[{"data":1,"prerenderedAt":215},["ShallowReactive",2],{"GAnfFweiCH":3,"dZ0EzP5bl3":45,"lyEU9YmeQk":74,"53Jz8peUEp":126,"aghoxu6Fje":214},[4],{"product_id":5,"uid":6,"slug":7,"sku":8,"product_name":9,"display_name":9,"product_range":10,"product_type":11,"supported":12,"bundle":13,"zendesk_faq_url":14,"product_generation":15,"hardware":13,"protection":16,"category_alias":17,"buyable":12,"out_of_stock":13,"free":13,"licensable":12,"demoable":12,"current":12,"erp_skus":18,"bundle_composition":20,"details":21,"prices":38,"has_resources":12},279,"01d98nsnr058yns11r1fxkqp67","mellotron-v","mellotron-v,0","Mellotron V","lab","SoftwareInstrument",true,false,"https://support.arturia.com/hc/sections/4405747969042",0,"ASC","software-instruments",[19],"210731",[],{"baseline":22,"description":29,"display_flags":36},{"de":23,"en":24,"es":25,"fr":26,"ja":27,"zh":28},"Psychodelischer Analog-Sampler.","Psychedelic analog sampler.","Sampler analógico psicodélico.","Un sampleur analogique psychédélique","サイケデリック・アナログ・サンプラー。","迷幻模拟采样器。",{"de":30,"en":31,"es":32,"fr":33,"ja":34,"zh":35},"Lange vor den Synthesizern hat das Mellotron ein Orchester auf Tastendruck des Keyboarders durch Bandaufnahmen von echten Instrumenten abgespielt. Das Mellotron V nutzt all dessen Lo-Fi-Charakter in einem authentischen virtuellen Instrument, das respektvoll für die moderne Musikproduktion optimiert wurde.","Long before synths, the Mellotron put an orchestra at the keyboardist’s command using tape recordings of real instruments. Mellotron V harnesses all of its lo-fi goodness in an authentic virtual instrument, respectfully enhanced for modern music-making.","Mucho antes de la llegada de los sintetizadores, el Mellotron puso una orquesta en las manos de los teclistas mediante grabaciones en cinta de instrumentos reales. Mellotron V exprime todo su jugo lo-fi en un instrumento virtual genuino, cuidadosamente mejorado para la producción de música actual.","Bien avant les synthétiseurs, le Mellotron a transformé les claviéristes en chefs d’orchestre grâce à ses enregistrements sur bande de véritables instruments. Le Mellotron V vous permet de retrouver tout le charme lo-fi de l’original dans un instrument virtuel fidèle, qui a été respectueusement amélioré pour les créateurs modernes.","シンセが登場する遥か以前、本物の楽器音を録音したテープを使用し、キーボーディストがオーケストラを演奏できた楽器が、Mellotronでした。そして、そのローファイなMellotron特有の質感をバーチャル・インストゥルメント上で忠実に再現し、現代の音楽制作環境に必要とされる数々の機能を新たに追加したのが、Mellotron Vです。","早在合成器出现之前，Mellotron 就使用真实乐器的录音带将管弦乐队置于键盘手的指挥之下。Mellotron V 在忠实的虚拟乐器建模中利用其所有的低保真优点，为现代音乐制作提供了增强。",{"featured":13,"new":13,"promo":13,"show":12,"size":37},1,[39,43],{"currency_code":40,"product_price":41,"use_override":13,"product_override_price":42},"USD",149,79,{"currency_code":44,"product_price":41,"use_override":13,"product_override_price":42},"EUR",[46,57,65],{"ordering":47,"id":48,"baseline":49,"text":50,"image_path":51,"url_alias":52,"title":53,"featured":12,"quote":54,"locale":55,"content":56},null,407,"Recreating The Beatles'  Iconic Sounds","The Beatles’ Abbey Road album was released 50 years ago. In celebration, the BBC put together a live performance of the classic album at Abbey Road Studios. Bryan Borcherds caught up with keyboardist Adam Dennis who had the honor of playing keyboard instruments at the concert.","/images/stories/adam-dennis/top03.jpg","adam-dennis","ADAM DENNIS","Bryan Borcherds caught up with keyboardist Adam Dennis who had the honor of playing keyboard instruments at the live performance of the classic album at Abbey Road Studios..","en","\u003Cdiv class=\"itemFullText  \">\u003Csection class=\"section ratio-900 cover \" style=\"background-color: black; background-position: center bottom; background-image: url('https://www.arturia.com/images/stories/adam-dennis/top03.jpg');\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row ratio-900\">\u003Cdiv class=\"col-12 col-md-8 mt-5 hide-sm\">\u003Ch1>ADAM DENNIS\n            \u003Cbr>\u003Csmall>Recreating The Beatles'\u003Cbr> Iconic Sounds\u003C/small>\u003C/h1>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-8 text-white text-center show-sm\">\u003Ch1>ADAM DENNIS\n                \u003Cbr>\u003Csmall>Recreating The Beatles' Iconic Sounds\u003C/small>>\n                \u003C/h1>\u003C/div> \u003Cdiv class=\"col-12 col-md-8 text-center text-white\">\u003Cp class=\"h3 small\">The Beatles’ Abbey Road album was released 50 years ago. In celebration, the BBC put together a live performance of the classic album at Abbey Road Studios. Bryan Borcherds caught up with keyboardist Adam Dennis who had the honor of playing keyboard instruments at the concert.\u003C/p>\u003C/div> \u003Cdiv class=\"text-center col-12 col-md-8 my-4\">\u003Ciframe src=\"https://player.vimeo.com/video/383719299\" width=\"640\" height=\"480\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"allowfullscreen\">\u003C/iframe>\u003C/div> \u003Cdiv class=\"col-12 col-md-7\">\u003Cimg src=\"https://medias.arturia.net/images/stories/adam-dennis/08.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-5\">\u003Cp class=\"quote\">\"I was recently involved with a big project with the BBC and the BBC Concert Orchestra featuring the music of The Beatles which we recorded live from Abbey Road Studio 1, and went out live on Radio 2 to celebrate 50 years of the album Abbey Road.\"\u003C/p> \u003Cp class=\"quote\">\"The album has been mixed by producer Giles Martin and mix engineer Sam Okell, accompanied by 23 session recordings and demos, most of them previously unreleased.\"\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-8 mt-3\">\u003Cp class=\"quote boldnbig\">\"We did a rehearsal the day before, we got together in Abbey Road, then the orchestra came in, and then we did it. Lots of guest singers, we had Guy Garvey out of Elbow, Katie Melua, Rick Astley, Cerys Matthews.\"\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/adam-dennis/a.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-6\">\u003Cp class=\"h2\">The Concert, The Sounds\u003C/p> \u003Cp class=\"quote\">\"My particular thing was to cover some of the rarer sounds, so the Mellotron was going to have to be a sample.\"\u003C/p> \u003Cp class=\"quote boldnbig\">\"I’d just found the Arturia sample and absolutely loved it. Out the box it was pretty much perfect. It was instantly the sound that takes you back to The Beatles.\"\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cimg src=\"https://medias.arturia.net/images/stories/adam-dennis/09.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cimg src=\"https://medias.arturia.net/images/stories/adam-dennis/06.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6\">\u003Cp class=\"quote\">\"Everything ended coming out of the box because it’s just so much more reliable now and some of those older instruments are quite old now and there’s a lot of noise on them and things. We could have brought a real Mellotron in and worked it up but just the essence of out the box, that sounds great, the fit in the orchestra setting and everybody happy with the cleanliness of it, and it sounds authentic, it doesn’t sound like a brand new sample.\"\u003C/p> \u003Cp class=\"quote boldnbig\">\"It sounds like you’re playing a Mellotron from the 60’s\"\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/adam-dennis/b.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-5\">\u003Cimg src=\"https://medias.arturia.net/images/stories/adam-dennis/05.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-7\">\u003Cp class=\"h2\">Connecting the KeyLab MkII\u003C/p> \u003Cp class=\"h3 small\">They way it speaks so each other is a Godsend in terms of you’re not spending hours trying to assign that, then it gets switched off and you need to reassign everything, it’s all just there and it all works and that’s what I love about it.” “You find your presets in the bank, you’ve got everything there. It feels like the sound is coming out of the keyboard instead of from a laptop.\u003C/p> \u003Cp class=\"quote\">\"Mike Lindup from Level 42 was on The Beatles gig and he said “I love that Mellotron, I love this equipment, what is it?” so it’s got people talking.\"\u003C/p> \u003Cp class=\"quote boldnbig\">\"I love the white color as well, it stands out, makes it different.\"\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/adam-dennis/c.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-7\">\u003Cp class=\"h2\">Being a Beatles Fan\u003C/p> \u003Cp class=\"quote\">\"The Beatles changed music, I think. I always been a massive fan, my dad was a big Beatles fan, I remember listening to Sgt. Pepper’s when I was a kid. I still listen to that album regularly because I find new things in it.\"\u003C/p> \u003Cp class=\"quote\">\"50, almost 60 years on we’re still listening to it, and it’s still influencing people. For instance, if you play that Strawberry Fields intro people go, “Oh wow, that’s really cool.\"\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-5\">\u003Cimg src=\"https://medias.arturia.net/images/stories/adam-dennis/04.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-5\">\u003Cimg src=\"https://medias.arturia.net/images/stories/adam-dennis/10.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-7\">\u003Cp class=\"h3 small\">What came across in The Beatles concert was the difference in tracks, it wasn’t ‘one style fits all’, the chord progressions, they’re not 3 chord tricks, some of the things like Long and Winding Road and In My Life, it’s amazing music.\u003C/p> \u003Cp class=\"quote boldnbig\">\"With the Mellotron V and the KeyLab MkII, it was pretty much perfect.”\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-8 text-center\">\u003Cp class=\"h3 small\">Interested in Mellotron V? Head to our \u003Ca href=\"/products/software-instruments/mellotron-v/overview\" class=\"text-white\">dedicated\n                            page\u003C/a> to learn more.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-8 text-center\" style=\"background-position: center center; background-size: contain; background-repeat: no-repeat; background-image: url('https://www.arturia.com/images/products/mellotron-v/narrow-mellotron-v-banner.jpg');\">\u003Ca href=\"/products/software-instruments/mellotron-v/overview\">\u003Cimg src=\"https://medias.arturia.net/images/products/mellotron-v/mellotron-v-image.png\" error=\"function(){return function(){}}\" class=\"product-image img-responsive my-3\">\u003C/a>\u003C/div>\u003C/div>\u003C/div>\u003C/section>\u003C/div>",{"ordering":47,"id":58,"baseline":59,"text":60,"image_path":61,"url_alias":62,"title":63,"featured":12,"quote":60,"locale":55,"content":64},425,"Synthastic guitars","As the bassist and backing vocalist of Snow Patrol, Paul Wilson abounds with the musical know-how on how to complete the emotional spectrum of a song.","/images/stories/snow-patrol/top.jpg","snow-patrol","Snow Patrol","\u003Cdiv class=\"itemFullText  \">\u003Csection class=\"section text-white pt-0 section--image section--min-height section--xxl\" style=\"--bg-image: url(https://www.arturia.com/images/stories/snow-patrol/top.jpg); --bg-position: center;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container-fluid\">\u003Cdiv class=\"inner-small\">\u003Cdiv class=\"row justify-content-start align-items-end\">\u003Cdiv class=\"col-12 col-md-5 hide-sm\">\u003Ch1>Snow Patrol\u003C/h1> \u003Cp class=\"h1 small mb-3\">Synthastic guitars\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section py-6\" style=\"background-color: rgb(250, 214, 196);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center text-center\">\u003Cdiv class=\"col-12 col-md-8 show-sm\">\u003Ch1 class=\"pt-4\">Snow Patrol\u003C/h1> \u003Cp class=\"h1 small mb-3\">Synthastic guitars\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-8\">\u003Cp class=\"h3 small mb-3\">As the bassist and backing vocalist of Snow Patrol, Paul Wilson abounds with the musical know-how on how to complete the emotional spectrum of a song.\u003C/p> \u003Cp>We chatted with Paul about songwriting and experimenting with bass sounds on his go-to synths in the V Collection.\u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"mt-4\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/Ekbi2LbrQTc?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fsnow-patrol&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fsnow-patrol&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"617980215\">\u003C/iframe>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section\" style=\"background-color: rgb(250, 214, 196);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"layout-half-fluid layout-half-fluid--left layout-half-fluid--xxl layout-half-fluid--xl layout-half-fluid--lg\" style=\"--layout-column: 6;\">\u003Cdiv class=\"layout-half-fluid__left layout-half-fluid__contain\">\u003Cdiv>\u003Ch2>Celebrating 25 years \u003Cbr> \u003Csmall class=\"d-clock\">and a new album\u003C/small>\u003C/h2> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “Our new album ‘Reworked’ just came out and we’re doing a short tour to commemorate the 25 years we’ve been a band - which is insane - and this album. It’s a short tour of theatres, like Royal Albert Hall. We’ve got strings and brass and vibraphones and all sorts of different instruments.”\n    \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"layout-half-fluid__right layout-half-fluid__fluid\">\u003Cdiv>\u003Cimg src=\"https://medias.arturia.net/images/stories/snow-patrol/01.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid my-3\">\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section\" style=\"background-color: rgb(250, 214, 196);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"layout-half-fluid layout-half-fluid--right layout-half-fluid--small layout-half-fluid--xxl layout-half-fluid--xl\" style=\"--layout-column: 6;\">\u003Cdiv class=\"layout-half-fluid__left layout-half-fluid__fluid d-flex align-items-start justify-content-end\">\u003Cdiv>\u003Cimg src=\"https://medias.arturia.net/images/stories/snow-patrol/04.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid my-3\">\u003C/div>\u003C/div> \u003Cdiv class=\"layout-half-fluid__right layout-half-fluid__contain\">\u003Cdiv>\u003Ch2>Translating electronic\u003Cbr> \u003Csmall class=\"d-clock\">beginnings to a rock sound\u003C/small>\u003C/h2> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “I started off doing a lot of dance music in the late 90s and I used to DJ in clubs and make electronic music and techno music. I’ve always used synths with music. Snow Patrol - it’s loads of synths. The music is mainly guitar based, but pretty much every song has a synth in it somewhere, and a lot of bass sounds. I tend to play bass synth on records a lot of the time, or bass synth on real bass just because I think it sounds better, you get more control over the frequencies, especially the sub-sonics.”\n    \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black py-0\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container-fluid\">\u003Cdiv class=\"row d-block\">\u003Cimg src=\"https://medias.arturia.net/images/stories/snow-patrol/a.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid mx-auto\">\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section\" style=\"background-color: rgb(250, 214, 196);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"layout-half-fluid layout-half-fluid--left layout-half-fluid--xxl layout-half-fluid--xl layout-half-fluid--lg\" style=\"--layout-column: 6;\">\u003Cdiv class=\"layout-half-fluid__left layout-half-fluid__contain\">\u003Cdiv>\u003Ch2>Songwriting\u003Cbr> \u003Csmall class=\"d-clock mb-3\">journeys\u003C/small>\u003C/h2> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “Gary literally writes hundreds of songs.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “We usually play around on the acoustic guitar or the piano, and then we go in the studio and just come up with the structure together.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “Sometimes you never know what the sound is going to be. When we first wrote ‘Chasing Cars’, it was almost kind of an electronic dance track, and we did about five versions of it. Eventually, it turned into the song it is, so you never know.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “To the people who ask me about advice, I would say - write two hundred, and then you get a good one.”\n    \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"layout-half-fluid__right layout-half-fluid__fluid\">\u003Cdiv>\u003Cimg src=\"https://medias.arturia.net/images/stories/snow-patrol/05.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid my-3\">\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section\" style=\"background-color: rgb(250, 214, 196);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"layout-half-fluid layout-half-fluid--right layout-half-fluid--small layout-half-fluid--xxl layout-half-fluid--xl\" style=\"--layout-column: 6;\">\u003Cdiv class=\"layout-half-fluid__left layout-half-fluid__fluid d-flex align-items-start justify-content-end\">\u003Cdiv>\u003Cimg src=\"https://medias.arturia.net/images/stories/snow-patrol/03.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid my-3\">\u003C/div>\u003C/div> \u003Cdiv class=\"layout-half-fluid__right layout-half-fluid__contain\">\u003Cdiv>\u003Ch2>Bringing layered tunes\u003Cbr> \u003Csmall class=\"d-clock\">to the stage\u003C/small>\u003C/h2> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “Making music is usually quite quick. My favourite part is finishing these songs and then changing them to be performed live. That’s some of the hardest things, especially when you use twenty synthesisers in the studio to make an album. Then you have something like the V Collection, and you can have all of them playing at the live concerts.”\n    \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section\" style=\"background-color: rgb(250, 214, 196);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"layout-half-fluid layout-half-fluid--left layout-half-fluid--xxl layout-half-fluid--xl layout-half-fluid--lg\" style=\"--layout-column: 6;\">\u003Cdiv class=\"layout-half-fluid__left layout-half-fluid__contain\">\u003Cdiv>\u003Ch2>Synth\u003Cbr> \u003Csmall class=\"d-clock\">experiments\u003C/small>\u003C/h2> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “I think if you know the sound you want already, sometimes that might be too predictable.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “It’s always good to try other things, something like the Buchla, which are quite unpredictable synths, because you never really know what you’re gonna get. I don’t really know how the Matrix works as well. Those synths are definitely something you can really experiment with.”\n    \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"layout-half-fluid__right layout-half-fluid__fluid\">\u003Cdiv>\u003Cimg src=\"https://medias.arturia.net/images/stories/snow-patrol/02.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid my-3\">\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black py-0\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container-fluid\">\u003Cdiv class=\"row d-block\">\u003Cimg src=\"https://medias.arturia.net/images/stories/snow-patrol/b.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid mx-auto\">\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row\">\u003Cdiv class=\"col-12 col-md-10 col-lg-8 col-xl-6 col-xxl-4\">\u003Ch2>The ionic sounds \u003Cbr> \u003Csmall class=\"d-clock\">of the V collection\u003C/small>\u003C/h2> \u003Cp class=\"h3 small mb-3\">There are certain sounds in there, like in the JUP-8V or Prophet or Mini V, that everyone knows and loves and you can just bring them up, they’re all in the presets. \u003C/p> \u003Cp>The presets are great - you have the bass sounds, the lead sounds, so you can literally just go straight to bass sounds and flick through until you get something you want. You can tweak it, the cutoff, the resonance and then you’ve got what you want very quickly. It’s pretty amazing.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-xxl-8\">\u003Cdiv class=\"row\">\u003Cdiv class=\"col-12 col-md-6 mb-3\">\u003Cdiv class=\"card-simple card-collection text-black\">\u003C!----> \u003Cdiv class=\"card-simple__content bg-white\">\u003Cdiv class=\"card-collection__content\">\u003Cdiv class=\"image-ratio__container mb-2\">\u003Cdiv class=\"image-ratio image-ratio--contain\" style=\"background-image: url('https://medias.arturia.net/images/products/matrix-12-v/matrix-12-v-image.png'); padding-bottom: 65%;\">\u003C/div>\u003C/div> \u003Ch3 class=\"prep mb-2\">On Matrix 12 V\u003C/h3> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “I have a Matrix 6. The Matrix 6 is a digital controller / synthesiser so it doesn’t actually have any controls on it, it has the little buttons you press up and down in the menus and stuff. It’s quite amazing to have the Matrix 12 on the software to dive straight into all the presets. It’s incredible.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"card-collection__btn-holder mt-3\">\u003Ca href=\"/products/analog-classics/matrix-12-v/overview\" role=\"button\" class=\"reverse btn btn-primary\">More info\u003C/a>\u003C/div>\u003C/div> \u003C!---->\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"col-12 col-md-6 mb-3\">\u003Cdiv class=\"card-simple card-collection text-black\">\u003C!----> \u003Cdiv class=\"card-simple__content bg-white\">\u003Cdiv class=\"card-collection__content\">\u003Cdiv class=\"image-ratio__container mb-2\">\u003Cdiv class=\"image-ratio image-ratio--contain\" style=\"background-image: url('https://medias.arturia.net/images/products/jup-8-v/jup-8-v-image.png'); padding-bottom: 65%;\">\u003C/div>\u003C/div> \u003Ch3 class=\"prep mb-2\">On layering Jupiter 8 V synths\u003C/h3> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “I fortunately bought a Jupiter 8 in ‘99 for just over £1,000. It’s funny because since I’ve had V Collection, I barely plug it in, which is a sacrilege, but the amazing thing is you can stack eight of them together, bust them, or put your filter or effect on all of them at the same time. It’s much easier to control - it’s pretty cool.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"card-collection__btn-holder mt-3\">\u003Ca href=\"/products/analog-classics/jup-8-v/overview\" role=\"button\" class=\"reverse btn btn-primary\">More info\u003C/a>\u003C/div>\u003C/div> \u003C!---->\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"col-12 col-md-4 mb-3\">\u003Cdiv class=\"card-simple card-collection text-black\">\u003C!----> \u003Cdiv class=\"card-simple__content bg-white\">\u003Cdiv class=\"card-collection__content\">\u003Cdiv class=\"image-ratio__container mb-2\">\u003Cdiv class=\"image-ratio image-ratio--contain\" style=\"background-image: url('https://medias.arturia.net/images/products/modular-v/modular-v-image.png'); padding-bottom: 65%;\">\u003C/div>\u003C/div> \u003Ch3 class=\"prep mb-2\">On probing the Moog Modular V\u003C/h3> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “I know quite a lot of these synths but when it comes to something like the Moog Modular, I must admit, I don’t know it that well. Sometimes it’s a bit of trial and error. So it’s kind of fun seeing what happens when you just plug in things together and see what comes out. Some of the sounds you get - it amazes me. I didn’t think you could get sounds like that.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"card-collection__btn-holder mt-3\">\u003Ca href=\"/products/analog-classics/modular-v/overview\" role=\"button\" class=\"reverse btn btn-primary\">More info\u003C/a>\u003C/div>\u003C/div> \u003C!---->\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"col-12 col-md-4 mb-3\">\u003Cdiv class=\"card-simple card-collection text-black\">\u003C!----> \u003Cdiv class=\"card-simple__content bg-white\">\u003Cdiv class=\"card-collection__content\">\u003Cdiv class=\"image-ratio__container mb-2\">\u003Cdiv class=\"image-ratio image-ratio--contain\" style=\"background-image: url('https://medias.arturia.net/images/products/prophet-v/prophet-v-image.png'); padding-bottom: 65%;\">\u003C/div>\u003C/div> \u003Ch3 class=\"prep mb-2\">On the unique sound of Prophet V\u003C/h3> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “Prophet has its own sound, it has a high mid-range, the frequency is much brighter and harsher than a lot of the other keyboards but it just has the best bass, and the sound and the kind of unison with the oscillators, that kind of chorus, it’s something like the Juno chorus. It has its own sound - it’s just incredible, it’s definitely a go-to synth.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"card-collection__btn-holder mt-3\">\u003Ca href=\"/products/analog-classics/prophet-v/overview\" role=\"button\" class=\"reverse btn btn-primary\">More info\u003C/a>\u003C/div>\u003C/div> \u003C!---->\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"col-12 col-md-4 mb-3\">\u003Cdiv class=\"card-simple card-collection text-black\">\u003C!----> \u003Cdiv class=\"card-simple__content bg-white\">\u003Cdiv class=\"card-collection__content\">\u003Cdiv class=\"image-ratio__container mb-2\">\u003Cdiv class=\"image-ratio image-ratio--contain\" style=\"background-image: url('https://medias.arturia.net/images/products/mellotron-v/mellotron-v-image.png'); padding-bottom: 65%;\">\u003C/div>\u003C/div> \u003Ch3 class=\"prep mb-2\">On the satisfying presets of Mellotron V\u003C/h3> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “The Mellotron is great. I actually used the Mellotron with my own samples because we used it a lot to get to something original, like bits of guitar sounds, to put them in and then layering them. They have pedals as well, so you can put the guitars through the pedals and then you can distort them and then play that with the keyboard, that’s a really cool thing to do with the Mellotron. The presets are amazing, some of them, the Beatles kind of sounds, they’re spot-on.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"card-collection__btn-holder mt-3\">\u003Ca href=\"/products/analog-classics/mellotron-v/overview\" role=\"button\" class=\"reverse btn btn-primary\">More info\u003C/a>\u003C/div>\u003C/div> \u003C!---->\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"col-12 col-md-4 mb-3\">\u003Cdiv class=\"card-simple card-collection text-black\">\u003C!----> \u003Cdiv class=\"card-simple__content bg-white\">\u003Cdiv class=\"card-collection__content\">\u003Cdiv class=\"image-ratio__container mb-2\">\u003Cdiv class=\"image-ratio image-ratio--contain\" style=\"background-image: url('https://medias.arturia.net/images/products/solina-v/solina-v-image.png'); padding-bottom: 65%;\">\u003C/div>\u003C/div> \u003Ch3 class=\"prep mb-2\">On the epic, familiar sounds of Solina V\u003C/h3> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “I’ve never actually played this thing before and the first time I actually did was in the V Collection, and I just realised what it was, I’m like: ‘Oh my god! That’s where these sounds come from!’ It’s incredible. I used it a lot.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"card-collection__btn-holder mt-3\">\u003Ca href=\"/products/analog-classics/solina-v/overview\" role=\"button\" class=\"reverse btn btn-primary\">More info\u003C/a>\u003C/div>\u003C/div> \u003C!---->\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"col-12 col-md-4 mb-3\">\u003Cdiv class=\"card-simple card-collection text-black\">\u003C!----> \u003Cdiv class=\"card-simple__content bg-white\">\u003Cdiv class=\"card-collection__content\">\u003Cdiv class=\"image-ratio__container mb-2\">\u003Cdiv class=\"image-ratio image-ratio--contain\" style=\"background-image: url('https://medias.arturia.net/images/products/keylab-mkII/keylab-mkII-image.png'); padding-bottom: 65%;\">\u003C/div>\u003C/div> \u003Ch3 class=\"prep mb-2\">On KeyLab MKII and the future of music equipment\u003C/h3> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003C!----> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “I love all the CV / Gate stuff on it, it kind of has everything in one tool. The technology is advanced - I can’t wait to see what happens next. It’s gonna be virtual reality music, we’ll have a Moog and Jupiter 8 around us and we will play them (with our arm movements). That will be the next thing.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cdiv class=\"card-collection__btn-holder mt-3\">\u003Ca href=\"/products/hybrid-synths/keylab-mkii/overview\" role=\"button\" class=\"reverse btn btn-primary\">More info\u003C/a>\u003C/div>\u003C/div> \u003C!---->\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section>\u003C/div>",{"ordering":47,"id":66,"baseline":67,"text":68,"image_path":69,"url_alias":70,"title":71,"featured":12,"quote":72,"locale":55,"content":73},482,"Heartcore                            Mixing","John Nathaniel is a Montreal-based producer, mixer, and songwriter who’s worked with artists like OneRepublic, Gwen Stefani, and Kygo.","/images/stories/john-nathaniel/01.jpg","john-nathaniel","John Nathaniel","John Nathaniel is a Montreal-based producer, mixer, and songwriter who’s worked with artists like OneRepublic, Gwen Stefani, and Kygo. ","\u003Cdiv class=\"itemFullText  \">\u003Csection class=\"section\" style=\"background-color: black; background-repeat: no-repeat; background-size: cover; background-position: left top; background-image: url('https://www.arturia.com/images/stories/john-nathaniel/01.jpg');\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"ratio-900 row align-items-center justify-content-start\">\u003Cdiv class=\"col-12 col-md-6 text-white hide-sm\">\u003Ch1>John Nathaniel\u003Cbr>\u003Csmall>Heartcore\n                            Mixing \u003C/small>\u003C/h1>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section text-white bg-black\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center text-center \">\u003Cdiv class=\"col-md-8 show-sm \">\u003Ch1>John Nathaniel\u003Cbr>\u003Csmall>Heartcore\n                            Mixing \u003C/small>\u003C/h1>\u003C/div> \u003Cdiv class=\"col-md-8 col-12 mt-2\">\u003Cp class=\"h3 small\">John Nathaniel is a Montreal-based producer, mixer, and songwriter who’s worked with artists like OneRepublic, Gwen Stefani, and Kygo. \u003C/p> \u003Cp>We caught up with John to talk about how he utilizes the dusty, digital charm of SQ80 V within V Collection for his epic, award-winning mixes.\n                        \u003C/p>\u003C/div> \u003Cdiv class=\"col-md-8 col-12 my-4\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/lohXg6ExXCc?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fjohn-nathaniel&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fjohn-nathaniel&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"222164627\">\u003C/iframe>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/john-nathaniel/02.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section text-white bg-black\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-6\">\u003Ch2>_Straight from the Heart\n                        \u003C/h2> \u003Cp>Finding out where to start with any song can be tricky business that’s easy to overthink. That’s why John’s tried and true technique is not heady, but one one that starts within before any musical tools get involved:\n                        \u003C/p> \u003Cp class=\"quote\">”I know that if I’m starting from an emotional perspective when I mix or produce a song, I’m setting myself up for success.”\u003C/p> \u003Cp>Having worked on Kygo’s gold-certified single ‘Lose Somebody’ (337 mil. Spotify streams), this is a technique that can undoubtedly lead to something beautiful millions of people can resonate with.\u003C/p> \u003Cp>Finding that workflow synergy of heart and gear is crucial for achieving a mix one senses as a feeling first: ‘I’m always bouncing technique and emotion, and always pushing the emotion first.’ As someone who worked on OneRepublic’s album ‘Human’ that topped the digital sales charts across the US, Canada, UK, and France, John makes it clear there’s something to prioritizing the heart in a mix.\u003C/p> \u003Cp>When getting a mix to its final shape, maintaining that initial feeling-based inspiration depends on the tools as well:\u003C/p> \u003Cp class=\"quote\">”The Arturia synths - this is the one thing I love about them - they feel analog. The way they sound, the way they behave, the envelope, the filters, everything is just pristine.”\n\n                        \u003C/p>\u003Cp>Starting with an emotion and then cultivating it with tools that feel tactile and genuine lead to more authentic sound.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6 my-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/john-nathaniel/03.png\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto \">\u003C/div> \u003Cdiv class=\"col-md-5 col-12 my-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/john-nathaniel/04.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto \">\u003C/div> \u003Cdiv class=\"col-md-7 col-12 mt-3\">\u003Ch2>A bundle of Joy\n                        \u003C/h2> \u003Cp>Like emotions, sounds can move fast - and that can be a great thing. With V Collection, although the selection of soundscapes is truly expansive, awakening them can be instant: \n                        \u003C/p> \u003Cp class=\"quote\">I always look for things that allow me to move fast. The Arturia V Collection - all the synths, they have these incredible presets.’ V Collection’s 8th edition breathes music history and future with 28 legendary software instruments and over 10,000 carefully crafted presets.\u003C/p> \u003Cp>On the Latin version of OneRepublic’s single ‘Run’ featuring Mariah Angeliq, John relied on Pre 1973 to add color, EQ, and saturation to both Ryan’s and Mariah’s vocals. ‘I’m a huge fan of Neve EQs and Pres and Arturia has such an amazing version of that classic Pre.’ The craft that went into emulating the Pre shows in its nuanced, yet powerful flavor. Its dynamic scope comes in especially handy when mixing:\u003C/p> \u003Cp>\u003C/p> \u003Cp class=\"quote\">”The lows, the mid-range, and the tops are beautiful, and because the input gain/drive is level matched with the output, you are not fooling yourself thinking that louder is better when you crank it. It’s very smartly designed! It’s now one of my go-tos.”\n                        \u003C/p> \u003Cp>Journeying through sonic history, the 60’s were a seminal period. The sweet-sounding vintage goodness of the orchestral tapes is a one-way ticket to production bliss:\n                        \u003C/p> \u003Cp class=\"quote\">”The Mellotron V is another go-to! The tape saturation, the flutter, and the mechanics section is so good to create lo-fi haunting textures and vibes. The flutes and vocals are classic.”   \n                        \u003C/p> \u003Cp>The early 70’s got nice and fat, and the synth world was never the same with the arrival of MiniMg and Solina. Arturia’s Mini V3, created in partnership with Bob Moog, claimed its title as a trouble-making potion:\u003C/p> \u003Cp class=\"quote\">Mini V3 is badass for bass. Whether I’m looking for a gritty sound or a rounder sub bass, I can always rely on it.”\n                        \u003C/p> \u003Cp>The warm and ethereal sound of Solina is still seducing producers of today, including John:\u003C/p> \u003Cp class=\"quote\">”The Solina V - we don’t hear enough about the Solina V, but it’s so brilliant for retro pads! There’s so much gold in the Strings presets folder.”\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/john-nathaniel/05.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-6\">\u003Ch2>Fast flow\n                        \u003C/h2> \u003Cp>Exploring the immense scope of these available soundscapes is a joyride. At the same time, looking for a sound for hours does not necessarily mean your mix will be all the more beautiful. John, who was awarded the prestigious SOCAN Songwriter of the Year Award in 2017, shares:\u003C/p> \u003Cp class=\"quote\">”When I write a record, I need to find a good idea and just map it, and this allows me to do it. And very often, these sounds make the final cut.”\n                        \u003C/p> \u003Cp>Diving into SQ80 V, our highly praised emulation of the iconic Ensoniq SQ-80, John discovers and plays with the First Rave preset. The evocative rumble coupled with its industrial undertones is disarming to say the least.\n                        \u003C/p> \u003Cp class=\"quote\">”The power of it truly lies in the synthesis section where you can balance the oscillators, but also create movement with the LFOs. Within minutes of messing with it, I got a really mean sequenced bass sound and an iconic 80’s pad with pitch modulation. Once you understand it, sky's the limit! I really dig the sound of the filter as well.”\u003C/p> \u003Cp>At the heart of Arturia’s mission, we want music to continuously erupt and fall in all the right places. This is a commitment that can lead to a producer’s dream come true:\u003C/p> \u003Cp>”If you have great sounds at your disposal, you can just flow through the session.”\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-6 my-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/john-nathaniel/06.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto \">\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-12 col-md-6 my-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/john-nathaniel/07.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive mx-auto \">\u003C/div> \u003Cdiv class=\"col-12 col-md-6 my-3\">\u003Ch2>The Good Kind of Mean\u003C/h2> \u003Cp>We start with one of the main elements of this piece: the arps. It’s JUN-6 V’s preset Kids with Marbles, a plucky melody with an echo of emotional urgency.\u003C/p> \u003Cp class=\"quote\">”This is an instant 80’s vibe. I love these types of sounds, they’re so retro - and they’re mean. It’s got that crazy felter sweep.”\u003C/p> \u003Cp>His love for the rich-sounding synth recreation is unlikely to fade. In John’s words, it’s\u003C/p> \u003Cp class=\"quote\">\"absolutely amazing! I can get something modern or retro really fast and it’s really easy to tweak. Also, the chorus is absolutely iconic.”\u003C/p> \u003Cp>Another preset by JUN-6 V, 13 Strings 3, blesses our ears with a satisfyingly impatient ‘wah wah’ sound:\u003C/p> \u003Cp class=\"quote\">”Jun-6 V once again being an absolute rockstar.”\u003C/p> \u003Cp>He then uses Rev INTENSITY on this track, and we listen to the contrast between the dry and the wet mix. That section of the piece rapidly goes from a linear beam to a multi-dimensional wobble. John then plays it in the context of the whole song. In his words, this is a ‘mean little guy’ that comes to add a lot more story to the piece.\u003C/p> \u003Cp class=\"quote\">”I love to get creative with weird sounds. I love when they creep up on you and add a little bit of tension.”\u003C/p> \u003Cp>Finally, we look at the CMI V, which John states\u003C/p> \u003Cp class=\"quote\">\"has got tons of crazy sounds.”\u003C/p> \u003Cp>He picks the preset Silver and Blue, an eerie, pressing beauty with a massive emotional scope that can go from elevated to drastic in a matter of few seconds\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Cimg src=\"https://medias.arturia.net/images/stories/john-nathaniel/08.jpg\" error=\"function(){return function(){}}\" alt=\"\" class=\"img-responsive img-full-width mx-auto\"> \u003Csection class=\"section text-white\" style=\"background-color: rgb(86, 21, 74);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center text-center\">\u003Cdiv class=\"col-md-8 col-12  \">\u003Cp class=\"h2\">Times like These\u003C/p> \u003Cp class=\"h3 small\">The time we live in is truly unique.\u003C/p> \u003Cp>The endless possibilities of sound and gear can feel overwhelming, but with a guide that simplifies your workflow to your deal breakers, this journey can be blissful:\u003C/p> \u003Cdiv class=\"mycontainer\">\u003Cimg src=\"https://medias.arturia.net/images/stories/john-nathaniel/09.png\" error=\"function(){return function(){}}\" class=\"img-responsive mx-auto my-3\"> \u003Ca href=\"https://www.arturia.com/products/analog-classics/v-collection/overview\" class=\"btn btn-primary btn-lg \">Discover V Collection\u003C/a>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section text-white\" style=\"background-color: rgb(86, 21, 74);\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center mt-4\">\u003Cdiv class=\"col-12 col-md-6 mb-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/john-nathaniel/10.jpg\" error=\"function(){return function(){}}\" class=\"img-responsive mx-auto \">\u003C/div> \u003Cdiv class=\"col-12 col-md-6 mb-3\">\u003Cimg src=\"https://medias.arturia.net/images/stories/john-nathaniel/11.jpg\" error=\"function(){return function(){}}\" class=\"img-responsive mx-auto \">\u003C/div> \u003Cdiv class=\"col-md-8 mt-2\">\u003Cp class=\"quote img-responsive mt-3\">”I’m so grateful to live in an era, where we can just recall plugins and have access to all these beautiful sounds whenever we want.”\n                        \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/section>\u003C/div>",[75,84,90,96,102,108,114,120],{"id":76,"title":77,"description":78,"category":79,"ordering":80,"preset_description":47,"genre":47,"file":81,"artist":47},43217,"Arturitron","","sound_corner",99,{"id":82,"url":83},11891,"https://audios.arturia.net/audios/Arturitron_Boele_Gerkes_fb4a311086.mp3",{"id":85,"title":86,"description":78,"category":79,"ordering":80,"preset_description":47,"genre":47,"file":87,"artist":47},43220,"Dreams",{"id":88,"url":89},11894,"https://audios.arturia.net/audios/Dreams_EDT_700e9bd4b5.mp3",{"id":91,"title":92,"description":78,"category":79,"ordering":80,"preset_description":47,"genre":47,"file":93,"artist":47},43223,"Love Moments",{"id":94,"url":95},11897,"https://audios.arturia.net/audios/Love_Moments_Paul_Schilling_d6fc787cb9.mp3",{"id":97,"title":98,"description":78,"category":79,"ordering":80,"preset_description":47,"genre":47,"file":99,"artist":47},43226,"Memories",{"id":100,"url":101},11900,"https://audios.arturia.net/audios/Memories_Boele_Gerkes_925a85f4da.mp3",{"id":103,"title":104,"description":78,"category":79,"ordering":80,"preset_description":47,"genre":47,"file":105,"artist":47},43229,"Progression",{"id":106,"url":107},11903,"https://audios.arturia.net/audios/Progression_EDT_2877664a10.mp3",{"id":109,"title":110,"description":78,"category":79,"ordering":80,"preset_description":47,"genre":47,"file":111,"artist":47},43232,"Ycon",{"id":112,"url":113},11906,"https://audios.arturia.net/audios/Ycon_Paul_Schilling_11e5274bc8.mp3",{"id":115,"title":116,"description":78,"category":79,"ordering":80,"preset_description":47,"genre":47,"file":117,"artist":47},43238,"AT Flutter",{"id":118,"url":119},11912,"https://audios.arturia.net/audios/AT_Flutter_Arturia_ff2c0fa8e4.mp3",{"id":121,"title":122,"description":78,"category":79,"ordering":80,"preset_description":47,"genre":47,"file":123,"artist":47},43241,"Big Stereo_Choir",{"id":124,"url":125},11915,"https://audios.arturia.net/audios/Big_Stereo_Choir_Paul_Schilling_1a5891c07d.mp3",[127,136,145,154,163,172,181,189,197,205],{"ordering":80,"id":128,"quote":129,"artist":130},4493,"The Mellotron V is a wonky tape dream. Being able to add more character to the sound puts this ahead of other Mellotron emulations and gives some very old sounds a fresh perspective. \n",{"id":131,"name":132,"band":133,"thumbnail_name":134,"types":135},1313,"Tom Furse","The Horrors","Tom_Furse-thumb.jpg",[],{"ordering":80,"id":137,"quote":138,"artist":139},4658,"There’s nothing like a Mellotron. Anytime I put my hands on the keyboard, I feel the instant vibe of so many records who used it. I personally love what it does to strings and choirs.",{"id":140,"name":141,"band":142,"thumbnail_name":143,"types":144},1916,"Fred Everything","Producer","Fred_Everything-thumb.jpg",[],{"ordering":80,"id":146,"quote":147,"artist":148},4850,"The Mellotron V by Arturia is unmatched to any other tron soft synth out there.  Undoubtedly first in its class.  It's an incredible feat to have it sound this good!",{"id":149,"name":150,"band":151,"thumbnail_name":152,"types":153},1994,"Eren Cannata","Writer / Producer","Eren_Cannata-thumb.jpg",[],{"ordering":80,"id":155,"quote":156,"artist":157},4856,"The Mellotron V is SO useable and instantly inspiring, the layering feature being key. ",{"id":158,"name":159,"band":160,"thumbnail_name":161,"types":162},2003,"Guy Fletcher","Producer / Engineer","Guy_Fletcher-thumb.jpg",[],{"ordering":80,"id":164,"quote":165,"artist":166},4862,"I’ve played the real thing countless times and to my ear this is the closest you could ever get to it. I can’t imagine a single track this wouldn’t benefit from!",{"id":167,"name":168,"band":169,"thumbnail_name":170,"types":171},2018,"Luke Prosser","Jade Bird","Luke_Prosser-thumb.jpg",[],{"ordering":80,"id":173,"quote":174,"artist":175},4868,"I’ve been toying around with mellotron choir samples for years now and finally it feels like I have the real deal right here. It sounds amazing right out of the gate but things start to get really interesting when you pop the hood.",{"id":176,"name":177,"band":178,"thumbnail_name":179,"types":180},2021,"Marcus Lambkin","Shit Robot","Marcus_Lambkin-thumb.jpg",[],{"ordering":80,"id":182,"quote":183,"artist":184},4874,"The presets are amazing, the Beatles kind of sounds - they're spot-on.",{"id":185,"name":186,"band":63,"thumbnail_name":187,"types":188},2030,"Paul Wilson","Paul_Wilson-thumb.jpg",[],{"ordering":80,"id":190,"quote":191,"artist":192},5516,"Mellotron V is another go to! The tape saturation, the flutter and the mechanics section is so good to create lo-fi, haunting textures and vibes! The flutes or vocals sounds are classic!",{"id":193,"name":71,"band":194,"thumbnail_name":195,"types":196},2207,"OneRepublic / Kygo","John_Nathaniel-thumb.jpg",[],{"ordering":80,"id":198,"quote":199,"artist":200},5969,"We have used a real M400 in the studio quite a few times and I really got used to how it sounds, this plugin is so spot on I can hardly tell the difference at all! The mandolins are an absolute must to elevate a chorus!",{"id":201,"name":169,"band":202,"thumbnail_name":203,"types":204},2324,"DJ / Producer","Jade_Bird-thumb.jpg",[],{"ordering":80,"id":206,"quote":207,"artist":208},6257,"Mellotron Samples are very clean and there is not much noise! I never heard before a mellotron samples that is so accurate. It’s insane!  ",{"id":209,"name":210,"band":211,"thumbnail_name":212,"types":213},2414,"Marlon Magnée","La Femme","Marlon_Magnee-thumb.jpg",[],[],1779376239214]