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The art
of sound design

Augmented Series offers a rich collection of expertly-crafted sounds for you to explore, shape, and make your own.

To create a palette that reflects the sonic identity of Augmented Series, we worked with a diverse group of sound designers, composers, and producers from across the musical landscape.

From cinematic specialists to boundary-pushing synthesists, each brought their own perspective - crafting sounds that move between the acoustic and the electronic with depth, emotion, and imagination.

Logos Cluster

This sound is a nod to a certain classic sci-fi movie whom I both love the soundtrack and aesthetics. It adds a sixth harmony which gives it a peculiar, slightly mysterious feeling. Playing single sustained notes or simple triads works best on it.

Victor Morello - on Augmented BRASS

I'm an electronic music producer, sound designer and computer enthusiast. I've worked for 5 years as an in-house sound designer for Arturia, working on both the sound and ergonomics of products like MatrixBrute, Pigments and PolyBrute. I now create experimental music as Zero Crossing Point, exploring strong emotions and abrasive textures. In my spare time, I also create video games and experiment with 3D graphics.
“Easy access to a wide range of modulators and effects were a must for creating compelling and lively patches. I especially enjoyed the quality of the samples and the ability to have two parallel chains of instruments going on. I focused on sounds that were simple and inspiring, while making a few that would also propose a musical or melodic idea, in the hope of sparking musical inspiration.”

Joe Sheldrick

"The strengths of the Augmented Series is the ability to quickly layer real multi-sampled instruments with synth and sampled elements creating a uniquely hybrid sound. The new UI of version 2 has vastly improved workflow and is a joy to design sounds with. Unless I am directed to design a specific sound, I will always try to approach the synth in a unique way by finding its oddities and hidden features. I get bored quickly by the same ideas and approaches, so I am always seeking new territory. "

Airport Music

Inspired by Brian Eno's Music for Airports, this preset allows you to get lost in an ethereal bliss.

Joe Sheldrick

I am a sound designer and composer with a wide variety of experience in these worlds spread over 20 years. I started out as a club DJ/producer and I then got into sample pack and preset creation. I later progressed into the sonic branding world where I initially worked for electric vehicle startup Arrival, then later as a freelancer. In 2024 I joined the Arturia sound design team where I have been working on the Augmented Series amongst other projects. I love scoring music to visuals and I am a synth and music tech enthusiast.

Yuli Yolo

"This immediate and evocative preset can give a great starting point for any ideas around. I absolutely want to create a kind of dark, dynamic voices ensemble based on expressivity. For that, I love playing with the mod wheel, it morph the sound and gives an extra sens of space and brightness."

Catakom

A warm, filtered, hybrid choir.

Yuli Yolo

Yuli Yolo is a sound designer based in the South of France. A retired music composer, he now works as sound creator in the audio and video game industry. Focusing on his sound vision, he continues to explore the fusion between synthesis and expressivity.

Victor Morello

"Easy access to a wide range of modulators and effects were a must for creating compelling and lively patches. I especially enjoyed the quality of the samples and the ability to have two parallel chains of instruments going on. I focused on sounds that were simple and inspiring, while making a few that would also propose a musical or melodic idea, in the hope of sparking musical inspiration."

Logos Cluster

A clustered chord adding a sixth on top of a fifth chord. Play individual notes or fifth chords.

Victor Morello

I'm an electronic music producer, sound designer and computer enthusiast. I've worked for 5 years as an in-house sound designer for Arturia, working on both the sound and ergonomics of products like MatrixBrute, Pigments and PolyBrute. I now create experimental music as Zero Crossing Point, exploring strong emotions and abrasive textures. In my spare time, I also create video games and experiment with 3D graphics.

Richard Veenstra

"The morph knob is the most powerful element of Augmented Brass. It's really great to turn a classic patch of acoustic horns into a heavy synth-based braaaam sound. The addition of unusual playing techniques make the instrument into a real gem. I wanted to create sounds that are unheard of in other brass-like synthesizers. This meant looking further than what a traditional brass instrument is and define what a brass sound can mean for modern music production."

Angelic Rim

A pad sound useful for electronic and cinematic genres.

Richard Veenstra

I'm a Dutch sound designer and composer currently based in Madrid, Spain. I provide factory presets and sample libraries for leading software and hardware musical instrument companies like Arturia, Elektron, Toontrack, Steinberg, Native Instruments, Soniccouture, and Applied Acoustics Systems. I'm also the co-founder of Feature Music and part of the sound design agency 'The Solos'.

Marco Iodice

"I love the noise and warmth of this preset, perfect for a nice cinematic chord progression. The timbre morphs from big and acoustic sustained and resampled winds to calm and ethereal clarinet granulation! The LFO 1 slowly modulates the volume giving rhythm and movement to the sound, uses the aftertouch if you want to give a nostalgic touch to the vibe, which is always good!"

Steady Pulsar

Slow and pulsating soul. Use this preset for very slow chord progression.

Marco Iodice

I’m a producer/sound designer based in Rome, after graduating with a Bachelor’s degree in Popular Music and Fine Arts. I work as a freelance Sound Designer, and on a wide range of different productions, from electronica to RnB.

Quiver

This sound blends a familiar sample with a high 'glassy' texture and a bit of bright synth tone. Then a little bit of Phaser, Chorus, Delay and Reverb was added for flavor. I love to turn the Morph knob up while holding long sustained notes. Doing that turns the sound into a fluttery almost choir-ish texture.

Ed Ten Eyck - on Augmented WOODWINDS

I'm a musician/sound designer based in California. It wasn't until 2010 that I decided to put more focus on sound design and continue to do so.
“The main strengths to me are the ability to assign multiple parameters from different engines to the Morph knob and doing so with a well laid out, easy to use modulation system. My approach this time was to start by choosing two samples for the Sample engines then choosing two synth engines. Afterwards I dialled in the synth engine sounds a bit then assigned all Morph knob modulations to them, then adjusted filter settings. From there I assigned FX and Movement modulations, adjusting volume and re-adjusting previous assignments along the way. ”

Sunrise Over Taihu

Honestly, I like all the presets! It's hard to pick out just one specific sound. For my demo track, I used four presets: Sunrise Over Taihu, Chinese Duet, Tianxia, and Tea Ceremony. These sounds are based on three Chinese instruments: Guqin, Pipa, and Yangqin. I think these instruments capture the spirit of Chinese culture perfectly.

Konstantin Klem - on Augmented YANGTZE

I’m a composer and sound designer with over 15 years of experience in music production and sound library creation. I love diving deep into new plugins and synthesizers. My work is heavily shaped by classical music, while in the electronic realm I draw inspiration from Eduard Artemyev, Didier Marouani, and Vangelis.
“I'm definitely enjoying the Morph feature. You can seamlessly transition between sound eras - from ancient instruments to ultra-modern ones. Imagine you're composing a 10-track piece with Yangtze on each track and at one point you automate the Morph knob on all tracks simultaneously! I think this is an amazing feature for film or game scoring, when transitioning from one scene to another. During my college years, I had the opportunity to intern at a university in China. I was able to visit cities like Harbin, Dalian, and Jiamusi. I interacted a lot with ordinary people. I think I captured the essence of this rich culture. Every time I opened Yangtze, I tried to remember everything that happened to me in China, everything I saw and heard. It was a great help in my work on the sounds.”

Airport Music

It was hard to land on my favourite preset, but I have chosen Airport Music. This was influenced by Brian Eno’s Music For Airports album. I was exploring the new choir samples and landed on this sound when I added a big reverb. You can create a lush soundscape with this one. Voices Trailer is my second favourite preset, although it is less versatile.

Joe Sheldrick - on Augmented VOICES

I am a sound designer and composer with a wide variety of experience in these worlds spread over 20 years. I started out as a club DJ/producer and I then got into sample pack and preset creation. I later progressed into the sonic branding world where I initially worked for electric vehicle startup Arrival, then later as a freelancer. In 2024 I joined the Arturia sound design team where I have been working on the Augmented Series amongst other projects. I love scoring music to visuals and I am a synth and music tech enthusiast.
“The strengths of the Augmented Series is the ability to quickly layer real multi-sampled instruments with synth and sampled elements creating a uniquely hybrid sound. The new UI of version 2 has vastly improved workflow and is a joy to design sounds with. Unless I am directed to design a specific sound, I will always try to approach the synth in a unique way by finding its oddities and hidden features. I get bored quickly by the same ideas and approaches, so I am always seeking new territory. ”

Void Choir

At first I wanted something close to Voices sound like and with little movements inside, starting with a swell through a formant filter helped me a lot to get that feeling.

Quentin Feuillard - on Augmented VOICES

I'm a sound designer and technician who evolved in the world of Djing before studying sound programming for video games and audiovisuals. Sound designer at Arturia since 2022, I work mainly on the Augmented series and samples, I've been lead SD on the series since 2024. Outside the company, I like to paint miniatures and play board games in my spare time.
“The main strength of this instrument is the sound possibility gives by this 4 engines and the Morph feature to makes complex and evolving sounds. Experimental sounds created for Voices combine very well with all the real articulations, spice it up with some synthesis element and get a good recipe for a good sound.”

Deep Tension

I have chosen the preset Deep Tension. It's a perfect hybrid of real strings and synth and great for cinematic pieces, which I am a fan of making and listening to.

I am a sound designer and composer with a wide variety of experience in these worlds spread over 20 years. I started out as a club DJ/producer and I then got into sample pack and preset creation. I later progressed into the sonic branding world where I initially worked for electric vehicle startup Arrival, then later as a freelancer. In 2024 I joined the Arturia sound design team where I have been working on the Augmented Series amongst other projects. I love scoring music to visuals and I am a synth and music tech enthusiast.

Forbidden Handpan

Zain Hayat - on Augmented STRINGS

I’m a producer, composer and sound designer currently based in Bangalore, India, specialising in sound design and genre-fluid music that leans heavily towards textures, distortion and storytelling.
“What immediately drew me to Augmented Strings was just how easily I am able to morph from organic to electronic elements. The sample engines and synths are extremely powerful, with some great choices in sounds built in. The versatile effects and the ease of use have made this instrument my go-to when it comes to putting quick ideas down. My musical work melds organic and electronic sounds, and that’s the approach I took while building these presets. I wanted to build a set of presets that could easily be added into almost every genre as well as scores for film. The ease in which strings could be transformed into just about anything else was my biggest inspiration, and I experimented my way up from there.”

Light’s Saga

Gustavo Bravetti - on Augmented MALLETS

Always in love with music and technology, musician, producer and live performer, Gustavo started programming synths and computers in the late 80’s. Nowadays he fulfills his childhood dreams.
“Like the other instruments in the Augmented Series, this one is both practical and powerful, especially with the brand new modulation system. While I craft my own sounds, I appreciate the huge value the vast, high-quality, ready-to-use preset library adds—especially with macros that offer deep, expressive control instantly, without having to dive into complex synthesis. I spent most of the time exploring combinations of mallet samples and synth engine presets, chasing happy accidents. When something promising emerged, I added modulation to give the sound its own dynamic personality, shaping it further with well-mapped macros. Effects then added depth, character, and space, often transforming the patch entirely. ”

Air Loop

Arovane - on Augmented MALLETS

My name is Uwe Zahn, aka Arovane. I have been a musician for over thirty years and have also worked as a sound designer for various companies for the last ten years. My current musical projects are a collaboration with Taylor Deupree on 12k and solo albums on LAAPS, Puremagnetik and DAUW.
“The Augmented Instruments are characterized by enormous tonal flexibility and high sound quality. The preset bank system is well designed and supports me very well in my musical work. The modulation options are diverse and the morphing raises the instrument to the next level. The possibility of morphing between two sounds really appealed to me. That and the excellent FX unit as well as the modulation options stimulated my imagination to program presets. It was very exciting to combine acoustic instruments with synthetic sounds. ”