[{"data":1,"prerenderedAt":376},["ShallowReactive",2],{"9EadFdL7Rg":3,"Lo6mKq90rw":63,"GDDTleWMwD":99,"DXNN7httPa":276,"br6lYMJ0D7":325},[4],{"product_id":5,"uid":6,"slug":7,"sku":8,"product_name":9,"display_name":9,"product_range":10,"product_type":11,"product_family":7,"supported":12,"bundle":12,"zendesk_faq_url":13,"product_generation":14,"hardware":12,"protection":15,"category_alias":16,"buyable":12,"out_of_stock":17,"free":17,"licensable":12,"demoable":17,"current":12,"erp_skus":18,"bundle_composition":20,"details":39,"prices":56,"has_resources":12},75,"018nehnar0b6z6pdd2ywzw1gqj","beatstep","beatstep,0","BeatStep","step","Sequencer",true,"https://support.arturia.com/hc",0,"ASC","hybrid-synths",false,[19],"430101",[21,28,34],{"id":22,"protection":23,"bundler_product_id":5,"bundler_product_sku":8,"bundled_product_id":24,"bundled_product_sku":25,"bundled_product_name":26,"is_third_party":12,"displayable_protection":27},420,"simple",133,"ableton-live-lite,0","Ableton Live Lite","an activation code",{"id":29,"protection":15,"bundler_product_id":5,"bundler_product_sku":8,"bundled_product_id":30,"bundled_product_sku":31,"bundled_product_name":32,"is_third_party":17,"displayable_protection":33},421,172,"analoglab-lite,0","Analog Lab Lite","Arturia Software Center",{"id":35,"protection":15,"bundler_product_id":5,"bundler_product_sku":8,"bundled_product_id":36,"bundled_product_sku":37,"bundled_product_name":38,"is_third_party":17,"displayable_protection":33},772,431,"analoglab-intro,5","Analog Lab Intro",{"baseline":40,"description":47,"display_flags":54},{"de":41,"en":42,"es":43,"fr":44,"ja":45,"zh":46},"Leistungsstarker Kompakt-Controller","Compact Control PowerHouse","Un controlador compacto prodigioso","Un contrôleur compact mais puissant","コンパクトなコントロール・パワーハウス","紧凑控制动力中心",{"de":48,"en":49,"es":50,"fr":51,"ja":52,"zh":53},"Der anpassungsfähige Controller und Sequenzer, der nahezu endlose Möglichkeiten bietet. Mit seinem kompakten Format ist er der perfekte Begleiter für unterwegs oder im Studio.","The chameleon controller and sequencer that provides nearly endless possibilities. With a compact format, it is the perfect companion on the road or in the studio.","El controlador y secuenciador camaleónico que ofrece posibilidades casi infinitas. Con un formato compacto, es el compañero perfecto para la carretera o en el estudio.","Le contrôleur et séquenceur « caméléon » aux possibilités presque infinies. Avec son format compact, c’est votre partenaire idéal aussi bien sur la route qu’en studio.","ほぼ無限の可能性を秘めたカメレオンのようなコントローラー/シーケンサー。そしてライブにもレコーディングにも最適なコンパクトなフォーマットを実現。","可变色控制器和音序器，提供几乎无限的可能性。凭借紧凑的体积，它是旅途或工作室的完美伴侣。",{"featured":17,"new":17,"promo":17,"show":12,"size":55},1,[57,60],{"currency_code":58,"product_price":59,"use_override":17},"USD",149,{"currency_code":61,"product_price":62,"use_override":17},"EUR",119,[64,74,83,91],{"ordering":65,"id":66,"quote":67,"artist":68},99,3572,"The BeatStep is a solid step sequencer, easy to use and extremely fun. Although it has plenty of applications, I do love it to go on with other analogue synthesizers as it allows me to get all of those incomparable musical nuances I was looking for.",{"id":69,"name":70,"band":71,"thumbnail_name":72,"types":73},1340,"Aki Bergen","DJ / Producer","Aki_Bergen-thumb.jpg",[],{"ordering":65,"id":75,"quote":76,"artist":77},3578,"The BeatStep is extremely intuitive and has helped my creative process and workflow exponentially. Not to mention making programming fun again!",{"id":78,"name":79,"band":80,"thumbnail_name":81,"types":82},1343,"Doc McKinney","Producer - Composer","Doc_McKinney-thumb.jpg",[],{"ordering":65,"id":84,"quote":85,"artist":86},3584,"Arturia's BeatStep will definitely be connected to my DAW , Love the fact it can be both Midi controller and a Sequencer , will make building Drums part in your track more creative and fun task than before.",{"id":87,"name":88,"band":71,"thumbnail_name":89,"types":90},1334,"Guy J","Guy_J-thumb.jpg",[],{"ordering":65,"id":92,"quote":93,"artist":94},3590,"I hate complicated technology and the BeatStep is as simple as one would wish. The benefit of great sequencing and controlling possibilities including a CV/Gate connectivity to get my old synths back from the attic in the studio.",{"id":95,"name":96,"band":71,"thumbnail_name":97,"types":98},1337,"Oliver Huntemann","Oliver_Huntemann-thumb.jpg",[],[100,111,120,129,138,147,153,162,171,177,186,195,204,213,222,228,237,246,255,264,270],{"ordering":65,"id":101,"quote":102,"products":103,"press":107},1895,"The BeatStep is well built, well designed, compact and just plain enjoyable to use. Add to this the step sequencer and the fact it retails for under $100 and it seems we have ourselves a bit of a winner.",[104],{"id":105,"documentId":106,"name":9},965,"zl099pflo6o0vx8gbi1hbco4",{"id":108,"name":109,"image_path":110},443,"Ask Audio","/images/logo-press/askaudio.png",{"ordering":65,"id":112,"quote":113,"products":114,"press":116},1994,"BeatStep is only slightly larger than half an A4 page but feels substantial",[115],{"id":105,"documentId":106,"name":9},{"id":117,"name":118,"image_path":119},551,"Computer Music","/images/logo-press/computermusic.png",{"ordering":65,"id":121,"quote":122,"products":123,"press":125},2006,"Bottom Line: Hugely Powerful Controller and Software, Great Value - it’s easily become an essential piece of gear",[124],{"id":105,"documentId":106,"name":9},{"id":126,"name":127,"image_path":128},305,"Create Digital Music","/images/logo-press/createdigitalmusic.png",{"ordering":65,"id":130,"quote":131,"products":132,"press":134},2060,"This lightweight, desktop controller can be used with just about any instrument you own, whether it's software or hardware-based, using MIDI and CV:Gate signals",[133],{"id":105,"documentId":106,"name":9},{"id":135,"name":136,"image_path":137},269,"Electronic Musician","/images/logo-press/electronicmusician.png",{"ordering":65,"id":139,"quote":140,"products":141,"press":143},2195,"Put simply, your wish is BeatStep’s command.",[142],{"id":105,"documentId":106,"name":9},{"id":144,"name":145,"image_path":146},314,"Keyboard Magazine","/images/logo-press/keyboard.png",{"ordering":65,"id":148,"quote":149,"products":150,"press":152},2207,"This has to be the runaway bang-for-buck hit of NAMM 2014. whether you need drum machine-style groove entry or a primary sequencer for your modular synth rig, you’re covered.",[151],{"id":105,"documentId":106,"name":9},{"id":144,"name":145,"image_path":146},{"ordering":65,"id":154,"quote":155,"products":156,"press":158},2243,"Fun, useful, flexible and packs a big punch for the price",[157],{"id":105,"documentId":106,"name":9},{"id":159,"name":160,"image_path":161},386,"KRHome Studio","/images/logo-press/krhomstudio.png",{"ordering":65,"id":163,"quote":164,"products":165,"press":167},2255,"A very powerful and fast controller, taking only little space in your studio, perfect for your travels it will allow you programming and execution \"LIVE\"",[166],{"id":105,"documentId":106,"name":9},{"id":168,"name":169,"image_path":170},362,"Meet Music Magazine","/images/logo-press/meetmusic.png",{"ordering":65,"id":172,"quote":173,"products":174,"press":176},2279,"BeatStep has to be the runaway bang-for-buck hit of NAMM 2014. Whether you need drum machine-style groove entry or a primary sequencer for your modular synth rig, you're covered.",[175],{"id":105,"documentId":106,"name":9},{"id":144,"name":145,"image_path":146},{"ordering":65,"id":178,"quote":179,"products":180,"press":182},2327,"With its excellent build quality, its multiple types of connections and the richness and simplicity of setting mainly via MIDI Control Center, BeatStep is undoubtedly a success.",[181],{"id":105,"documentId":106,"name":9},{"id":183,"name":184,"image_path":185},398,"Audio Fanzine","/images/logo-press/audiofanzine.png",{"ordering":65,"id":187,"quote":188,"products":189,"press":191},2387,"If you’re looking for something that can infuse some of the analog sequencer variability and groove to your productions, the BeatStep can get you there.",[190],{"id":105,"documentId":106,"name":9},{"id":192,"name":193,"image_path":194},410,"Resident Advisor","/images/logo-press/residentadvisor.png",{"ordering":65,"id":196,"quote":197,"products":198,"press":200},2399,"Basically as a tool it's got plenty to offer for the price. It certainly has a role in most setups.",[199],{"id":105,"documentId":106,"name":9},{"id":201,"name":202,"image_path":203},311,"Sonic State","/images/logo-press/sonicstate.png",{"ordering":65,"id":205,"quote":206,"products":207,"press":209},2447,"We love Arturia, you love Arturia, and it seems the French masters of hybrid synthesis are about to spread more love. BeatStep is likely to be one of the most important tools you'll want in your electronic arsenal",[208],{"id":105,"documentId":106,"name":9},{"id":210,"name":211,"image_path":212},263,"Future Music","/images/logo-press/futuremusic.png",{"ordering":65,"id":214,"quote":215,"products":216,"press":218},2465,"If you have external midi equipment, analog hardware, an iPad or a laptop, for that matter, then you probably owe it to yourself to give the BeatStep a test run. The easy to work the features and the low price bodes well for the future if Arturia with BeatStep could setting a trend ball rolling.",[217],{"id":105,"documentId":106,"name":9},{"id":219,"name":220,"image_path":221},425,"Studio Magazine","/images/logo-press/studiomagazine.png",{"ordering":65,"id":223,"quote":224,"products":225,"press":227},2471,"What makes BeatStep controller an especially interesting surprise from Arturia is the fact that being a step sequencer with USB connection it also has a cv / gate output that makes it easy to use with analog synthesizers.",[226],{"id":105,"documentId":106,"name":9},{"id":219,"name":220,"image_path":221},{"ordering":65,"id":229,"quote":230,"products":231,"press":233},2531,"Beatstep is a great controller, at a great price!",[232],{"id":105,"documentId":106,"name":9},{"id":234,"name":235,"image_path":236},341,"Audio Technology","/images/logo-press/audiotechnology.png",{"ordering":65,"id":238,"quote":239,"products":240,"press":242},2543,"The BeatStep is a David in a Goli- ath market. It may be small, yet it is mighty good and opens a door to in- spiration and creativity in both music creation and live performance.",[241],{"id":105,"documentId":106,"name":9},{"id":243,"name":244,"image_path":245},437,"Canadian Musician","/images/logo-press/canadianmusician.png",{"ordering":65,"id":247,"quote":248,"products":249,"press":251},2549,"An excellent MIDI controller that unites the worlds of software and hardware at a price that's hard to ignore",[250],{"id":105,"documentId":106,"name":9},{"id":252,"name":253,"image_path":254},392,"MusicTech","/images/logo-press/musictech.png",{"ordering":65,"id":256,"quote":257,"products":258,"press":260},2561,"If you’re a laptop performer in the market for drum pads, a flexible control surface and a hands-on step sequencer, the Beatstep could be exactly what you’re looking for!",[259],{"id":105,"documentId":106,"name":9},{"id":261,"name":262,"image_path":263},242,"Sound On Sound","/images/logo-press/soundonsound.png",{"ordering":65,"id":265,"quote":266,"products":267,"press":269},2573,"Arturia deserve accolades for creating something that stands out from the crowd.",[268],{"id":105,"documentId":106,"name":9},{"id":108,"name":109,"image_path":110},{"ordering":65,"id":271,"quote":272,"products":273,"press":275},2666,"Great control for synths, doubles as a set of drum pads & creative playback modes",[274],{"id":105,"documentId":106,"name":9},{"id":117,"name":118,"image_path":119},[277,288,297,306,315],{"ordering":278,"id":279,"baseline":280,"text":281,"image_path":282,"url_alias":283,"title":284,"featured":12,"quote":285,"locale":286,"content":287},null,329,"Bringing house to Les Césars and a César back home","The story of Arnaud Rebotini’s life would make an amazing TV\nseries, so it seems appropriate that it was cinema that brought this unconventional French DJ and producer recognition from the general public.","/images/stories/rebotini/top.jpg","arnaudrebotini","Arnaud Rebotini","The story of Arnaud Rebotini’s life would make an amazing TV series, so it seems appropriate that it was cinema that brought this unconventional French DJ and producer recognition from the general public. % buffered 00:00 -04:58","en","\u003Cdiv class=\"itemFullText  \">\u003Cscript type=\"application/javascript\">\n                        / Add range theme to main page /\n                          document.body.classList.add('theme-step');\n                    \u003C/script> \u003Csection class=\"section flex-row align-items-start section--image section--min-height section--xxl\" bg-color=\"#000\" style=\"--bg-image: url(https://www.arturia.com/images/stories/rebotini/top.jpg); --bg-position: bottom left;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\" row align-items-start justify-content-start p-5\">\u003Cdiv class=\"col-12 text-white\">\u003Ch1>Arnaud Rebotini\u003Csmall class=\"d-block\">Bringing house \u003Cbr> to Les Césars and\n                    \u003Cbr> a César back\n                    home\u003C/small>\u003C/h1>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section text-white bg-black\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center text-center\">\u003Cdiv class=\"col-md-8 col-12 mt-3\">\u003Cp class=\"h3 small\">The story of Arnaud Rebotini’s life would make an amazing TV\n                series, so it seems\n                appropriate that it was cinema that brought this unconventional French DJ\n                and producer recognition from\n                the general public.\u003C/p>\u003C/div> \u003Cdiv class=\"col-md-10 col-12 my-5\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/L-VZ1xbL9HI?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Frebotini&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Frebotini&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"65807025\">\u003C/iframe>\u003C/div>\u003C/div> \u003Cdiv class=\"row justify-content-center align-items-center \">\u003Cdiv class=\"col-md-4 col-12 mt-3\">\u003Cimg alt=\" \" src=\"https://www.arturia.com/images/stories/rebotini/black-strobe.jpg\" class=\"img-fluid\">\u003C/div> \u003Cdiv class=\"col-md-8 col-12 mt-3\">\u003Cp class=\"h3\">_The music never ends \u003C/p> \u003Cp>Brought up in a family of music lovers, Arnaud Rebotini has been collecting\n                vinyl records in all genres\n                since he was 11, from Blues to Metal, Disco to Hip-Hop, Techno, Rock and\n                Funk. He brought these eclectic\n                tastes to his first musical endeavor, founding Black Strobe in 1997; an\n                Electroclash/EBM duo with his\n                colleague at the record store where he worked at that time, Ivan Smagghe.\n            \u003C/p> \u003Cdiv class=\"row justify-content-center align-items-center \">\u003Cdiv class=\"col-md-4 col-12 mt-3\">\u003Cimg alt=\" \" src=\"https://www.arturia.com/images/stories/rebotini/burn-your-own-church.jpg\" class=\"img-fluid\">\u003C/div> \u003Cdiv class=\"col-md-8 col-12 mt-3\">\u003Cp>On the strength of their singles and remixes, Black Strobe went on to\n                        collaborate with top-range\n                        artists and bands such as Röyksopp, Rammstein and The Rapture. The\n                        duo splits in 2007 just after\n                        releasing their first LP “Burn Your Own Church”, but were quickly\n                        resurrected as a four-member\n                        band with a harder rock edge.\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center my-3\">\u003Cdiv class=\"col-md-6 col-12 \">\u003Ch2>The old school way\u003C/h2> \u003Cp>In 2008, Rebotini released his first solo album “Music Components”, which was\n                created using only hardware\n                synthesizers and drum machines.\n            \u003C/p> \u003Cp>The album cover itself notes that “the music engraved on the enclosed CD was\n                produced exclusively from\n                these devices”, above a collage of classic electronic instruments.\n            \u003C/p> \u003Cp class=\"mb-3\">This method of music-making became Arnaud’s sonic signature, one\n                he carried with him to\n                future releases and his live performances. On stage, Rebotini uses the\n                Arturia BeatStep Pro to sequence\n                and synchronize his extensive analog keyboard and drum machine rig.\n            \u003C/p> \u003Cimg alt=\" \" src=\"https://www.arturia.com/images/stories/rebotini/album.jpg\" class=\"img-fluid col-md-6 col-12 mt-3\">\u003C/div> \u003Cdiv class=\"col-md-6 col-12\">\u003Cimg alt=\" \" src=\"https://www.arturia.com/images/stories/rebotini/03.jpg\" class=\"img-fluid\">\u003C/div>\u003C/div> \u003Cdiv class=\"row justify-content-center align-items-center mt-4\">\u003Cdiv class=\"col-md-6 col-12\">\u003Cimg alt=\" \" src=\"https://www.arturia.com/images/stories/rebotini/bottom.jpg\" class=\"img-fluid\">\u003C/div> \u003Cdiv class=\"col-md-6 col-12 mt-4\">\u003Ch2>Black costume and red carpet\u003C/h2> \u003Cp>A little bit of this, a little bit of that, searching for inspiration\n                everywhere is a fundamental aspect\n                of Arnaud Rebotini’s personality, leading him to explore a wide variety of\n                music genres through his\n                different projects.\n            \u003C/p> \u003Cp class=\"mb-5\">It also explains his lifelong tendency to collaborate with other\n                artists and musicians, and\n                to apply his creativity beyond his comfort zone. This ambition no doubt led\n                to his success as a composer\n                for the big screen.\n            \u003C/p>\u003C/div> \u003Cdiv class=\"col-md-6 col-12 mt-4\">\u003Cp>Building a working relationship with director Robin Campillo, he was asked to\n                create the music of his\n                second and third full-length feature films: “Eastern Boys” in 2013; and “120\n                Battements par Minute” /\n                “120 BPM” in 2017.\n            \u003C/p> \u003Cp>“120 Battements par Minute” tells the story of French ACT UP group and\n                their struggles raising\n                awareness of AIDS in the early 90s, demanding action from the government\n                and pharmaceutical\n                companies to combat the epidemic at a time when many officials\n                considered HIV too taboo to discuss.\n                For this one, Robin Campillo asked Rebotini to create a radiant\n                soundtrack, mixing bright House\n                music and acoustic orchestration to contrast with the dramatic events\n                depicted in the movie.\n            \u003C/p> \u003Cp class=\"mb-5\">After its release, the movie-going public and critics alike\n                applauded “120 Battements\n                par Minute” for its passion and urgency. The movie went on to receive\n                tremendous attention and\n                success, including a flood of awards including the Festival de Cannes\n                Grand Prix and 6 César awards.\n                Among those awards was the César for Best Original Music, received by\n                Arnaud Rebotini in Paris.\n            \u003C/p>\u003C/div> \u003Cdiv class=\"col-md-6 col-12 mt-4\">\u003Cimg alt=\" \" src=\"https://www.arturia.com/images/stories/rebotini/cesar.png\" class=\"img-fluid\">\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section p-0 m-0\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"row \">\u003Cdiv class=\"col-12\">\u003Cimg src=\"https://www.arturia.com/images/stories/rebotini/cesar.jpg\" class=\"img-fluid\">\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section py-6 bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-md-6 col-12 mt-3\">\u003Ch2>A logic of addition\n            \u003C/h2> \u003Cp>While Arnaud’s greatest success to date was playing at 120 BPM, it’s safe to\n                say that his creative life runs at a much faster pace. Rebotini has now also\n                incorporated Arturia’s semi-modular MiniBrute 2S sequencing synth into his\n                analog rig, taking him right back to where his solo music journey began.\n                What does the future hold? Only time will tell.\u003C/p>\u003C/div> \u003Cdiv class=\"col-md-6 text-center col-12\">\u003Cimg src=\"https://www.arturia.com/images/stories/rebotini/minibrute-1.jpg\" class=\"img-fluid\">\u003C/div> \u003Cdiv class=\"col-md-6 text-center col-12 mt-6\">\u003Cimg src=\"https://www.arturia.com/images/stories/rebotini/beatstep-pro-top.png\" class=\"img-fluid\"> \u003Ca href=\"https://www.arturia.com/products/hybrid-synths/beatstep-pro/overview\" class=\"btn btn-primary mb-4 \">Discover\n                BeatStep Pro \u003C/a>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003C/div>",{"ordering":278,"id":289,"baseline":290,"text":291,"image_path":292,"url_alias":293,"title":294,"featured":12,"quote":295,"locale":286,"content":296},413,"Techno Renaissance","One of the most respected, in-demand DJs on the European circuit, Rebekah’s high-energy techno sets are a thing of glory to behold.","/images/stories/rebekah/top.jpg","rebekah","Rebekah","One of the most respected, in-demand DJs on the European circuit, Rebekah’s high-energy techno sets are a thing of glory to behold. ","\u003Cdiv class=\"itemFullText  \">\u003Csection class=\"section ratio-900 cover \" style=\"background-color: black; background-image: url('https://www.arturia.com/images/stories/rebekah/top.jpg'); background-position: center bottom;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-end text-white\">\u003Cdiv class=\"col-12 col-md-8 hide-sm mt-5\">\u003Ch1>Rebekah\u003Cbr> \u003Csmall>Techno Renaissance\u003C/small>\u003C/h1>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center \">\u003Cdiv class=\"col-12 show-sm text-center\">\u003Ch1>Rebekah\u003Cbr> \u003Csmall>Techno Renaissance\u003C/small>\u003C/h1>\u003C/div> \u003Cdiv class=\"col-12 col-md-8 text-white text-center\">\u003Cp class=\"h3 small\">One of the most respected, in-demand DJs on the European circuit, Rebekah’s high-energy techno sets are a thing of glory to behold. \n                \u003C/p> \u003Cp>We met up with her after one of her sell-out shows to discuss her inspiration, musical journey, and how she uses our BeatStep Pro sequencing controller in her life and studio rig.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-8 my-4\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/FwFjNcy3SVY?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Frebekah-technorenaissance&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Frebekah-technorenaissance&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"845716364\">\u003C/iframe>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center\">\u003Cdiv class=\"col-12 col-md-8 mb-2\">\u003Ch2>What playing electronic music means\u003C/h2>\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cp class=\"quote\">\"Being a teenager I needed an escape - and music was that escape. It gave me freedom, and the connection to something else than where I was at. I remember the first time I heard techno, I was like \"what is this?! I haven't heard anything like this\".. it just twisted my head so much, and I remember just losing complete control. That's when I fell in love with it; it's just this feeling of belonging to something else.\"\n                \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cp class=\"quote\">\"At the time, I was making music just for the sake of it, with no ulterior motive… that really freed my creativity up, and I could make music pretty freely then. I was not tied down to making a track that had to be a big one, to make a name for myself as a DJ. The minute I let go of all of that control I had around, it was the time that things actually started to happen and my career did move forward.\"\n                \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/rebekah/02.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive img-full-width mx-auto \"> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center\">\u003Cdiv class=\"col-12 col-md-8 mb-2\">\u003Ch2>How to get better at making music\u003C/h2>\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cp class=\"quote\">\"Two years of studying creative music production gave me a lot of confidence, helped me to finish my tracks, and look at what needs to be done next. The biggest tip I can give to upcoming music producers is just to finish something. I think this is important, and that everyone that feels serious about it should definitely do a course.\"\n                \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cp class=\"quote\">\"To get better, you just have to keep on making music. You just have to keep at it, get in your studio, know your monitors and your sound: reference it, throw it in another program, go to your car, test it in a DJ setup, mix it and see how it sounds when you swap a bassline over. It's all about that referencing part and this is how I get better by mixing it that way.\"\"\n                \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/rebekah/03.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto img-full-width \"> \u003Csection class=\"section\" style=\"background-color: rgb(243, 243, 243);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center \">\u003Cdiv class=\"col-12 col-md-6 \">\u003Cimg src=\"https://medias.arturia.net/images/stories/rebekah/b.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6  \">\u003Ch2>Happy accidents\u003C/h2> \u003Cp class=\"quote\">\"I'm always looking for happy accidents - I feel like my whole career was a happy accident! So for me, I feel like if they're not happening, there's a problem. I think those parts make things really interesting; when the machines do something and you manage to capture it or you cut something up weirdly and edit things differently. Those are the things I’m really looking for the most.\"\n                \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cp class=\"quote\">\"I always try to avoid falling into doing the same things by getting away from the same methods and having a few tools around to help with it. Maybe sometimes it's trying to not program the drums in the same way as usual, so you have more space to build other things. Having some time away from the studio might be beneficial sound-wise when you come back.\" \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cimg src=\"https://medias.arturia.net/images/stories/rebekah/a.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6 \">\u003Cimg src=\"https://medias.arturia.net/images/stories/rebekah/c.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6 \">\u003Cp class=\"quote\">\"When I use the machines the process is a bit different. If I can't get out of the groove I might bounce it into Ableton and jam on top of it; add a kick or arpeggiated riffs. With the modular, I would record everything in Ableton and cut up the loops that I make, or I would also do one take, noodling away for 7 minutes. There's different ways to get out of the loop and free yourself from it.\" \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/rebekah/04.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto img-full-width \"> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center  align-items-center \">\u003Cdiv class=\"col-12 col-md-8 text-center\">\u003Ch2>Rebekah on BeatStep Pro\n                \u003C/h2> \u003Cp class=\"h3 small\"> Our BeatStep Pro sequencing controller is a favorite among performing electronic musicians and modular gurus alike, and for good reason. There is simply no other piece of gear that lets you combine the digital music world with analog and modular synths.\n                \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cimg src=\"https://medias.arturia.net/images/stories/rebekah/d.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cp class=\"quote \">\"I like the fact that you can store so many different patterns, so when you’re playing live you can still have a lot of different rhythms and patterns. You can't really go that wrong with it - that's the beauty of it, it's super easy. You can have claps anywhere and it will sound great anyway! It's just really fun to use. I don’t have much time to learn things deeply so the surface level has to be relatively easy and understandable.\"\n            \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cp class=\"quote \">\"With the tricks it’s got, like the looper, and the “Last Step” function you can successfully use it in a performance as well. You do not want to be overloaded with too many features when playing live anyway. Once I got it I haven't really looked back. For the performance with the modular it’s really good. I think Arturia captured the market pretty well!”\n                \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cimg src=\"https://medias.arturia.net/images/stories/rebekah/e.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-8 text-center mt-5\">\u003Cp class=\"h3 small\">Interested in BeatStep Pro, and how it might transform the way you perform? Head to our \u003Ca href=\"/products/hybrid-synths/beatstep-pro/overview\">dedicated\n                        page\u003C/a> to learn more.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-8 text-center\">\u003Ca href=\"/products/hybrid-synths/beatstep-pro/overview\">\u003Cimg src=\"https://medias.arturia.net/images/products/beatstep-pro/beatstep-pro-image.png\" error=\"function(){return function(){}}\" class=\"product-image img-responsive\">\u003C/a> \u003Cp>\"If you want to hear more of Rebekah’s music, you can find her tracks on every streaming service, and loads of fantastic sets on YouTube. \u003C/p> \u003Cp>Here’s our favorite, from her \u003Cbr> \u003Ca target=\"_blank\" href=\"https://www.youtube.com/watch?v=5TZcCG-ItRE\">2017 Boiler Room show in Glasgow, Scotland\u003C/a>.\n                \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section>\u003C/div>",{"ordering":278,"id":298,"baseline":299,"text":300,"image_path":301,"url_alias":302,"title":303,"featured":12,"quote":304,"locale":286,"content":305},440,"A tale of coming alive","Based in Prague, Czech Republic, Floex (Tomáš Dvořák) is an award-winning composer blending electronic and acoustic sounds in unique ways, a synergy that bloomed on his album with Tom Hodge.","/images/stories/floex/01.jpg","floex","FLOEX (TOMÁŠ DVOŘÁK)","Based in Prague, Czech Republic, Floex (Tomáš Dvořák) is an award-winning composer blending electronic and acoustic sounds in unique ways, a synergy that bloomed on his album with Tom Hodge. % buffered 00:00 -03:58","\u003Cdiv class=\"itemFullText  \">\u003Csection class=\"section text-white cover ratio-800\" style=\"background-color: rgb(0, 0, 0); background-image: url('https://www.arturia.com/images/stories/floex/01.jpg'); background-repeat: no-repeat; background-position: center bottom; padding-top: 10%;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row align-items-end justify-content-center ratio-800 \">\u003Cdiv class=\"hide-sm \">\u003Ch1>FLOEX\u003Cbr>(TOMÁŠ DVOŘÁK)\u003Csmall class=\"d-block\">A\n                            tale\u003Cbr>of coming alive\u003C/small>\u003C/h1>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section text-white py-5\" style=\"background-color: black;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"container\">\u003Cdiv class=\"text-center show-sm \">\u003Ch1>FLOEX\u003Cbr>(TOMÁŠ DVOŘÁK)\u003Csmall class=\"d-block\">A\n                            tale\u003Cbr>of coming alive\u003C/small>\u003C/h1>\u003C/div> \u003Cdiv class=\"row align-items-center justify-content-center\">\u003Cdiv class=\"col-12 col-sm-8\">\u003Cp class=\"h3 small\">Based in Prague, Czech Republic, Floex (Tomáš Dvořák) is an award-winning\n                            composer blending electronic and acoustic sounds in unique ways, a synergy that bloomed on\n                            his album with Tom Hodge.\n\n                        \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-sm-8  py-5\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/bfZAhACHxcU?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Ffloex&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Ffloex&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"591180373\">\u003C/iframe>\u003C/div> \u003Cdiv class=\"col-12 col-sm-7  \">\u003Cp class=\"h3 small\">We talked to Tomáš about his latest project, Hotspot, and his newest\n                            collaborator, Josef the robot.\n                        \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/floex/02.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section text-white py-5\" style=\"background-color: black;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"container \">\u003Cdiv class=\"row align-items-center justify-content-center mb-2 \">\u003Cdiv class=\"col-12 col-sm-6 \">\u003Cimg src=\"https://medias.arturia.net/images/stories/floex/03-2.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Cp class=\"h3\">_The many colors of Floex\n\n                        \u003C/p> \u003Cp class=\"h3 small\">Multiple award winner of the Anděl (‘Angel’) Award, the Czech Grammy, Floex’s\n                            work spans across electronic music and game soundtracks, with his recent releases including\n                            ‘A Portrait of John Doe’, an EP ‘Gone’, and ‘Zorya’.\n                        \u003C/p> \u003Cp class=\"quote boldnbig\">Floex includes a production of many different things, for example\n                            making electronic music, but also creating interactive installations, or composing music for\n                            computer games - and I often have some fun with DJ-ing.\n                        \u003C/p> \u003Cp>He performed at festivals in the UK, Germany, the Netherlands, Spain, and Turkey. His\n                            ecstatic DJ personality is quite different from his atmospheric compositions, and his DJ\n                            sets can last for 10 hours or longer. Through mixing techno and electronic dance with\n                            occasional trips across other genres, immersing in his sonic journey often leads to a state\n                            of transcendental dance.\u003C/p> \u003Cp class=\"hide-sm\">As a versatile artist, Tomáš is involved in multimedia art. He created the\n                            ‘Netykavka’ project in 2016 with Dan Gregor of Initi, and presented it in New York in a\n                            theatre show. The interactive light sculpture, where rays of light projected on performers,\n                            acted as a fully responsive musical instrument, making the music performance uniquely\n                            different each time it was presented.\n\n                        \u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-sm-6\">\u003Cimg src=\"https://medias.arturia.net/images/stories/floex/03-3.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto \">\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"container\">\u003Cdiv class=\"row align-items-center justify-content-center\">\u003Cdiv class=\"col-12 col-sm-8 show-sm \">\u003Cp>As a versatile artist, Tomáš is involved in multimedia art. He created the ‘Netykavka’\n                            project in 2016 with Dan Gregor of Initi, and presented it in New York in a theatre show.\n                            The interactive light sculpture, where rays of light projected on performers, acted as a\n                            fully responsive musical instrument, making the music performance uniquely different each\n                            time it was presented.\n\n                        \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cdiv class=\"item-100\">\u003Cimg src=\"https://medias.arturia.net/images/stories/floex/03.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\">\u003C/div> \u003Cdiv class=\"item-100\">\u003Cimg src=\"https://medias.arturia.net/images/stories/floex/04.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\">\u003C/div> \u003Csection class=\"section py-5\" style=\"background-color: white;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"container \">\u003Cdiv class=\"row align-items-center mt-3 mb-3\">\u003Cdiv class=\"col-12 col-sm-4 \">\u003Cimg src=\"https://medias.arturia.net/images/stories/floex/05.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto \">\u003C/div> \u003Cdiv class=\"col-12 col-sm-7 \">\u003Cp class=\"h3\">_A hotspot of creativity and history\n                        \u003C/p> \u003Cp class=\"quote boldnbig\">Recently, we’ve created a project called Hotspot. So far, it’s mostly\n                            this DJ set filmed at Strahov, which is an interesting stadium in Prague with a truly\n                            captivating history. It’s one of the biggest stadiums in the world, and in communist times,\n                            huge ‘Spartakiad’ shows were being performed here - (a Soviet sports event) where you had\n                            thousands of people doing synchronised exercises. A lot of things have changed since then,\n                            but the unique industrial atmosphere that this place carries, and its ‘genius loci’,\n                            remains.\n                        \u003C/p> \u003Cp>The Strahov stadium was first built in 1926 and has been an important historical site ever\n                            since. In 1948, Sokol, the all-age gymnastics organization, organized a massive protest\n                            against the loom of communism. Since 1955, Soviet events started taking place, including\n                            impressive acrobatic plane shows, motocross races, or parachutist jump-offs. The last\n                            Spartakiad took place in 1985, a few years before the fall of communism in 1989. In 1990,\n                            one of the biggest Rolling Stones concerts ever with over 100,000 attendees took place here,\n                            marking a new era of open borders, an era when rock’n’roll was finally able to breathe\n                            beyond the black market. Guns N’ Roses performed here in 1992, Bon Jovi in 1993, and\n                            Aerosmith and Pink Floyd followed in 1994, cementing the stadium as a performing space\n                            worthy of the greats.\n                        \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/floex/06.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section text-white py-5\" style=\"background-color: black;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"container \">\u003Cdiv class=\"row align-items-center mt-3 mb-2 \">\u003Cdiv class=\"col-12 col-sm-7  \">\u003Cp class=\"h3\">_Coming alive\n\n                        \u003C/p> \u003Cp class=\"quote boldnbig\">The DJ set that we’ve done here is a bit unusual - mostly due to the\n                            fact that, as part of my DJ set, I improvised with a robotic drummer. It’s actually a\n                            character from a game called ‘Machinarium’, which I also composed the soundtrack for. At one\n                            point, this robot just kind of came to life for me, started drumming in my band, and I\n                            continue to work with it on various other projects.\n                        \u003C/p> \u003Cp>Machinarium, a visually striking robot adventure game, received international recognition for\n                            its artistry, brain-teasing puzzles, and the atmospheric and playful soundtrack that\n                            completes the game’s innovative nature. It was awarded ‘Best Soundtrack of 2009’ by PC\n                            Gamer, ‘Best Indie Game of 2009’ by Gamasutra, and got the ‘Excellence in Visual Art Award’\n                            by IGF in 2009.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-sm-4 \">\u003Cimg src=\"https://medias.arturia.net/images/stories/floex/07.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto \">\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/floex/08.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section text-white py-5\" style=\"background-color: rgb(90, 0, 190);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"container\">\u003Cdiv class=\"row align-items-center justify-content-center\">\u003Cdiv class=\"col-12 col-sm-8 text-white sm-100  \">\u003Cp class=\"h2\">Machine-fast beats with BeatStep Pro\u003C/p>\u003Cp>\u003C/p>\u003Cp class=\"h3 small\">Floex’s use of the BeatStep Pro is a great example of balancing mechanical\n                                precision while achieving organic growth of melodies and beats.\u003C/p> \u003Ca target=\"_blank\" href=\"https://www.arturia.com/products/hybrid-synths/beatstep-pro/overview\">\u003Cimg src=\"https://www.arturia.com/images/stories/floex/09.png\" alt=\"\" class=\"img-responsive margin-top-1 margin-bottom-1\">\u003C/a> \u003Cp class=\"quote img-responsive mt-2\">For this specific project, I needed a unique\n                                instrument that would control my robotic drummer. I needed to achieve fast programming\n                                of beats in a live setting. And precisely for this sort of task, sequencers by Arturia\n                                (BeatStep Pro) are great, because they allow fast and intuitive workflow. You can really\n                                pump the beat into it in real time and be playful with it in a lot of different ways.\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/floex/transition1.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section text-white py-5\" style=\"background-color: rgb(64, 1, 136);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"container\">\u003Cdiv class=\"row align-items-center justify-content-center\">\u003Cdiv class=\"col-12 col-sm-8 text-white sm-100  \">\u003Ca target=\"_blank\" href=\"https://www.arturia.com/products/hybrid-synths/beatstep-pro/overview\">\u003Cimg src=\"https://www.arturia.com/images/stories/floex/09.jpg\" alt=\"\" class=\"img-responsive margin-top-1 margin-bottom-1\">\u003C/a> \u003Cp class=\"h2\">Experimenting with technology\u003C/p> \u003Cp class=\"h3 small\">Floex is an artist that pushes the boundaries to reach new levels of original expression. Here he explains how the whole DJ setup worked from a more technical point of view based around the BeatStep Pro.\u003C/p> \u003Cp class=\"quote img-responsive margin-top-0\">The whole setup is quite simple. We used a special device called ‘driver’, allowing us to convert standard MIDI messages into electrical impulses for the solenoid motor, which operated the different drum elements. We ended up using a driver made by a Berlin group Dada Machines, which provided us with more channels and better customisation.\u003Cbr>\u003Cbr>\n \n                            This is how the whole setup worked: BeatStep Pro MIDI OUT is connected to the computer MIDI IN with Ableton Live. The reason why we used Ableton and not the standard DJ players is because of the synchronization between Josef and the tracks I was playing. The synchronization between BeatStep Pro and Ableton works perfectly,  it’s bulletproof. Another reason is latency caused by the solenoid motors, which is simple to resolve in Ableton, as it takes some time for the robotic drum stick to reach the surface of the drum.\u003C/p> \u003Cbr> \u003Cp class=\"h3 small\">Floex highlights the controller and sequencer’s live performance capacities, accessible to anyone wanting to bring their ideas to life:\u003C/p> \u003Cbr> \u003Cp class=\"quote img-responsive margin-top-0\">I really liked all the improvisation functions, like roller and looper, and also probability functions, which brought a ton of organic flow into the live improvisation. It’s also really fun to drift between full improvisation and prepared elements. For example, I would build some drum build up from scratch, and then easily switch into pre-saved loops for the next part of the track.\u003Cbr>\u003Cbr>\n \n                                Lastly, it’s great how easily accessible the whole patterns are. Because on DJ sets, I like to quickly but continuously change elements in the pattern to make it evolve.\u003C/p> \u003Ca target=\"_blank\" href=\"https://www.arturia.com/products/hybrid-synths/beatstep-pro/overview\">\u003Cimg src=\"https://www.arturia.com/images/stories/floex/09-2.jpg\" alt=\"\" class=\"img-responsive margin-top-1 margin-bottom-1\">\u003C/a>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cdiv class=\"item-100\">\u003Cimg src=\"https://medias.arturia.net/images/stories/floex/transition2.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\">\u003C/div> \u003Csection class=\"section text-white py-5\" style=\"background-color: rgb(90, 0, 190);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"container\">\u003Cdiv class=\"row align-items-center justify-content-center\">\u003Cdiv class=\"col-12 col-sm-8 text-white sm-100  \">\u003Cp class=\"h2\">Endless ways to be playful\u003C/p> \u003Cp class=\"h3 small\">With the right tools, an artist’s musical potential can rise up high.\n                        \u003C/p> \u003Cdiv class=\"row align-items-center justify-content-center mt-3 mb-2 \">\u003Cdiv class=\"col-12 col-sm-6 my-2\">\u003Cimg src=\"https://medias.arturia.net/images/stories/floex/10.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto \">\u003C/div> \u003Cdiv class=\"col-12 col-sm-6 my-2\">\u003Cimg src=\"https://medias.arturia.net/images/stories/floex/11.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto \">\u003C/div>\u003C/div> \u003Cp class=\"quote img-responsive mb-5 mt-3\">Arturia also makes many other\n                            things possible. For instance, you can randomize some of the beat’s parameters, so your\n                            composition is always changing, or you can just play with it, loop it, phrase it, and so on.\n                            I feel this project opened up many possibilities for me, and I’m excited for new ways to\n                            develop the idea.\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section>\u003C/div>",{"ordering":278,"id":307,"baseline":308,"text":309,"image_path":310,"url_alias":311,"title":312,"featured":12,"quote":313,"locale":286,"content":314},491,"Becoming Post Human","On their journey to literally becoming one of the world’s biggest rock acts, Bring Me The Horizon have danced with deathcore, djent, nu-metal, and alt-rock, emerging as an unstoppable musical force that transcends genre. As the person in charge of keyboards and programming, Jordan Fish & his hybrid rig is a crucial factor in their momentum. We caught up with Jordan backstage at the O2 Arena in London to talk about how he combines live drums, BeatStep, and KeyLab MkII in the name of raising hell.","/images/stories/bring-me-the-horizon/01.jpg","jordan-fish-bring-me-the-horizon","Bring Me The Horizon","On their journey to literally becoming one of the world’s biggest rock acts, Bring Me The Horizon have danced with deathcore, djent, nu-metal, and alt-rock, emerging as an unstoppable musical force that transcends genre. ","\u003Cdiv class=\"itemFullText  \">\u003Csection class=\"section\" style=\"background-color: black; background-repeat: no-repeat; background-size: cover; background-position: left bottom; background-image: url('https://www.arturia.com/images/stories/bring-me-the-horizon/01.jpg');\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"ratio-900 row align-items-start justify-content-start\">\u003Cdiv class=\"col-md-7 col-12 text-white hide-sm\">\u003Ch1>Bring Me The Horizon\u003Cbr>\u003Csmall>Becoming Post Human\u003C/small>\u003C/h1>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section text-white bg-black\" style=\"background-color: black;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center text-center \">\u003Cdiv class=\"col-12 show-sm \">\u003Ch1>Bring Me The Horizon\u003Cbr>\u003Csmall>Becoming Post Human\u003C/small>\u003C/h1>\u003C/div> \u003Cdiv class=\"col-12 mt-2\">\u003Cp class=\"h3 small\">On their journey to literally becoming one of the world’s biggest rock acts, Bring Me The Horizon have danced with deathcore, djent, nu-metal, and alt-rock, emerging as an unstoppable musical force that transcends genre. As the person in charge of keyboards and programming, Jordan Fish & his hybrid rig is a crucial factor in their momentum. We caught up with Jordan backstage at the O2 Arena in London to talk about how he combines live drums, BeatStep, and KeyLab MkII in the name of raising hell.\n                        \u003C/p>\u003C/div> \u003Cdiv class=\"col-md-8 col-12 my-4\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/O0oDTHsvHyU?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fjordanfishbringmethehorizon)&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fjordanfishbringmethehorizon)&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"829475040\">\u003C/iframe>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section text-white bg-black\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-md-6 col-12\">\u003Cp class=\"h3\">_Blessed with a curse\n                        \u003C/p> \u003Cp>It’s the last day of their multi-award nominated Post Human arena tour, the electricity is palpable, and we’re talking keys. We’re backstage with Jordan, whose setup has been honed to performance perfection in a trial-by-fire process; over the last decade, the band’s tour schedule and stage show has evolved exponentially, presenting new challenges.    \n                        \u003C/p> \u003Cp>As demonstrated by the Post Human tour, the scale of their performances now demands seamless reliability and total expressivity. Jordan invited us to check out his current rig, a mixture of live drums, a BeatStep, and a pair of KeyLab MkIIs. He makes a note of admiring the build quality and practicality of the gear - a blessing for a high-profile touring artist.\n                        \u003C/p> \u003Cp class=\"quote\">It packs down nicely and it’s really stable, I can add stuff and move stuff quite easily… they’re robust, but they’re also quite lightweight. And the knobs don’t fall off, which sounds silly, but they always fall off!\n                        \u003C/p>\u003C/div> \u003Cdiv class=\"col-md-6 col-12 my-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/bring-me-the-horizon/02.png\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive margin-0-auto \">\u003C/div> \u003Cdiv class=\"col-md-5 col-12  my-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/bring-me-the-horizon/07.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive margin-bottom-3\">\u003C/div> \u003Cdiv class=\"col-md-7 col-12\">\u003Ch3 class=\"text-white\">_From studio to stage-ready\u003C/h3> \u003Cp>Studios and live setups are two different worlds. When it comes down to translating the produced music onto the stage, the band takes a song and analyzes its parts to find the best way of chopping it up and making it performance-ready.    \n                        \u003C/p> \u003Cp>The different layers of a track might be more percussive, or they may provide melodic content woven into BMTH’s wall of guitars. Jordan shares that the whole band use MainStage to synchronize their sound live; his tight-knit combination of KeyLab MkII and BeatStep puts it all at his fingertips with absolute flexibility.\n                        \u003C/p> \u003Cp class=\"quote\">When we’re in the studio, I don’t tend to think too much about how the music is going to be played. I’m just trying to make something good… Because it’s all a MIDI-based system, we can literally shift sounds around.\n                        \u003C/p> \u003Cp>The process of translation from studio to stage often involves recreating sounds made for recording sessions. Jordan notes that this isn’t always possible, but by tapping into the original stems and assigning sounds to BeatStep’s pads, he can effectively have the exact studio sounds at the touch of a button.\n                        \u003C/p> \u003Cp class=\"quote\">For sounds that I’ve made and I can’t remember how I made them, I’ll re-chop them back up in some format, and then break them up into pads or on the Beatstep.\n                        \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/bring-me-the-horizon/06.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width margin-0-auto\"> \u003Csection class=\"section\" style=\"background-color: rgb(104, 244, 236);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-md-5 col-12 my-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/bring-me-the-horizon/08.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive margin-0-auto \">\u003C/div> \u003Cdiv class=\"col-md-7 col-12\">\u003Ch3>_A touch of color\u003C/h3> \u003Cp>Jordan’s hybrid rig has been assembled not only to play the part, but to look the part too. Its neat white aesthetic (a stormtrooper vibe, as he puts it) looks space-age on stage, a mothership in command of a deadly musical fleet. He notes that it’s hugely encouraging to be welcomed on the stage not only by devoted fans, but by your own gear. This is equipment that’s not only designed to serve your specific creative needs - this is equipment that’s happy to see you.   \n                        \u003C/p> \u003Cp class=\"quote\">When I come on stage, the keyboard does a little cool swipe thing on the lights, a little disco mode thing, which I love.\n                        \u003C/p>\u003Cbr> \u003Cp>Jordan’s colorful stickers on the KeyLab MkII’s keys are no source of shame. He says he’s got them ‘partly because I’m awful’, but partly because he often needs to move on from playing on the drums to playing a chord on the keys. Because this swift move happens in the dark, it gives him ‘a little starting point to find where I am.’\n                        \u003C/p>\u003C/div> \u003Cdiv class=\"col-md-7 col-12 mt-3\">\u003Ch3>_That's the spirit\u003C/h3> \u003Cp>Any serious musician wants a tool that’s open to do what your creativity desires. Equipment that’s professional without being patronizing, reliable while being inspiring. He makes it clear that he doesn’t feel held back by his playing skills:   \n                        \u003C/p> \u003Cp class=\"quote\">I’m a good musician in some senses, but I’m not particularly a good player. I don’t think you necessarily need to be held back by your piano or keys ability, you know what I mean? I think your creativity is the most important thing.\n                        \u003C/p>\u003Cbr> \u003Cp>As his parting message, Jordan leaves us with some wisdom that emphasizes the importance of enjoying what you do. He may not be a player in the traditional sense, but it’s clear that Jordan’s setup enables him and his bandmates to love what they do. When you see them on stage in their element, that much is obvious.\n                        \u003C/p> \u003Cp class=\"quote\">Mess with software synths, experiment, and just enjoy what you’re making. As long as you can make some music that you think is cool, and people connect with it, then that is way more important to me. \n                        \u003C/p>\u003Cbr>\u003C/div> \u003Cdiv class=\"col-md-5 col-12 my-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/bring-me-the-horizon/09.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive my-4 \">\u003C/div>\u003C/div>\u003C/div>\u003C/section>\u003C/div>",{"ordering":316,"id":317,"baseline":318,"text":319,"image_path":320,"url_alias":321,"title":322,"featured":12,"quote":323,"locale":286,"content":324},20,641,"Bridging Indigenous Sounds with Modern Technology","In an ever-changing musical landscape, Venezuelan musician and researcher Washé stands out by intertwining the ancient with the modern. Dedicated to preserving and reinterpreting the ancestral music traditions of Venezuela's indigenous communities, he creates immersive soundscapes that honor his cultural heritage while embracing contemporary techniques. Washé's work is a testament to the spiritual and cultural importance of sound, blending field recordings with electroacoustic innovation.","/images/stories/washe/01.jpg","washe","Washé","We joined Washé on an expedition into the Amazon basin to learn more about his work and approach, assisted by the BeatStep Pro and MiniFuse 2.","\u003Cdiv class=\"itemFullText  \">\u003Cdiv class=\"itemFullText  \">\u003Cdiv class=\"itemFullText  \">\u003Cdiv class=\"itemFullText  \">\u003Cscript type=\"application/javascript\">\n  /* Add range theme to main page */\n  document.body.classList.add('');\n\u003C/script> \u003Cspan class=\"nuke-sub-menu\">\u003C/span> \u003Csection class=\"section text-white\" style=\"background-color: rgb(0, 0, 0); background-repeat: no-repeat; background-size: cover; background-position: center top; background-image: url('https://www.arturia.com/images/stories/washe/01.jpg');\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"ratio-900 row align-items-center mt-6\">\u003Cdiv class=\"col-6 hide-sm\">\u003Ch1>Washé\u003Csmall class=\"d-block\">Bridging Indigenous Sounds with Modern Technology\u003C/small>\u003C/h1>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center text-center\">\u003Cdiv class=\"col-12 show-sm \">\u003Ch1>Washé\u003Csmall class=\"d-block\">Bridging Indigenous Sounds with Modern Technology\u003C/small>\u003C/h1>\u003C/div> \u003Cdiv class=\"col-md-8 col-12 mt-3\">\u003Cp class=\"h3 small\">In an ever-changing musical landscape, Venezuelan musician and researcher Washé stands out by intertwining the ancient with the modern. Dedicated to preserving and reinterpreting the ancestral music traditions of Venezuela's indigenous communities, he creates immersive soundscapes that honor his cultural heritage while embracing contemporary techniques. Washé's work is a testament to the spiritual and cultural importance of sound, blending field recordings with electroacoustic innovation.\u003C/p> \u003Cp>We joined Washé on an expedition into the Amazon basin to learn more about his work and approach, assisted by the BeatStep Pro and MiniFuse 2.\u003C/p>\u003C/div> \u003Cdiv class=\"col-md-10 col-12 justify-content-center mt-3\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/zihcZqDcPHM?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fwashe&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fwashe&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"327825962\">\u003C/iframe>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section text-white bg-black section--image section--min-height section--xl\" style=\"--bg-image: url(https://www.arturia.com/images/stories/washe/02.jpg); --bg-position: center;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003C/div>\u003C/section> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-md-6 col-12 mt-3\">\u003Ch2>Keeping tradition alive\u003C/h2> \u003Cp>Through his project Armonías Frecuenciales, Washé explores the profound relationship between sound and well-being. His direct experiences with indigenous peoples like the Wayuu, Pemón, and Ye'kuana have enriched his understanding of their music and culture. By integrating traditional instruments and chants with modern recording and performance techniques, he brings awareness to these cultures with the aim of replicating his own experience, and ensuring their sounds resonate with new generations.\u003C/p>\u003C/div> \u003Cdiv class=\"col-md-4 col-12 mt-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/washe/03.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive\">\u003C/div> \u003Cdiv class=\"col-md-4 col-12 mt-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/washe/04.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive\">\u003C/div> \u003Cdiv class=\"col-md-6 col-12 mt-3\">\u003Cp>Notable other projects include live performances that fuse field recordings from indigenous ceremonies with ambient electronic layering in order to engender transformative experiences for his audiences. Washé’s educational workshops further extend his mission, where he teaches about the spiritual significance of the traditions he has come to revere through his work.\u003C/p> \u003Cp class=\"quote\">This mixture leads me to imagine having been in those places and being able to replicate as close as possible… that experience to all spectators.\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cdiv class=\"d-flex justify-content-center\">\u003Cimg src=\"https://medias.arturia.net/images/stories/washe/05.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid\">\u003C/div> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-md-6 col-12 mt-3\">\u003Ch2>With powerful recording and performance tools\u003C/h2> \u003Cp>For Washé, technology is a bridge between the past and the future, between nature and newfound creative possibilities. The Arturia BeatStep Pro has become an essential component of his workflow, providing “comfort and ease to be able to create and develop sound design\". The sequencer allows him to craft complex rhythms that echo indigenous patterns while exploring new sonic territories.\u003C/p> \u003Cp>For his live performances and field recording, the MiniFuse 2 offers unparalleled reliability, control and sound quality. MiniFuse ensures that every nuance of the landscape around him is captured and his compositions are delivered with pristine clarity, allowing his audience to fully immerse themselves in the experience.\u003C/p> \u003Cp class=\"quote\">It has really be a great element within my live set.\u003C/p>\u003C/div> \u003Cdiv class=\"col-md-6 col-12 mt-5 mt-md-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/washe/06.png\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive\"> \u003Cp class=\"text-center\">\u003Ca href=\"https://www.arturia.com/products/audio/minifuse/minifuse2\" target=\"_blank\" class=\"arrow small text-white\">Discover MiniFuse 2 →\u003C/a>\u003C/p>\u003C/div> \u003Cdiv class=\"col-md-4 col-12 mt-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/washe/07.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive\">\u003C/div> \u003Cdiv class=\"col-md-6 col-12 mt-3\">\u003Ch2>A Personal Connection\u003C/h2> \u003Cp>Washé's artistic journey combines ethnomusicological preservation with sonic exploration and field recording. By marrying indigenous sounds with modern technology, he not only honors the deep cultural roots of Venezuela's indigenous communities but also makes them accessible to a wider audience. His work embodies Arturia's vision which encourages the limitless exploration of sound, whether from a high-rise bedroom studio or rainforest basin. Through his innovative approach, Washé invites us all to delve into a rich tapestry of sound, inspiring a deeper connection with the world's diverse musical heritage.\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section text-white bg-black section--image section--min-height section--xl\" style=\"--bg-image: url(https://www.arturia.com/images/stories/washe/08.jpg); --bg-position: center;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"inner-small py-5\">\u003Cp class=\"h3 text-center\">“We have a journey of long roads, even days of sailing, but it is totally worth it. Thus it is a very magical place with an organic natural orchestra.”\u003C/p>\u003C/div>\u003C/div>\u003C/section> \u003C/div>\u003C/div> \u003Cdiv class=\"clr\">\u003C/div> \u003Cdiv class=\"clr\">\u003C/div>\u003C/div> \u003Cdiv class=\"itemLinks\">\u003Cdiv class=\"itemCategory\">\u003C/div> \u003Cdiv class=\"clr\">\u003C/div>\u003C/div> \u003Cdiv class=\"clr\">\u003C/div> \u003Cdiv class=\"clr\">\u003C/div>\u003C/div>",[326,330,333,336,339,342,345,348,351,355,358,361,364,366,368,370,372,374],{"id":327,"image_path":328,"image_alt":329},1838,"/images/awards/futuremusic-value-n.png","aw1",{"id":331,"image_path":332,"image_alt":329},1841,"/images/awards/futuremusic-platinum-n.png",{"id":334,"image_path":335,"image_alt":329},1844,"/images/awards/hispasonic-pda-2014.png",{"id":337,"image_path":338,"image_alt":329},1847,"/images/products/awards/keybuy-n.png",{"id":340,"image_path":341,"image_alt":329},1850,"/images/awards/beat-empfehlung.png",{"id":343,"image_path":344,"image_alt":329},1853,"/images/awards/musictech-excellence-n.png",{"id":346,"image_path":328,"image_alt":347},3074,"futuremusic-value-n",{"id":349,"image_path":332,"image_alt":350},3077,"futuremusic-platinum-n",{"id":352,"image_path":353,"image_alt":354},3080,"/images/awards/keybuy-n.png","keybuy-n",{"id":356,"image_path":335,"image_alt":357},3083,"hispasonic-pda-2014",{"id":359,"image_path":344,"image_alt":360},3086,"musictech-excellence-n",{"id":362,"image_path":341,"image_alt":363},3089,"beat-empfehlung",{"id":365,"image_path":328,"image_alt":347},3092,{"id":367,"image_path":353,"image_alt":354},3098,{"id":369,"image_path":332,"image_alt":350},3104,{"id":371,"image_path":335,"image_alt":357},3107,{"id":373,"image_path":344,"image_alt":360},3110,{"id":375,"image_path":341,"image_alt":363},3116,1779376234137]