Overview Filter MINI Filter M12 Filter SEM Resources Overview Filter MINI Filter M12 Filter SEM Resources

Your go-to choice
for creative filters

If you’re looking to spice up your tracks, add a bit of excitement to your audio, or just get a bit of tone control, the choice of plugins can sometimes be a bit overwhelming. There are hundreds, if not thousands of plugins out there, but which one will be right for your music?

As a company full of musicians, we’re faced with this choice almost every day. Wouldn’t it be fantastic to be able to narrow our selection down to just a few titles? Titles that we knew were feature-packed, sounded awesome, and could be relied on. Titles that not only offered exciting modern features, but also gave us access to the sound of timeless analog tone controls. Titles that encouraged your creativity, instead of holding it back.

This is why we created 3 Filters You’ll Actually Use. Our heritage of accurately emulating vintage synths and bringing them back to life as software gave us the perfect starting point. To make our award-winning software instruments, we analyzed and recreated every aspect of some of the most legendary synths ever created, including their coveted analog filters.

Meet
the filter dream team

Straight from the glorious days of the analog synth, the tone-controlling power of these 3 filters were immortalized in the Matrix-12, Bob Moog's synth, and SEM.

Rocketing forward through time, the inimitable sound of these filters is now available as a standalone plugin, ready to change the way you create and mix music, and to become your go-to choice when you’re looking for ways to creatively control the frequency content of your audio.

Filter MINI

Dr Moog’s iconic, smooth ladder filter, accurately recreated and updated with modern features.

Filter SEM

Simple, great-sounding state-variable filter with mode blending, analog soft-clipping and mod matrix.

Filter M12

The master of complexity and depth, Tom Oberheim’s legendary 80s filter on steroids.

What can these filters
do?

“My software instruments already have filters, why would I need a filter plugin?”

It’s an exciting feeling to shape the sound of electric guitars, drums, vocals, brass instruments, and samples using the lush analog sound of famous synth filters. With this plugin bundle, it’s easy to create atmospheric drops by low-pass filtering the high-end out. Or why not by cutting the bass with a high-pass filter, creating a bit of tension and expectation before a chorus, for example?

The fun doesn’t stop there. Beyond simply using the filters as they were originally designed, you can also use one of the many added features to step things up. Start experimenting with envelope programing, push your input gain and saturate your signal with analog drive, or add a bit of randomness to your sequences. You can also map your controller keyboard to any of the 3 Filter’s MIDI CC parameters, letting you adjust and perform using any of the filters on the fly. This is great for use in a live setting, giving you instant, hands-on control.

Each plugin also contains dozens of presets for you to explore, and use as the basis of your own, personalized sound.

Press
Clippings

Iconic synth sound-shaping
on any audio source

Beautifully recreated vintage effects don’t come easy.

Using our exclusive TAE modelling technology, we are able to map out the sound and behaviour of electronic instruments, right down to the level of individual components, to create accurate software emulations of these groundbreaking synths and keyboards. As our modelling methods examine the core components, we found that we were also able to isolate certain features. The thought of using Dr Moog’s famous ladder filter, or one of Tom Oberheim’s multi-mode marvels on any audio source in our DAW excited us. We thought it would excite you, too.

With these powerful filter effects, we not only give you access to these classic modules, we have also fleshed each plugin with creativity-focused bonus features that take them all to another level. From M12-Filter’s modulation matrix and programmable envelopes to Mini-Filter’s sequencer, we know that you’re going to love exploring and experimenting with these filters to enhance your music.

Each plugin combining classic tone control with exciting modern functionality, so that whenever you need a filter in your productions, Arturia has you covered.

Artists corner

Pushing
the envelope

From simple tone control to random syncopated sonic carnage, the humble filter can have a dramatic effect on any sound source. To give you an idea of what’s possible with the plugins in 3 Filters You’ll Actually Use, here are a few demos to sink your teeth into.

Filter SEM Demos

Modulation of both the cutoff frequency and the noise level, creating a hi-hat track on top of some heavy cutoff modulation.

Mangling the original source, LFO modulating the Filter Out at audio rate and a set of various modulations.

Rising lowpass cutoff automation over 4 bars. Useful for any application!

You can have a lot of fun with this powerful tempo-synced LFO controlled preset. Hear it add a whole lot of movement and life to this electronic extract.

Filter M12 Demos

This preset responds to the incoming audio signal and adds a satisfying 'zap' to the transients.

Resonant filtering on a guitar riff, emulating a wah effect. The audio signal triggers an envelope controlling both the filter cutoff and rate of the modulation.

Combined functions with the same shape but out of phase creates a nice gated rhythmic effect on this synth pad.

This preset will generate a Kick Drum/Tom and some Tops/HiHats from whatever youll feed to it. The spectral balance of the source will define the outcome.

Filter MINI Demos

A 6 step sequence and a very fast LFO, completely transforming this techno mix into a weird FM-like sequence.

Classic pumping effect that really transforms these lush EDM chords. Perfect for adding a sidechained kick and starting a dance track.

Lovely distortion effect created by cranking up the drive knob. It definitely adds some crunch and character to this dub guitar and drum loop.

Simple step sequencer applied to the cutoff frequency, adding movement to two otherwise static sounds.

Arturia Software Center

ASC is the central software that elegantly manages all your Arturia software licenses. It activates your licenses and synchronizes them across multiple devices (you get five instances with each instrument license). ASC also notifies you of updates and downloads them. You can even easily learn about new products, download demos versions and purchase the full products. Simple.

TAE® and Phi® Powered

To create its sound, this software title uses both of Arturia's exclusive modelling technologies. TAE® is used to map out, analyse, and reproduce the nuanced behaviour of analog electronic components and circuits. Phi® is focused on physical modelling, reproducing a virtual version of the original instrument inside your computer, letting you hear its resonance and vibrations, rather than simply playing back sampled recordings. The benefit of all this technology is also two-fold: it sounds absolutely amazing, and it gives you huge scope to tweak and personalize.