Filter MINI

Dr Moog's legendary ladder filter in a plug-in.

Silky smooth, warm but vibrant, the highly sought-after sound of that iconic 70s monosynth filter can now be used on whatever sound source you like. Accurately modelled from the original, and updated with exciting new features.

Ever wanted to use one of the world’s most famous synth filters in your DAW?

The classic filter from our lovingly recreated Mini V software instrument is now in a dedicated plugin. Now you can add the familiar filter tone to warm or smooth out your audio, or to add sweetness to a sensitive recording.

Not only that, but Filter MINI also includes a powerful modulation section which consists of an envelope follower, an LFO, and a step sequencer. A patch manager is also built-in, along with a set of presets to inspire your creativity.

An essential, expressive, and creative tool for any producer or performer.

Straight from
the legendary 70s monosynth

Filter MINI is another chapter in the story of Arturia’s True Analog Emulation technology.

In 2003, we collaborated with Bob Moog to recreate the illustrious synthesizers he designed as software instruments, allowing a whole new generation of musicians, producers, and enthusiasts the chance to experience his unique method of synthesis. Fast-forward 15 years, and sadly the godfather of synthesis is no longer with us; but his legacy remains forever.

Through our collaborative effort and expertise, we were not only able to perfectly recreate his iconic 70s monosynth, but also isolate individual components. The 24dB per octave ladder filter has always been at the core of the Model D monosynth mythos, and we were intrigued as to how it would sound on other audio sources. So we applied the greatest care and used the latest technological advances to reproduce its warm and highly musical tone.

But what does a filter
actually do?”

For many music producers and electronic musicians, filters are an essential part of their sound and creative process. Put simply, filters cut or boost certain sound frequencies, letting you control the tonal ‘shape’ of audio.

For example, if you had a vocal recording that you wanted to remove some low, bassy rumbles from, you could use a high-pass filter.

A low-pass filter could be used in the same way, but to remove unwanted high frequencies; maybe to tame particularly zingy cymbals or hi-hats in a drum recording.

Notch filters can pinpoint certain frequencies and either boost or cut them; one great use for these is to find and remove clothy, unwanted mid-range resonance from recordings of acoustic instruments.

Originally developed to remove broadcast noise and make the most of radio bandwidth, nowadays filters are an essential creative tool for music professionals.

Artistscorner

Hear it,
and be inspired

We created Filter MINI out of a passion for vintage audio gear and a love for experimenting with new musical possibilities.

We adore Filter MINI, but don’t take our word for it. Listen to these demos, and hear the awesome potential for yourself:

We used the most advanced analog modelling technology to bring you a faithful reproduction of one of the most famous synth filters of all time. We updated it with cool, contemporary features. What you do with this inspiring new studio plugin is up to you. Filter MINI also features dozens of presets created by our award-winning in-house sound designers, letting you get some instant inspiration, and giving you a creative springboard to making your own personalized patches.

Mini D6

(Victor Morello)

A 6 step sequence and a very fast LFO, completely transforming this techno mix into a weird FM-like sequence.

Mini Disco House

(Victor Morello)

Classic pumping effect that really transforms these lush EDM chords. Perfect for adding a sidechained kick and starting a dance track.

Mini Used Speaker

(Victor Morello)

Lovely distortion effect created by cranking up the drive knob. It definitely adds some crunch and character to this dub guitar and drum loop.

Mini Just a Step Sequencer

(Victor Morello)

Simple step sequencer applied to the cutoff frequency, adding movement to two otherwise static sounds.

One legendary filter,
one FX plug-in

Whether you’re a singer, a guitarist, a DJ, a producer, Filter MINI will spice up your music.

Emphasize the warmth of your voice, shape the tone of electric guitars, add filter sequences to your drums, transform you whole mix. While we’re sure you’ll love using a perfectly realized analog ladder filter on any sound source, we’ve also added some contemporary features to give Filter MINI the edge when it comes to creative audio processing.

From the sample & hold to the sequencer, Filter MINI is a true sound designer’s dream for mixing, sound creation, and experimentation. Let’s take a look at the key components of this awesome plugin:

Low Frequency Oscillator

Beyond animating the Cutoff Frequency and Emphasis by the application of a periodic variation that can take different waveforms and synchronized or not with your DAW’s clock, the Filter MINI LFO also offers a Sample and Hold mode. This one takes a random value and freezes it for a given time according to the Rate setting to generate a rhythmic effect.

Low Pass Filter

It gives you access to the most central parameters of the filter such as the Cutoff Frequency above which the high frequencies will be progressively cut, the Emphasis aka resonance that boost the frequencies around the cutoff frequency. In addition, the Drive parameter will raise the gain of the filter up to add distortion to the signal.

Step Sequencer

This highly creative modulator lets you accurately set a value up to 8 steps that can control the Cutoff Frequency, the Emphasis and the Rate of the LFO. You will be able to use it in sync with your DAW and to soften the transition from a step to another to radically extend your creative horizon.

Envelope Follower

It allows the Cutoff Frequency, the Emphasis and the LFO Rate to be modified based on the envelope of the sound source. The sensitivity controls the vertical follow-up while the attack and decay can be used to smooth the follow-up on the time axis. The Filter MINI Envelope Follower can thus be used for affecting the sound at an audio rate or inversely more subtly to follow broader volume variations.

Included in
FX collection

Effects you'll actually use

This effect is part of FX Collection, a suite of essential audio effect plugins empowering musicians, producers, and artists to get creative with their production. From iconic recording gear modeled with breathtaking accuracy, to cutting-edge contemporary effects, the collection includes the most sought-after studio tools, rare guitar pedals, modern mix enhancers, and beyond. Elevate your production and add color to your mix like never before.

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The features
you need

  • DAW ready

    However you use these plugins; for the amazing tone of their reverb, for the gritty preamps, or for their incredible sound design abilities, you'll be safe in the knowledge that they are fully compatible with your setup. These plugins work with all major DAWs, and on both Windows and MacOS.

  • ASC

    Arturia Software Center lets you download, organize, and update all of your Arturia software titles in one place, as well as manage all of your licenses across multiple devices. Keep it simple.

  • Resizable GUI

    Whether you want the full visual immersion of our classic effects emulations, or to save precious screen real estate, the interfaces for all of your Arturia plugins can be resized to a scale that suits you.

  • Real-time control

    Every parameter in every FX Collection plugin can be mapped to your favorite MIDI controller for instant, hands-on control of your mix. Sweep a filter, crank a preamp, or warp your modulation on the fly.

  • In-App Tutorials

    Every plugin in FX Collection comes with built-in tutorials, guiding you step-by-step through the crucial parameters, adjustments, and mixing hacks to get the most out of your sound. The tutorial panel also explains the controls you’re using in real-time - so you’ll never miss a tweak.

  • Preset browser

    FX Collection’s streamlined preset browser lets you filter, organize, and save your favorite presets for instant recall. Search by instrument type, genre, production technique, and much more - so you can quickly find the tweak you need and save valuable creative time!

TAE® Powered

The exclusive analog modeling technology that makes our emulations indistinguishable from the originals.

By accurately mimicking the characteristics of analog oscillators, filters, and soft clipping, we can provide astonishing component-accurate detail and authentic analog charm in equal measure.

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Main Features

Virtual recreation of a 24dB/oct Low Pass Ladder filter:

  • Drive parameter
  • Cutoff Frequency and Emphasis
  • Dry/Wet setting
  • Output volume setting

Low Frequency Oscillator

  • Can be synchronized with DAW’s clock
  • 4 waveforms + Sample and Hold mode
  • Phase parameter
  • Can modulate the Cutoff, Emphasis and Cutoff modulation amount of the Sequencer

Step Sequencer

  • Can be synchronized with DAW’s clock
  • Up to 8 steps
  • Smooth parameter
  • Can modulate the Cutoff, Emphasis and the LFO rate

Envelope follower

  • Sensitivity parameter (vertical sensitivity)
  • Attack and Decay time parameters
  • Can modulate the Cutoff, Emphasis and the LFO rate

30 presets from top sound designers

State-of-the-art TAE® analog modeling

Platforms specifications

Windows

  • Win 10+ (64bit)
  • 4 GB RAM
  • 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
  • 1GB free hard disk space
  • OpenGL 2.0 compatible GPU
  • ARM processors not supported on Windows

Required configuration

  • VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Apple

  • Mac OS 10.13+
  • 4 GB RAM
  • 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU
  • 1GB free hard disk space
  • OpenGL 2.0 compatible GPU

Work with ASC

  • An elegant and simple solution to help you install, activate, and update your Arturia software.

* All manufacturer and product names mentioned on this page are trademarks of their respective owners, which are in no way associated or affiliated with Arturia. The trademarks of other manufacturers are used solely to identify the products of those manufacturers whose features and sound were studied during the development. All names of equipment, inventors, and manufacturers have been included for illustrative and educational purposes only, and do not suggest any affiliation or endorsement by any equipment inventor or manufacturer.

*NKS ready