Evolution of
the species
对一些人来说，这是《银翼杀手》的声音。对另一些人来说，这是一款提供了前所未有的表达控制和灵活性的键盘。
对您来说，CS-80 V是体验真正合成器泰斗、复古声音设计基础以及一个渴望被演奏的情感乐器的机会。
探索一种无可置疑的大胆模拟声音，它定义了无数的唱片、电影配乐和音乐风格，融合了广泛的表现力架构，增强了对您音乐风格的每一个方面的响应。
富有表现力，生动
这不是普通的软件合成器；CS-80 V是活生生、呼吸的，它对您音乐性的每一个元素都有反应。它的表达控制阵列和反应式架构，让声音成为您自己的延伸。
Cinematic sound
闪耀的垫音沉浸在复古未来主义的魅力中，紧张的低音让你胸腔感受颤动，清脆的调制主音让你全神贯注；CS-80 V拥有纯粹的模拟戏剧性。无论你的故事如何，属于你的配乐近在咫尺。
Modern enhancements
没有其他合成器的声音能与之相比，但CS-80 V拥有的现代特性能完美融入您的现代制作设置中。通过增强功能，如MPE兼容性和模拟扩散，为您的音乐增添真实、引人入胜、永恒的声音，同时不牺牲您所需的软件灵活性。
从头开始重建
CS-80 V代表了软件建模的顶峰，虚拟化了原始设备的每个电路和组件，并为现代生产工作流程增添了功能。简单来说，它是最佳的复制品。
A watershed
in synth history
CS-80的设计是为了让一家著名的乐器公司打开合成器市场，它超越了所有预期，成为了从Toto到Vangelis等艺术家的主要乐器。
当时，人们追求它的表现力控制、独特界面和丰富的有机声音；如今，它几乎成了传奇。CS-80 V 延续了这一传统，将它的光辉带到您的软件工作室中。
让这个传奇获得它应得的虚拟乐器模拟是我们承担过的最具挑战性的项目之一。我们对结果感到满足，希望您也会如此。
到了20世纪70年代，雅马哈知道合成器是专业键盘市场的未来。在 CS-80 之前，他们在这个领域尝试了两种截然不同的产品：紧凑的单音SY-1和庞大的GX-1。后者看起来像一台大型风琴，只有少数几个大明星愿意支付 60,000 美元的价格。但这些明星包括基思·爱默生、史蒂夫·旺达和约翰·保罗·琼斯，他们非常喜欢他们的 GX-1。这款“概念机”取得了成功，是时候大规模生产了。
雅马哈于1976年发布了CS-80，比一些经典的美国多声部合成器提前了一年多进入市场。它将与GX-1相同的声音架构和电路压缩到了一个更便于运输（200磅）的设计中，可以折叠进自己的行李箱。即使在其他合成器使多声部和多振荡器声音更轻便、更实惠之后，售价高达6900美元的CS-80仍被视为专业音乐家的顶级模拟合成器。
Where most other pro-level polyphonic synths’ voices ran two oscillators into a common filter and VCA, the CS-80 opted for two complete, parallel synthesis chains: VCO, VCF, VCA, and touch response settings for the keyboard. In a way, this made the CS-80 the first multi-timbral poly synth, though you could only mix the two timbres, not split them on the keyboard.
The CS-80 found itself in the hands of many now-iconic artists including Tony Banks of Genesis and Peter Gabriel in his solo work. Michael Jackson famously played one himself on “Billie Jean.” Toto used a CS to great effect on the keyboard solo of “Rosanna” and the “Dune” soundtrack. But it was Greek composer Vangelis who would truly immortalize the CS-80 in the scores to “Chariots of Fire” and “Blade Runner.”
A machine
that feels
与许多受复古合成器启发的同辈一样，CS-80 V体现了模拟声音设计令人向往的纯净性。
正如你对现代软件合成器所期望的那样，它在声音功能上也很容易调整和灵活 - 与其硬件前身相比更是如此。但它真正的美在于它对演奏的响应。
它相当于一个由铜管、弦乐、木管和打击乐器组成的合奏，提供了广泛的表现方式。当你与其许多响应元素互动时 - 如带状控制、滑音、延音、滑块 - 它会相应地作出反应。
Preset
Library
深入探索来自多才多艺的声音设计师的独家200个预设集合，他们和你一样热爱CS的声音。沉浸在他们的创作中，或者逆向工程它们，创造你自己的作品。
Bass
All Stops_Out
Hard hitting synth bass.
Dry Bass
A punchy and dry bass sound.
Leads
Aftertouch Surprise
Brassy synth sound. Aftertouch will add another upper lead sound.
Feedback Distorsion Lead
A powerful distortion synth lead.
Pads
Distant Oceans
An atmospheric pad using slow modulations on hi pass Filters I & II.
Sweep VCA
An evolving tremolo pad. Functions 1 & 2 adds modulation on a fifth tone and tremolo effects on VCAs I & II. Mod wheel adds vibrato.
Sequences
Roboter
A stereo arpeggio with Function modulations to create harp movement.
FX Sequence
A random pad using sequenced reverb and cutoff filters amount thanks to the Functions.
Keys
Bright Keys
A huge and bright brassy sound.
Pianicus Analogicus
An analog recreation of an old electro mechanical piano.
弦乐
LSO Replicant
An imitation of an old strings keyboard patch, made using a different technology, used in a famous movie's soundtrack.
Autumn Breeze
Classic strings with subtle movements.
Control
over sound
通过每个滑块和按钮，CS-80 V提供了一个准确反映原始设备的布局，同时确保了顺畅的虚拟工作流程。塑造你的合成器声音，并对你的表演实现极其精确、音乐性和表达性的控制。
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Artist
Corner
Tobias Menguser
"I was always a big fan of CS80 and Blade Runner, and bought a real CS60 a few years ago. The new version of CS-80 V with its great filter emulations comes closer and closer to the original hardware."
Sonar Traffic
"I love how there's many subtle things going on, the pitch shifter delay in the effects section gives it an extra dreamy quality."
Jeremiah Savage
"I feel the modulation functions really gave this version of CS80 something special that transforms one of my favorite vintage synths of all time into a great sounding powerful sculpting tool, allowing you to marry vintage analog tones with modern sound ideas."
Michael Geyre
"Arturia has finally managed to nail the specific sound from this instrument, even though it's quite a complicated instrument with an unusual architecture. I am very happy about the sound of the new version, as I can get identical sounds to my original CS-80. As the original instrument is crowded full of obsolete and rare chips, I know that I will always manage to get its sound using this plugin, and that's pretty reassuring. Also, when working on some short recordings, or when the weather is too hot, I'd prefer not powering the CS-80 on in such conditions, so using the plugin even makes sense for me, even if I do have the original instrument."
Tobias Menguser
"I was clearly focusing on the unique filters and the ring modulator, but also used the new effects quite heavily."
Jeremiah Savage
"Whenever I use CS-80 V it’s like a time capsule bringing me into a period in the early '80s with people like Vangelis painting soundtracks with a diverse and atmospheric palette of sonic textures. I can’t help but get into that mood when designing sounds with it. So I had early '80s sci-fi in mind while creating many of my sounds and let that be a sort of path to follow in my approach. It’s interesting how the new advanced features gave those ideas a fresh vibe."
Michael Geyre
"Despite using the original instrument almost daily, making presets was pretty difficult for me, as, in my opinion, it is a musical instrument, not a research synthesizer. I could get even a single sine wave, and play it with great pleasure, as, to me, the main point of the instrument is playability. Using a good keyboard controller (especially featuring polyphonic pressure), it is possible to get a similar experience using CS-80 V. Let's take "Aftertouch Surprise " or "Meadow Flute " as examples; they're both very simple presets, but they're sounds you can play and use on various recordings. That's what I aimed for, making playable sounds, not just impressive ones!"
Edwin Birdsong
Keyboardist
"I love the sound of that plug-in, and so does Stevie Wonder... I recommend it to anyone who wants great vintage sounds. (About the CS-80V)"
Eddie Jobson
Roxy Music - Zappa – UK
"With the CS-80V, Arturia have done a fantastic job of both replicating this classic instrument and adding new features and extensive programmability."
Eric Persing
Sound Engineer
"It has loads of personality and is capable of amazing sounds which are impossible on my real CS-80."
Franck Serafine
Sound Engineer
"The CS-80V is like a dream come true, with true classic vintage sounds but with all the latest digital control."
Hans Zimmer
Score Composer
"I just sold my Yamaha GX1 because I have a great remplacement with Arturia's CS-80V."
Jamie Muhoberac
Keyboardist
"One of the most appealing things about the CS-80V was the unique sound and shape of its amplitude and tremolo modulation."
John Merchant
Sound Engineer
"Arturia has done a remarkable job of capturing the essence of the instrument. It's incredibly authentic. I hear no difference."
Randy Cantor
Producer - Composer
"The CS-80 sounded absolutely amazing and unique, and so does the CS-80V!... The sounds you can get from them are endless."
Phoenix
"The CS-80V is the cornerstone of our live shows. We use it on stage. We are really impressed by this software by the way as we own a real CS-80 unit and find the similarities with the software pretty amazing."
James Lumb
Electric Skychurch
"It has a smooth, detailed sound that you would expect from a real analog synthesizer; with filters that make other digital synths sound gritty by comparison. The CS-80V just sounds great!"
George Massenburg
Producer - Composer
"The original CS-80 was in constant need of tuning, which was a profoundly tedious chore. I'll take the plug, thanks. Faithfully and flawlessly modeled and stable! I couldn't live without it now."
Icarus
"Over the years, we’ve used a lot of different VSTs but always kept coming back to a handful we really like and the CS80 V was one of them."
Francesco Ferrini
Fleshgod Apocalypse
"If you’re looking for that retro “sci-fi” sound, it’s simply perfect!"
Francesco Ferrini
Fleshgod Apocalypse
"The faithful recreation of the front panel means you get to understand what all the fuss is about with the original. Arturia has really gone there in making this available in soft form and it sounds really inspiring to me."
Eric Harvey
Spoon / Hamilton Leithauser
"Right now I’m all about the CS-80 V, it’s gorgeous sounding and really where my head is at with synth sounds these days."
Toddla T
Producer
"What you need? CS-80V, Arturia, how it's meant to be! You just get really good, quick results. When I get that feeling, it's thumbs up."
Press
Clippings
What
we added
CS-80 V 的高级功能旨在超越经典合成器设计的界限，让您将这款标志性乐器带到任何您想要的声音目的地。从额外的调制到精选的FX，这款增强的乐器已准备就绪，由您来驾驭。
创建在原版上无法实现的精确连接和通信。CS-80 V的精细调制部分包括3个多段包络发生器，每个发生器有3个可自定义的目标。绘制您自己的曲线，调整比例，并用新的调制混音器编织复杂的多调制运动，如侧链。老合成器也有新把戏。
Hear it
in action
仅仅几个来自使用CS-80 V的艺术家的作品，就能让你体验到外星世界的音响冒险。
Resting Time
A retro style, ambient and chill track inspired by 70's aesthetics. Only CS-80 V4 was used for the melodic and harmonic elements.
Neo CS80
Modern neoclassical demo with a slow buildup, making use of the new CS-80 V4 engine and effects chain.
Ascend To Five
Sonar Traffic
Since the CS-80 V has so much expressive possibilities built into the engine I focused a lot on the use of aftertouch and velocity, making them do sensible things. But with the help of the modern effects engine in this sound, I was able to create a shimmering layer thanks to the pitch shifting delay.
CS-80 Release
Suspenseful trailer soundtrack for the CS-80 V4.
Grenoble 2049
Blade Runner hommage using the brand new Factory library of the CS-80 V4.
Let Me Tell You
Fun-loving soul and funk demo, highlighting the timbre of the new CS-80 V4 engine.
Subaquatic Explorations
Classic deep house track using the brand new CS-80 V4 Factory library.
Ambient CS
Energetic, modern ambient soundscape using the CS-80 V4 Modern Factory library. Just some external percussion used.
Included in
V Collection 11 Pro
This instrument is part of V Collection Pro - a premium suite of software instruments designed for unparalleled sonic exploration.
From authentically modeled keyboards to hybrid synth engines and beautifully captured acoustic sounds, every instrument is enhanced for today’s production workflow - V Collection delivers the greatest keys of all time.
The features
you need
应用内教程
集成的应用内教程会引导你了解乐器的各个方面，从单个参数到我们的声音设计师的提示，让你可以专注于创意工作。创作本就该这么简单！
TAE® Powered
The exclusive analog modeling technology that makes our emulations indistinguishable from the originals.
By accurately mimicking the characteristics of analog oscillators, filters, and soft clipping, we can provide astonishing component-accurate detail and authentic analog charm in equal measure.
Gallery
Main Features
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MTS-ESP microtuning compatibility