup. \n                        \u003C/p> \u003Cp class=\"quote boldnbig\">\"I think the best way to start sound synthesis is with modular. This equipment expanded my mind in some way and opened possibilities to be able to create my own sound.\"\u003C/p> \u003Cp>But Chang didn’t just find inspiration in synthesis and experimenting with equipment - her surroundings and well-being played just as much of a role... \n                            \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/amanda-chang/04.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-5\">\u003Cimg src=\"https://medias.arturia.net/images/stories/amanda-chang/05.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-7 \">\u003Cp class=\"h3\">_Musical meditation\n                                \u003C/p>\u003Cbr> \u003Cp class=\"h3 small\">Perhaps in stark contrast with Chang’s newfound love for the technical nuances of modular and hardware synthesizers is her passion for yoga.\n                                \u003C/p> \u003Cp class=\"quote boldnbig\">\"It’s all about being in the present! I can say with all certainty that this ancient philosophy helps me in the development of my being, including discovering the complexity of electronic music/modular.”\n                                \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-7 \">\u003Cp>The relationship between Yogic practices and sound is not just well documented - the two have been intrinsically linked for millenia. The resonant frequencies of the different chakras are often used in meditative practices, believed to be related to different elements of spiritual awareness and inner peace - but Chang refers to them as a source of musical inspiration. \u003C/p> \u003Cp class=\"quote boldnbig\">\"There’s a project that I work on in between making techno music. ‘Projeto Luz’ combines and connects yoga, synthesizers, and ancestral instruments in a quadraphonic system.\"\n                                \u003C/p> \u003Cp>It seems that perhaps Chang has managed to strike a harmonious balance between the two. To bridge the gap between two practices that, on the surface, are at odds, but beneath, share a number of parallels. Synth hardware can be her meditation; yoga can be her musical inspiration. \n                                \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-5\">\u003Cimg src=\"https://medias.arturia.net/images/stories/amanda-chang/05-2.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/amanda-chang/06.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-7\">\u003Cp class=\"h3\">_The great outdoors\u003C/p>\u003Cbr> \u003Cp>Brazil is famous for a number of things. The colorful syncopations of samba, the enormous coffee export industry, and of course, the football. But another thing that often comes to mind is the country’s natural wonders; a tropical climate populated with sprawling rainforests, towering peaks that pierce the clouds, and miles of golden sands that look out onto the turquoise waters of the South Atlantic.\u003C/p> \u003Cp class=\"h3 small\">Chang notes that this isn’t something she takes for granted. Appreciation for her native country’s beautiful surroundings is at the core of everything she does. \n                                \u003C/p> \u003Cp class=\"quote boldnbig\">\"I have very strong ties with nature, whether it’s with waterfalls, the sea, the trees, or the forest. I live a very peaceful life. My musical process is always very connected to what I’m feeling.\"\n                                \u003C/p> \u003Cp>Maintaining a close connection with nature isn’t necessarily just about peace of mind - it also directly affects her creative output. The same could be said for her approach to yoga, and how she incorporates it into her daily life\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-5\">\u003Cimg src=\"https://medias.arturia.net/images/stories/amanda-chang/07.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-8 mt-4 text-center\">\u003Cp>By appreciating nature, by nurturing her spiritual well-being, by pushing the boundaries of her creative comfort zone, Chang constantly has inspiration on tap. Cultivating a peaceful lifestyle, a calm spirit, and a happy mind concentrates her thirst for new ways of expressing and challenging herself - paving the way for free-flowing musical creativity. \n                                \u003C/p> \u003Cp class=\"h3 small\">Chang’s outlook emphasizes the importance of not just finding the right gear - but of looking after yourself, nurturing your frame of mind, and being mindful of your surroundings.\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/amanda-chang/08.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section text-white\" style=\"background-color: rgb(153, 1, 1);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center\">\u003Cdiv class=\"col-12 col-md-6 mt-2\">\u003Cp class=\"h2\">On her DrumBrute Impact\u003C/p> \u003Ca target=\"_blank\" href=\"https://www.arturia.com/products/hardware-synths/drumbrute-impact/overview\">\u003Cimg src=\"https://medias.arturia.net/images/products/drumbrute-impact/drumbrute-impact-image.png\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive my-3\">\u003C/a> \u003Cp class=\"quote\">\"I like to use it in my live shows like a second drum machine as improvisation. I like to use the step repeat, looper, polyrhythms, color and I also like the size of the equipment to travel.\"\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6 mt-2\">\u003Cp class=\"h2\">On using MiniBrute 2S\u003C/p> \u003Ca target=\"_blank\" href=\"https://www.arturia.com/products/hardware-synths/minibrute-2s/overview\">\u003Cimg src=\"https://medias.arturia.net/images/products/minibrute-2s/minibrute-2s-image.png\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto\">\u003C/a> \u003Cp class=\"quote\">\"I recommend it for everyone. I really love this synthesiser. It’s a complex system at a very good price. It’s perfect for those who are starting out with semi-modular synthesizers or for those who have more experience. I always bring it with me for my live shows. I combined my personal modular system with MiniBrute 2S and I love it!\"\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section>\u003C/div>",[173,177,181,185,189,192,194,197,200],{"id":174,"image_path":175,"image_alt":176},3206,"/images/awards/future-music-plat.png","future-music-plat",{"id":178,"image_path":179,"image_alt":180},3209,"/images/awards/anr-sonic-joy.png","anr-sonic-joy",{"id":182,"image_path":183,"image_alt":184},3212,"/images/awards/musitech-value.png","musitech-value",{"id":186,"image_path":187,"image_alt":188},3215,"/images/awards/futuremusic-goty-2016.png","futuremusic-goty-2016",{"id":190,"image_path":191,"image_alt":176},3218,"/images/awards/future-music-plat-white.png",{"id":193,"image_path":179,"image_alt":180},3221,{"id":195,"image_path":196,"image_alt":188},3227,"/images/awards/futuremusic-goty-2016-white.png",{"id":198,"image_path":199,"image_alt":184},3230,"/images/awards/musitech-value-white.png",{"id":201,"image_path":202,"image_alt":52},3878,"/images/products/drumbrute-impact/drumbrute-impact-gearnews-drum-machines-synth-2024.png",[204,215,224,233,242,251,260,269,278,286,295],{"ordering":51,"id":205,"quote":206,"products":207,"press":211},2897,"My god, it kills!",[208],{"id":209,"documentId":210,"name":9},1196,"gukvq083blxh483essswp62s",{"id":212,"name":213,"image_path":214},311,"Sonic State","/images/logo-press/sonicstate.png",{"ordering":51,"id":216,"quote":217,"products":218,"press":220},2909,"Very, very good Drum Machine.",[219],{"id":209,"documentId":210,"name":9},{"id":221,"name":222,"image_path":223},443,"Ask Audio","/images/logo-press/askaudio.png",{"ordering":51,"id":225,"quote":226,"products":227,"press":229},2915,"The result: this thing hits really hard. That matters. We’re humans. We like things that go thud. We can feel it. This isn’t theory; it’s visceral.",[228],{"id":209,"documentId":210,"name":9},{"id":230,"name":231,"image_path":232},305,"Create Digital Music","/images/logo-press/createdigitalmusic.png",{"ordering":51,"id":234,"quote":235,"products":236,"press":238},2921,"What you have here is a really really nice sequencer with a really nice pallette of analogue sounds.",[237],{"id":209,"documentId":210,"name":9},{"id":239,"name":240,"image_path":241},455,"Reverb","/images/logo-press/reverb.png",{"ordering":51,"id":243,"quote":244,"products":245,"press":247},2927,"What matters here is the sound, and we found that everything that comes out of DrumBrute Impact is filled it with freshness and innovation. An excellent analog drum machine.",[246],{"id":209,"documentId":210,"name":9},{"id":248,"name":249,"image_path":250},263,"Future Music","/images/logo-press/futuremusic.png",{"ordering":51,"id":252,"quote":253,"products":254,"press":256},2933,"I love the distorsion !",[255],{"id":209,"documentId":210,"name":9},{"id":257,"name":258,"image_path":259},338,"Music Radar","/images/logo-press/musicradar.png",{"ordering":51,"id":261,"quote":262,"products":263,"press":265},2939,"This new Drumbrute expands the existing range in a way I never could imagine.\r\nThe result it's awesome and the options to sculpt my own sound are amazing.",[264],{"id":209,"documentId":210,"name":9},{"id":266,"name":267,"image_path":268},458,"Hispasonic","/images/logo-press/hispasonic.png",{"ordering":51,"id":270,"quote":271,"products":272,"press":274},3071,"New sounds, simple tools, powerful analog character and very broad connectivity.",[273],{"id":209,"documentId":210,"name":9},{"id":275,"name":276,"image_path":277},473,"ISPMúsica","/images/logo-press/ispmusica.png",{"ordering":51,"id":279,"quote":280,"products":281,"press":283},3113,"I’m certain the machine will be a runaway success, simply because of the kick and the distortion effect. Then the FM Drum adds a world of versatility to the device again. Go have a listen, absorb a slight incursion on the credit card and grab what will outrun the original DrumBrute as a true classic.",[282],{"id":209,"documentId":210,"name":9},{"id":121,"name":284,"image_path":285},"Audio Technology","/images/logo-press/audiotechnology.png",{"ordering":51,"id":287,"quote":288,"products":289,"press":291},3119,"With its very competitive price, DrumBrute Impact is positioned as a very affordable composition and performance tool to start or complement ones analog stage or studio setup. We award him a 2018 'Value for Money' Award",[290],{"id":209,"documentId":210,"name":9},{"id":292,"name":293,"image_path":294},398,"Audio Fanzine","/images/logo-press/audiofanzine.png",{"ordering":51,"id":296,"quote":297,"products":298,"press":300},3125,"PLATINIUM AWARD\r\nThe original DrumBrute was a very solid all-round drum synth paired with an excellent sequencer, at a price that made it very tempting. The Impact doubles down on all of this. (...) It is an inspiring and enticing drum machine at a very good price. ",[299],{"id":209,"documentId":210,"name":9},{"id":248,"name":249,"image_path":250},1779376232587]