[{"data":1,"prerenderedAt":198},["ShallowReactive",2],{"C8q4UeOlrx":3,"91mBIfk2Sn":45,"AtIZxFInCk":56,"laW2Rcj7RO":115,"lNYXUFLNYR":116},[4],{"product_id":5,"uid":6,"slug":7,"sku":8,"product_name":9,"display_name":9,"product_range":10,"product_type":11,"supported":12,"bundle":13,"zendesk_faq_url":14,"product_generation":15,"hardware":13,"protection":16,"category_alias":17,"buyable":12,"out_of_stock":13,"free":13,"licensable":12,"demoable":12,"current":12,"erp_skus":18,"bundle_composition":20,"details":21,"prices":38,"has_resources":12},514,"01feyj03r0a0k410rqh14crpcn","sq80-v","sq80-v,0","SQ80 V","lab","SoftwareInstrument",true,false,"https://support.arturia.com/hc/sections/4414434227858",0,"ASC","software-instruments",[19],"210935_Down",[],{"baseline":22,"description":29,"display_flags":36},{"de":23,"en":24,"es":25,"fr":26,"ja":27,"zh":28},"Organischer digitaler Wellenreiter.","Organic digital wavemaker.","Sonido digital y orgánico rompedor.","Le générateur d’ondes numériques organiques","オーガニック・デジタル・ウェーブメーカー","有机数字波形生成器。",{"de":30,"en":31,"es":32,"fr":33,"ja":34,"zh":35},"Der SQ80 V ist Ensoniqs klassischer Crosswave-Synthesizer der 1980er Jahre, der den hybriden Lo-Fi-Charakter, komplexe Industrial-Texturen und Tausende einzigartiger Wellenform-Kombinationen in einem leicht zugänglichen Softsynth vereint, angepasst an den modernen Produktionsworkflow. Das Geheimnis digitaler Synthese endlich entschlüsselt.","SQ80 V is Ensoniq’s classic ‘80s crosswave synth reborn, weaving hybrid lo-fi character, complex industrial textures, and thousands of unique waveform combinations into a quick-fire softsynth enhanced for modern production. Digital synthesis unraveled.","SQ80 V es el renacimiento del sintetizador de ondas cruzadas clásico de los 80 fabricado por Ensoniq, que mezcla un carácter híbrido de sonido lo-fi, texturas industriales complejas y miles de combinaciones únicas de formas de onda en un sintetizador virtual ágil y mejorado para la producción moderna. Síntesis digital desvelada.","Le SQ80 V ressuscite le synthé crosswave classique qu’Ensoniq a produit dans les années 1980. Ce synthé virtuel, optimisé pour la production moderne, allie un caractère lo-fi hybride à des textures industrielles complexes et des milliers de combinaisons de formes d’onde. La synthèse numérique décodée.","Ensoniqのクラシックな80年代クロスウェーブシンセが現代に蘇ったSQ80 V。ハイブリッドでローファイなキャラクター、複雑でインダストリアルなテクスチャサウンド、膨大でユニークな波形の組み合わせを、現代の制作環境に合わせて強化されたソフトシンセに落とし込みました。デジタルシンセシスがここに解き放たれます。","SQ80 V 是 Ensoniq 经典的80年代交叉波表合成器的重生，将混合的低保真特性、复杂的工业质感以及数千种独特的波形组合编织成一款快速的软件合成器，专为现代制作进行了增强。数字合成得以完美展现。",{"featured":13,"new":13,"promo":13,"show":12,"size":37},1,[39,43],{"currency_code":40,"product_price":41,"use_override":13,"product_override_price":42},"USD",149,79,{"currency_code":44,"product_price":41,"use_override":13,"product_override_price":42},"EUR",[46],{"ordering":47,"id":48,"baseline":49,"text":50,"image_path":51,"url_alias":52,"title":53,"featured":12,"quote":50,"locale":54,"content":55},null,479,"Ensoniq meets SQ80 V","Ensoniq’s SQ-80 is a keyboard responsible for some of the most recognisable synth tones of the ‘80s, ‘90s, and beyond.","/images/stories/ensoniq-founders/01.jpg","bill-mauchly-john-senior","Bill Mauchly & John Senior","en","\u003Cdiv class=\"itemFullText  \">\u003Csection class=\"section text-white section--image section--min-height section--xxl\" style=\"--bg-image: url(https://www.arturia.com/images/stories/ensoniq-founders/01.jpg); --bg-position: center; background-position: 100% center;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container-fluid\">\u003Cdiv class=\"inner-small hide-sm\">\u003Ch1 class=\"pt-4\">Bill Mauchly \u003Cbr>& John Senior\u003C/h1> \u003Cp class=\"h1 small mb-3\">Ensoniq \u003Cbr>meets SQ80 V\u003C/p>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center\">\u003Cdiv class=\"col-12 col-md-8 text-center\">\u003Ch1 class=\"show-sm\">Bill Mauchly \u003Cbr>& John Senior\u003Cbr> \u003Csmall>Ensoniq \u003Cbr>meets SQ80 V\u003C/small>\u003C/h1> \u003Cp class=\"h3 small mb-3\">Ensoniq’s SQ-80 is a keyboard responsible for some of the most recognisable synth tones of the ‘80s, ‘90s, and beyond.\u003C/p> \u003Cp>Its combination of digital oscillators, analog filters, and a surprisingly intuitive workflow sets it apart from the crowd, both then and now. With SQ80 V, we wanted to resurrect this hybrid icon in all its former glory and more. We had the privilege of spending a day with two of the original engineers on the project, Bill Mauchly and John Senior, exploring their inspirations, the limitations of technology, and their insight into the process of designing a classic.\u003C/p>\u003C/div> \u003Cdiv class=\"col-12 col-md-8 my-4\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 / 9;\" src=\"https://www.youtube-nocookie.com/embed/q-DfUolbNc4?autoplay=0&controls=0&disablekb=1&playsinline=1&cc_load_policy=0&cc_lang_pref=auto&widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fbillmauchly%26johnsenior&noCookie=true&rel=0&showinfo=0&iv_load_policy=3&modestbranding=1&color=white&enablejsapi=1&origin=https%3A%2F%2Fwww.arturia.com&widgetid=1&forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Fbillmauchly%26johnsenior&aoriginsup=1&vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"275820017\">\u003C/iframe>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black py-0\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container-fluid\">\u003Cdiv class=\"row d-block\">\u003Cimg src=\"https://medias.arturia.net/images/stories/ensoniq-founders/02.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid mx-auto\">\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section pt-6 pb-4 text-white bg-black\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"layout-half-fluid layout-half-fluid--left layout-half-fluid--xxl layout-half-fluid--xl layout-half-fluid--lg\" style=\"--layout-column: 6;\">\u003Cdiv class=\"layout-half-fluid__left layout-half-fluid__contain\">\u003Cdiv>\u003Ch2>Ensoniq’s \u003Cbr> \u003Csmall class=\"d-clock\">Origins \u003C/small>\u003C/h2> \u003Cp>Ensoniq was founded in 1982 in Philadelphia by a group of visionary engineers, some of whom had come from MOS Technology - the company who made the circuits for the iconic Commodore 64 home computer.\u003C/p> \u003Cp>These engineers had designed sound chips that had real potential to go beyond the computer market. The Commodore’s SID chip evolved into the DOC 5503 (aka the Digital Oscillator Chip), the brainchild of Commodore’s Robert Yannes and the sonic foundation for Ensoniq’s first generation of synth releases.\u003C/p> \u003Cp>This was a relatively young company who, by entering the synthesizer market, faced fierce competition from the well-established titans. When software engineers Bill Mauchly and John Senior joined in 1984, the stage was set. The team had plenty of experience (both music and engineering), great chemistry, and a determination to succeed.\u003C/p> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003Ch3 class=\"mb-0\">\n      John Senior:\n    \u003C/h3> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “I don’t think I imagined when I was a kid playing the guitar that I’d end up as part of a team designing legendary musical instruments, working with technology, getting deeply involved with the progression of this world that we know of as synthesizers.”\n    \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"layout-half-fluid__right layout-half-fluid__fluid\">\u003Cdiv>\u003Cimg src=\"https://medias.arturia.net/images/stories/ensoniq-founders/03.png\" error=\"function(){return function(){}}\" class=\"img-fluid mx-auto my-3\">\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"layout-half-fluid layout-half-fluid--right layout-half-fluid--small layout-half-fluid--xxl layout-half-fluid--xl\" style=\"--layout-column: 6;\">\u003Cdiv class=\"layout-half-fluid__left layout-half-fluid__fluid d-flex align-items-start justify-content-end\">\u003Cdiv>\u003Cimg src=\"https://medias.arturia.net/images/stories/ensoniq-founders/04.png\" error=\"function(){return function(){}}\" class=\"img-fluid mx-auto my-3\">\u003C/div>\u003C/div> \u003Cdiv class=\"layout-half-fluid__right layout-half-fluid__contain\">\u003Cdiv>\u003Ch2>Realizing\u003Cbr> \u003Csmall class=\"d-clock\">A Vision\u003C/small>\u003C/h2> \u003Cp>The tight-knit culture of the Ensoniq team meant that everyone chipped in, working towards a common goal. That goal wasn’t simply to fill a gap in the market, or to make a quick buck - as Mauchly notes, the team felt personally invested.\u003C/p> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003Ch3 class=\"mb-0\">\n      Bill Mauchly:\n    \u003C/h3> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “From the beginning, it was really exciting because we were making something we wanted. We personally wanted to have this keyboard, and it didn’t exist in the world.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cp class=\"pt-3\">The soon-to-be SQ-80 was what they were ultimately aiming for, but there were a few stepping stones along the way to their intended destination. The team came from an engineering background, and they had their innovative DOC chip ready to deploy. But the cost of the technology needed to reach their goal - combined with the shape of the market - meant that they had to bide their time.\u003C/p> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003Ch3 class=\"mb-0\">\n      Bill Mauchly:\n    \u003C/h3> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “When the company started, we first made a sampler because samplers were hot...but in the back of our minds, we were saying ‘we know how to make really good synthesizers’. We had not only the chip to do it, but also a few other tricks up our sleeve.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cp class=\"pt-3\">The Mirage sampler was unveiled in 1985, followed by the ESQ-1 in 1986. Both releases offered something a little different to the competition - different enough for Ensoniq to be taken seriously. The Mirage was a far more affordable sampler keyboard than the likes of the 5-figure Fairlight CMI, while the ESQ-1 is seen as an early example of a keyboard workstation.\u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black py-0\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container-fluid\">\u003Cdiv class=\"row d-block\">\u003Cimg src=\"https://medias.arturia.net/images/stories/ensoniq-founders/05.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid mx-auto\">\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"layout-half-fluid layout-half-fluid--left layout-half-fluid--xxl layout-half-fluid--xl layout-half-fluid--lg\" style=\"--layout-column: 6;\">\u003Cdiv class=\"layout-half-fluid__left layout-half-fluid__contain\">\u003Cdiv>\u003Ch2>Technology:\u003Cbr> \u003Csmall class=\"d-clock\">Friend Or Foe?\u003C/small>\u003C/h2> \u003Cp>The success of their early releases only added to Ensoniq’s momentum and determination. With the company now established and the cost of the necessary technology within their range, the stars were aligning as they had hoped.\u003C/p> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003Ch3 class=\"mb-0\">\n      John Senior:\n    \u003C/h3> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “We followed the technology curve of the ‘80s and ‘90s - microprocessors and memory became more powerful and less expensive. We could do more with these things.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cp class=\"pt-3\">This was still a small team working on a small scale, and in the absence of today’s instant-results computers, it was a labour-intensive process - Bill and his former Ensoniq colleague Al Charpentier joked about how long it took matching components by hand on a 12ft x 12ft schematic on their office floor. Still, they pushed the boundaries of the tech that was available to them.\u003C/p> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003Ch3 class=\"mb-0\">\n      John Senior:\n    \u003C/h3> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “We started adding additional technologies, proprietary technologies. Ultimately digital signal processing chips that let us have effects and that sort of thing. All that was an ever-expanding quest to realize our goals.”\n    \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div> \u003Cdiv class=\"layout-half-fluid__right layout-half-fluid__fluid\">\u003Cdiv>\u003Cimg src=\"https://medias.arturia.net/images/stories/ensoniq-founders/07.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid mx-auto my-3\">\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"layout-half-fluid layout-half-fluid--right layout-half-fluid--small layout-half-fluid--xxl layout-half-fluid--xl\" style=\"--layout-column: 6;\">\u003Cdiv class=\"layout-half-fluid__left layout-half-fluid__fluid d-flex align-items-start justify-content-end\">\u003Cdiv>\u003Cimg src=\"https://medias.arturia.net/images/stories/ensoniq-founders/06.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid pr-5\">\u003C/div>\u003C/div> \u003Cdiv class=\"layout-half-fluid__right layout-half-fluid__contain\">\u003Cdiv>\u003Ch2>Introducing\u003Cbr> \u003Csmall class=\"d-clock\">The SQ-80\u003C/small>\u003C/h2> \u003Cp>In 1988, the SQ-80 was born, the instrument that Ensoniq had been working towards since the company’s founding 6 years prior. Like the Mirage and the ESQ-1 before it, it entered a competitive market but brought something new.\u003C/p> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003Ch3 class=\"mb-0\">\n      Bill Mauchly:\n    \u003C/h3> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “Inside, it was different because we were using this wavetable oscillator. It was all multi-sampled sounds, so different waveforms on different parts of the keyboard.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cp class=\"pt-3\">It wasn’t just the contrasting nature of the digital oscillators / analog filters that set the SQ-80 apart. The fact that you had 3 of those oscillators, and a multitude of different waveforms to assign to them, meant that you had an unprecedented range of timbres at your disposal.\u003C/p> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003Ch3 class=\"mb-0\">\n      Bill Mauchly:\n    \u003C/h3> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “You could put stacks of different waveforms at the same time - strings, brass, even drums. The idea was that if we can get all those instruments in there and have an easy-to-use sequencer at the same time, it would be like a workstation.”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cp class=\"pt-3\">One of the major challenges that musicians faced when working with the digital keyboards of the ‘80s was their complexity. Fiddly menus, sprawling interfaces, tiny screens. Bill and the Ensoniq team sought to change that with a clearer interface that allowed for quicker, easier editing.\u003C/p> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003Ch3 class=\"mb-0\">\n      Bill Mauchly:\n    \u003C/h3> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “Once we settled on the larger display, we got the idea that we could have enough buttons to select a page and easily edit stuff. The bigger display was a key feature - and the soft buttons!”\n    \u003C/p>\u003C/div>\u003C/div> \u003Cp class=\"pt-3\">Thousands of unique waveform combinations, an intuitive but powerful synthesizer, a crunchy sound with analog flavor - and above all, a synth workstation that wasn’t a nightmare to program. From the visionary engineering responsible for the best-selling computer of all time, to the team’s convergence of technical expertise and musical passion, the company’s penchant for innovation was clear. Every release was a thrilling opportunity to push the boat out; the SQ-80 is the perfect example of this.\u003C/p> \u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003Ch3 class=\"mb-0\">\n      John Senior:\n    \u003C/h3> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “We were all excited whenever we released a new product. The polyphonic pressure keyboard was an innovation, [as was] the increased sound quality and the variety that was included in the SQ80.”\n    \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black py-0\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container-fluid\">\u003Cdiv class=\"row d-block\">\u003Cimg src=\"https://medias.arturia.net/images/stories/ensoniq-founders/08.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid mx-auto\">\u003C/div>\u003C/div>\u003C/section> \u003Csection class=\"section bg-black text-white\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center\">\u003Cdiv class=\"col-12 col-md-8 text-center\">\u003Ch2>The Cross Wave \u003Cbr> \u003Csmall class=\"d-clock\">Reimagined\u003C/small>\u003C/h2> \u003Cp class=\"h3 small mb-3\">SQ80 V is a faithfully reverse-engineered software version of the instrument that Bill and John helped to create over 3 decades ago. \u003C/p> \u003Cp>Emulated down to component-level accuracy and enhanced with cutting-edge features for modern producers, it offers an immersive virtual experience of this iconic synth - in a way that we hope pays deserved homage to the original creators’ inspiring vision.\u003C/p>\u003C/div>\u003C/div> \u003Cimg src=\"https://medias.arturia.net/images/stories/ensoniq-founders/09.png\" error=\"function(){return function(){}}\" class=\"img-responsive mx-auto my-3\"> \u003Cdiv class=\"d-flex justify-content-center mt-4 mb-6\">\u003Ca href=\"/products/analog-classics/sq80-v/overview\" class=\"btn btn-primary btn-lg \">Discover SQ80 V\u003C/a>\u003C/div> \u003Cdiv class=\"row justify-content-center\">\u003Cdiv class=\"col-12 col-md-6 mt-2\">\u003Cimg src=\"https://medias.arturia.net/images/stories/ensoniq-founders/10.jpg\" error=\"function(){return function(){}}\" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-6 mt-2\">\u003Cimg src=\"https://medias.arturia.net/images/stories/ensoniq-founders/11.jpg\" error=\"function(){return function(){}}\" class=\"img-responsive mx-auto my-3\">\u003C/div> \u003Cdiv class=\"col-12 col-md-8 mt-3\">\u003Cdiv class=\"card-press-clipping\">\u003C!----> \u003Cdiv>\u003Ch3 class=\"mb-0\">\n      John Senior\n    \u003C/h3> \u003C!----> \u003C!----> \u003Cp class=\"quote mb-0 mt-3\">\n      “I don't know that I would’ve thought that here we would be, decades later, with a virtual emulation of a product that we designed, doing things that we never really considered that it could do!”\n    \u003C/p>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/div>\u003C/section>\u003C/div>",[57,66,73,80,87,94,101,108],{"id":58,"title":59,"description":60,"category":61,"ordering":62,"preset_description":47,"genre":47,"file":63,"artist":47},45521,"80 Squares","80 Squares brings us back a good twenty years as it is heavily influenced by some key artists in the techno and house scene that we listened to a lot in early 2000. The SQ80 V delivers the ingredients for the track perfectly, as this synth was used a lot in the scene.","sound_corner",99,{"id":64,"url":65},14195,"https://audios.arturia.net/audios/80_Squares_Solidtrax_2ad3709660.mp3",{"id":67,"title":68,"description":69,"category":61,"ordering":62,"preset_description":47,"genre":47,"file":70,"artist":47},45524,"87 Summer Sunset","A retro synthwave track with a lot of 80's action, showcasing the ability of the SQ80 V to trigger strong nostalgia response from the VHS era. All sounds present in this demo (even the drums!) are from the SQ80 V, with only a little bit of EQ and compression.",{"id":71,"url":72},14198,"https://audios.arturia.net/audios/87_Summer_Sunset_Maxime_Audfray_4701fdb79e.mp3",{"id":74,"title":75,"description":76,"category":61,"ordering":62,"preset_description":47,"genre":47,"file":77,"artist":47},45527,"Planete X","Spatial/Melancholic Trap beat. All the melody except the drums and 808 are coming from the SQ80 V. I played with the «Detune» and «glide» option to get an old, organic type of sound. Some of the patches are custom but I used mostly the factory presets.",{"id":78,"url":79},14201,"https://audios.arturia.net/audios/Planete_X_Maxime_Desormieres_27fe4dc0ac.mp3",{"id":81,"title":82,"description":83,"category":61,"ordering":62,"preset_description":47,"genre":47,"file":84,"artist":47},45530,"SQ Acid","A colorful acid house track, with lots of energy and a little mystery. No external effects were used.",{"id":85,"url":86},14204,"https://audios.arturia.net/audios/SQ_Acid_Maxime_Dangles_272d866365.mp3",{"id":88,"title":89,"description":90,"category":61,"ordering":62,"preset_description":47,"genre":47,"file":91,"artist":47},45533,"SQDM","A lofty, raw and mysterious IDM track using only 6 instances of the SQ80 V from the new Factory library. Automations made using macros and internal FX.",{"id":92,"url":93},14207,"https://audios.arturia.net/audios/SQDM_Lily_Jordy_2dcedcec3c.mp3",{"id":95,"title":96,"description":97,"category":61,"ordering":62,"preset_description":47,"genre":47,"file":98,"artist":47},45536,"SQ Dreams","A lofty evolutive piece using different layers of ambient sounds in the SQ80 V Factory. No external effects were used in the making of this demo.",{"id":99,"url":100},14210,"https://audios.arturia.net/audios/SQ_Dreams_Jean_Michel_Blanchet_90afd33e55.mp3",{"id":102,"title":103,"description":104,"category":61,"ordering":62,"preset_description":47,"genre":47,"file":105,"artist":47},45539,"To The Floor","A straight to the point techno piece that starts off with a bang (and ends with one too). No external effects were used in the making of this demo.",{"id":106,"url":107},14213,"https://audios.arturia.net/audios/To_The_Floor_Leonard_De_Leonard_8d8d7c77f4.mp3",{"id":109,"title":110,"description":111,"category":61,"ordering":62,"preset_description":47,"genre":47,"file":112,"artist":47},45542,"Train Fantome","Dark Trap/Drill beat, with layers of SQ80 V’s patches. Same MIDI used for all the melody parts, mostly keys and pads. There is a custom 808 with slides and drums to match with it.",{"id":113,"url":114},14216,"https://audios.arturia.net/audios/Train_Fantome_Maxime_Desormieres_d1801de012.mp3",[],[117,126,135,144,153,162,171,180,189],{"ordering":62,"id":118,"quote":119,"artist":120},5441,"The SQ80 V has all the tone and texture I need to get that big vintage sound while I'm out on the road producing in hotel rooms. It's like you can hear the dust on those old 80's chipboards!",{"id":121,"name":122,"band":123,"thumbnail_name":124,"types":125},2189,"ill Gates","Producer","Ill_Gates-thumb.jpg",[],{"ordering":62,"id":127,"quote":128,"artist":129},5447,"Taking the very best of the SQ80, and start adding those extra tweaks and enhancements. The SQ80 V stays sonically true to the original vibe with those wonderful digital waves coupled with one of the best sounding analogue filters.",{"id":130,"name":131,"band":132,"thumbnail_name":133,"types":134},2201,"Steve Levine","Producer / Engineer (Culture Club / Beach Boys)","Steve_Levine-thumb.jpg",[],{"ordering":62,"id":136,"quote":137,"artist":138},5453,"This thing is great! Plenty of inspiring sounds to get things started, and the Synthesis and Effects tabs are laid out in a way that make it easy to create interesting and unique sounds quickly.",{"id":139,"name":140,"band":141,"thumbnail_name":142,"types":143},2192,"Joel Little","Producer / Songwriter (Lorde / Taylor Swift)","Joel_Little-thumb.jpg",[],{"ordering":62,"id":145,"quote":146,"artist":147},5459,"Having not been able to use a hardware SQ-80 for years, this took me back to that exact feeling. This is IT....except now I don't need a floppy disk for my presets. Truly impressive.",{"id":148,"name":149,"band":150,"thumbnail_name":151,"types":152},1904,"Chris Dudley","Underøath","Chris_Dudley-thumb.jpg",[],{"ordering":62,"id":154,"quote":155,"artist":156},5474,"My wish was to own an Ensoniq SQ-80, which I eventually bought. After having sold it some years ago I felt the urge to get it again and just in this moment Arturia has come up with this plug in and I simply love it as it sounds authentic. ",{"id":157,"name":158,"band":159,"thumbnail_name":160,"types":161},1487,"Marc Romboy","DJ / Producer","Marc_Romboy-thumb.jpg",[],{"ordering":62,"id":163,"quote":164,"artist":165},5480,"Within minutes I got a really mean sequenced bass sound and an iconic 80’s pad with pitch modulation. Once you understand it, sky's the limit! I really dig the sound of the filter as well.",{"id":166,"name":167,"band":168,"thumbnail_name":169,"types":170},2207,"John Nathaniel","OneRepublic / Kygo","John_Nathaniel-thumb.jpg",[],{"ordering":62,"id":172,"quote":173,"artist":174},5486,"The SQ80 V has become my go-to for all things nostalgic. What can I say! I, too, am a product of the 80s/90s. Arturia does an amazing job of taking me back. It’s one of those things in your toolbox that you’ll just know exactly when you need it.",{"id":175,"name":176,"band":177,"thumbnail_name":178,"types":179},2216,"Patrick Wimberly","Beyoncé / Solange / Chairlift","Patrick_Wimberly-thumb.jpg",[],{"ordering":62,"id":181,"quote":182,"artist":183},5492,"The lo-fi droning pads are perfect for a particular piece I'm working on for a documentary soundtrack. Yet again Arturia pulverises with a total sonic delight.",{"id":184,"name":185,"band":186,"thumbnail_name":187,"types":188},2210,"Tom Marsh","Lana Del Rey / Composer","Tom_Marsh-thumb.jpg",[],{"ordering":62,"id":190,"quote":191,"artist":192},5660,"The SQ80 V is a triple oscillator beast of a synth. Like all of Arturia’s plugins, the analog character of the SQ80 V is authentic. It comes with a deep preset library and the capabilities to quickly sound design unique sounds and textures.",{"id":193,"name":194,"band":195,"thumbnail_name":196,"types":197},2243,"Zale Epstein","Kendrick Lamar / Eminem","Zale_Epstein-thumb.jpg",[],1779376240600]