White Noise

Adding another level of creative possibilities, the white noise generator can add a little airy texture or rather a stormy buzz to a sound. A little noise here and there can give your patch depth and help push your filter. It also opens up vast synth-drum sound possibilities.

Frequency Modulation

MiniBrute 2 also gives you the ability to apply some frequency modulation to the VCO 1. By default, this can be done from VCO 2’s signal, but you can also use practically any source via the CV/Gate modulation patch bay. Create anything from subtle vibrato and tonal changes to full-blown audio chaos.

VCO 2

The 2nd VCO lets you choose between sine, saw, and square waves. Benefitting from an independent tuning setting, it will either let you add subtle harmonics to the sound, harden it through fine detuning or even create wide pitch intervals from sub-oscillation to high pitched overtones. It can even operate as a third LFO thanks to the appropriate range option. Just like the other sound sources, the level of this oscillator can be adjusted using the OSC Mixer so that you can choose freely between using it only as a sound source, only as a modulation source and anything in between.

Sawtooth & Ultrasaw

The bite of the Brute, the sawtooth is a classic, aggressive waveform with harsh elements that cut through a mix with ease, and its rich harmonic content reacts beautifully to being filtered. The related ultrasaw sound-shaper thickens up the saw wave, changing the profile of its ‘teeth’ with detuned twins of the original wave. This adds a really fat, widescreen feel to the sound, fleshing out your tone and creating an altogether different beast.

The Ultrasaw Amount knob controls the amplitude of the twin waves while the related modulation source, by default LFO 2, controls their level of detuning around the initial saw.

Square & Pulse Width

Another synth standard, the square wave has a sound of extremes. Beefy, sharp, and bright at the same time, the square wave has an energetic, instantly-usable timbre. Widely used in vintage video games, MiniBrute 2 gives you the tools you need to teleport this iconic sound into the 21st century. Alter the Pulse Width to go from a square to a rectangle and even a pure pulse wave resulting in a seamless transition in the harmonic content.

You can determine the pulse width both statically thanks to the Pulse width knob and in a variable way through a modulation source, the LFO 1 by default, and the related modulation amount knob.

Triangle & Metalizer

The triangle wave is generally the go-to waveform for creating softer, more subtle tones. Gentle on the ears, sounds based on the triangle have a sort of dreamy, other-worldly feel. While you’ll no doubt appreciate the softer side and sonic variety of MiniBrute 2, we also included the Metalizer sound-shaper to ruin the triangle wave’s day. Based on the principle of wave folding, it adds shearing, harsh metallic overtones, lending itself perfectly to hot bass sounds and screaming leads.

For that extra level of control, in addition to setting a static Metalizer offset, you can let the velocity or any other modulation source control its level. Imagining the expressive depth of a soft, delicate Triangle waves evolving into raucous, powerful metallic stabs as you play harder.