WINTER SALE   - Start the year with new sounds  → Check the offers
ARTURIA

de

Pigments

Polychrome-Software-Synthesizer.

Erzeugen

Immer weiter nach vorne

Erkunde das Sounddesign bis in die tiefsten Tiefen mit allen dafür notwendigen Syntheseformen und einer reaktionsschnellen, farbbasierten Bedienoberfläche, die Experimente belohnt. Von schimmernden Obertönen bis zu messerscharf schneidenden Bässen und formbaren Wavetables.

Vielseitige Mulit-Engine

Entdecke alle Klangformungsmöglichkeiten mit sechs Synthese-Arten: Modal, Granular, Wavetable, Sample, Harmonic und virtuell-analog, sowie zusätzlich eine Utility-Engine.

Visuelles Sounddesign

Optimiere deinen Kreativ-Prozess mit der farbbasierten Bedienoberfläche von Pigments, der reaktiven Play-Ansicht und direkten Drag & Drop-Modulationen – für schnelles, flüssiges Sounddesign ohne Workflow-Unterbrechung.

Moderne Sound-Ästhetik

Pigments bietet einen klar definierten Sound und über 1700 sofort einsetzbare Presets – von hybrid-akustischen Klängen bis zu breiten Granular-Texturen. Erweiterbar über den Sound-Store.

Zukunft

Alle Nuancen der Klangsynthese

Erstelle umfangreiche, zusammengesetzte Klanglandschaften wie mit keinem anderen Synth. Mit sechs Engine-Typen, zwei Morphing-Filtern, 20 hochwertigen Effekten, erweiterter Modulation und kreativem Sequencing – die tiefgreifende Klangarchitektur von Pigments setzt deiner Fantasie keine Grenzen.

Engines
Filter
Modulation
Effekte
Sequenzer

Engines

Wähle zwischen drei Engine-Slots und sechs Klangerzeugungs-Optionen. Entdecke die die Kombinations-Power der modalen, granularen, Wavetable-, Sample-, Harmonic- und virtuell-analogen Synthese. Zusätzlich mit einer Utility-Engine, die weitere Oszillatoren und gesampeltes Rauschen liefert. Und nicht vergessen: Du kannst auch ein externes Audiosignal verarbeiten!

Filter

Sculpt your sound with 19 filter types and 68 filter modes, from warm analog classics to futuristic formants and digital lo-fi, each with flexible routing options.

Modulation

Geh noch tiefer mit den unendlichen Verbindungsoptionen zwischen Hüllkurven, LFOs, den zufälligen Quellen und noch mehr - klicke, ziehe und transformiere dein Patch ganz einfach. Moduliere praktisch jeden Parameter mit allem, was geht. Du kannst Hüllkurven sogar mit einem Audiosignal triggern!

Effekte

Zwei Insert- und ein Send-Bus ermöglichen die freie Kombination der 20 Studio-Effekte – von Shimmer Reverbs und dynamischen Delays bis zu aggressiven Verzerrungen und Vocoder-Texturen.

Sequenzer

Pigments bietet einen vollwertigen generativen Sequenzer. Erstelle sich entwickelnde Step-Modulationen mit nur einem Klick, durchsuche Sequenzer-Presets und animiere deinen gesamten Sound mit einer einfachen, aber leistungsstarken Sequenzer- und Arpeggiator-Engine.

Die vollständige Lösung
für moderne Synthese

Von Brain Dance bis zu Future Bass-Experimenten – erlebe das Klangrepertoire von Pigments in Aktion.

Breach

Nasko

Explosive festival-ready dubstep masterpiece.

Voltage Alley

Gisaza

A high-voltage UK bass club weapon, surging with raw energy and a relentless acidic groove.

Coberlon

Victor Morello

A heady, atmospheric psy-techno track with experimental flair.

Liquid

Visages

A punchy, dynamic liquid drum and bass track.

Quest

Victor Morello

A deep and dreamlike trap piece with soaring leads and textured harmonies.

Code Bloom

Popbot

A cutting-edge eardrum acupuncture session powered by the full force of Pigments.

Inspiration

Schließ die Lücke zwischen Inspiration und Resultat

Setz deine Ideen mit dem visuellen Workflow von Pigments und der auf Audiosignale reagierenden Play-Ansicht direkt in fertig ausgearbeitete Sounds um. Ob Klangexperiment oder komplexes Patching – du siehst direkt was passiert und kannst gezielt modulieren.

Klares, farbcodiertes Design

Das übersichtliche und intuitive Layout und die farbcodierten Modulationsquellen von Pigments machen es dir auf einen Blick leicht zu erkennen, wo du dich gerade befindest und was miteinander verbunden ist –damit du immer alles im Fokus hast.

Problemloser Workflow

Von Drag & Drop-Modulationen, Quick Edit-Werkzeugen und optimiertem Signalrouting – jedes Bedienelement wurde entwickelt, um das Sounddesign flüssig und angenehm zu gestalten.

Sichtbare Animation

Von den Engine-Wellenformen über Hüllkurven-Transienten bis zur Parameter-reaktiven Play-Ansicht: Das animierte Echtzeit-Feedback von Pigments macht Sounddesign direkt nachvollziehbar und kontrollierbar.

Explore

Ein Synth der nächsten Generation für innovative elektronische Musikgenres

Pigments bildet die Speerspitze modernen Sounddesigns und verkörpert eine innovative Ästhetik, die der weltweit extravagantesten Musik zugrunde liegt – von phosphoreszierenden Klängen über donnernde Bässe bis hin zu massiven Sweep-Granular-Flächen.

Moderne Sound-Ästhetik

Ein präziser, kraftvoller Sound, perfekt für das Zusammenspiel mit den modernen Styles elektronischer Musikproduktionen – von basslastigem Sounddesign bis hin zu experimenteller Komposition.

Umfangreiche Factory-Library

Über 1700 mit Sorgfalt erstellte Presets definieren den charakteristischen Sound von Pigments und schöpfen dessen Potenzial voll aus – Keys, Bässe, Leads, Pads, Sequenzen und noch viel mehr.

Trendige Expansions

Am Puls der Zeit mit aktuellen Presets und genre-orientierten Sound-Packs, die aktuelle musikalische Trends aufgreifen.

Explorations Volume 5

Mit Pigments 7 kommt auch Explorations Volume 5: Drei neue Expansions für zukunftsorientierte Producer. Von atmosphärischem Trap über hybriden Dubstep bis hin zu detailreichen IDM-Texturen – jedes Pack enthält 150 Presets für sofortige Expression und einen mixfertigen Impact.

Hazy Explorations

Eine von Cloud-Rap inspirierte Pigments-Expansion mit echo-getränkten Tastensounds, verschleierten Pads und subtiler 808-Power. Gemacht für einprägsame Hooks, dunkle Stimmungen und schwebende Trap-Atmosphären.

Dubstep Explorations

Eine clubtaugliche Pigments-Bank mit US- und UK-Bass-DNA: knarzende Mids, metallische Bewegungen, gestimmte Subs und präziser Transient-Punch. Entwickelt für moderne Drops, Hybrid-Sound und ein druckvolles Low-End.

IDM Explorations

Ein Pigments-Werkzeugkasten aus granularen Wolken, abgehackten Arpeggios, verzerrten Bässen und wandlungsfähigen Texturen. Ideal für experimentelle Musikproduktionen, bei denen die Klanggestaltung zur Komposition wird.

Preset-
Library

Tauch in die kuratierte Auswahl von Presets ein, welche die Engines von Pigments in Höchstform demonstrieren.

Durchsetzungsfähige Bässe, cinematische Atmosphären, sich entwickelnde Sequenzen und markante Texturen – prägend für die modernen Musikstile.

BÄSSE

Classic Yoi

Mr Bill

Mr Bill's take at a classic dubstep yoi in Pigments.

Next Gen Liquid

Martin Rabiller

Soft liquid bass with a solid foundation, a modal tone, and a specific attack timbre thanks to a ripple filter.

SEQUENZEN

Coastal Shine

Gabriel Sauvage

Sun's always brighter on the coastline.

Arp for Life

Ollie Psy

Dreamy arp meant to create a dreamy-like melody.

LEADS

This Olive Is Acid

Ollie Psy

Modern acid patch meant to be used as a main lead.

Magenta

Martin Rabiller

Soft synced lead with a lofi tone.

KEYS

Microscoping

_Opal

Soft lead keys. Ideal for chords and melody.

Physular

Mr Bill

Some nice wet keys.

PADS & STRINGS

Rods

_Opal

Simple pad for background textures.

Magic Havok

Martin Rabiller

Ethereal and dreamy atmosphere made with the harmonic engine.

Effekte

Iron Tremors

Lily Jordy

Haunting, futuristic metallic textures.

Glitter Factory

_Opal

Random-driven arpeggios. Ideal for breaks.

ill.Gates

Technicolor synth explosion

Dylan Lake AKA ill.Gates is a North American electronic music producer whose genuine, high-energy attitude is felt throughout his rumbly EDM world.

Artist
Corner

Virtual Riot

Producer, Dj

"Pigments excels at both having a great presets library as well as being a fantastic sound design playground."

Henrich Mueller

Producer (Dopplereffekt)

"After careful scientific experimentation, evaluation and data collection the Pigments application has proven to be quite a powerful and extensive application for deep investigations into new dimensions and possibilities within the domain of sound synthesis. Just as the particle accelerator is essential to atomic physics, Pigments is essential to the physic of advanced synthesis."

Plaid

Producers (Björk, Mara Carlyle)

"We love it, there is a real detail and depth in its sound, the modulation assignment and routing system is one of the best we’ve used, making complex structures clear. Its potential is exciting, we’ve still got lots to discover."

Habstrakt

Producer

"This Pigment update adds so much it’s honestly impressive. The new filter engines sound incredible and add so much texture to everything, I’ve been abusing the RAGE engines and reverb modes. Being able to modulate your filter from your oscillators is straight out of modular playbook and opens up a new world of possibilities."

Vel

Producer, Dj

"I used Pigments on every track of my ambient album. It’s the best plugin I can imagine for creating textures and soundscapes. I love the infinite possibilities it offers through the slightest tweak of its parameters. It’s a beautiful ally for creativity, full of surprises. I can spend hours exploring the interface, searching for new ways to craft melancholia and softness"

Eric Emery

Mixing engineer (Blink-182, Yellowcard, Alice Cooper, alkaline Trio)

"The sounds in Pigments are so inspiring, and the user experience is so intuitive it practically disappears; I stop thinking about the interface and slip straight into making music."

Alix Perez

DJ / Producer

"Pigments is my go to when I'm producing on the road, away from my hardware setup. It offers so much versatility and depth in one. The granular function and modelling tables are awesome and I can cover all ground between beautiful pads to aggressive, analogue sounding bass."

Mylo

Producer

"This is something completely new, an analog/wavetable hybrid beast with the craziest modulation capabilities I have ever seen."

Irène Drésel

"Pigments is really fun to use, being both intuitive and powerful! Its palette of rather “warm” and deep sounds lets you develop a lot of ideas for atmospheric sounds. I'm really using it a lot at the moment!"

Aho Ssan

Producer

"Pigments by Arturia is a true sonic canvas where granular synthesis takes on a unique dimension. Its ability to sculpt textures opens up an infinite range of creative possibilities, perfectly suited to the exploration of completely crazy landscapes."

Kmru

Producer

"The immense possibilities of pigments is mind boggling - in love with the modulation possibilities."

Nicky Romero

DJ / Producer (Britney Spears, David Guetta)

"I love how Pigments sounds so warm, and how easy it is to achieve the result you are looking for with your music. Great job on how the interface is done, all functions are easy to be found, even if you are new to this synthesizer. 5/5."

Forest Swords

Producer

"Pigments is incredible, I love it – it's so easy to use and it's also very easy to pull entirely new sounds together. I've already used it on a couple of songs, which I think are going to make the new album. "

Addison Groove

Producer

"It’s hard to imagine how Arturia could build on the previous Pigments, but the updates in V6 are spot on. The new Modal feature alone is giving me instant inspiration, especially if you’re into synthesising percussion. This is definitely the best-sounding soft synth I have, and it’s been my go-to ever since the original dropped."

SHERELLE

Producer, DJ

"Pigments is my Arturia safe space, so immediately I know I’m going to get good sounds. "

SebastiAn

"Pigments is one of the most impressing synth I tried about the textures it has, the unusual way it moves, the way you can be suddenly surprised of how spacious is the sound when you wander around the software, all the possibilities it can offer. It is really another level of sound. "

Kasper Bjørke

Producer

"The Pigments soft synth from Arturia is really great, especially for sound design projects, and the interface is very intuitive. It is easy to modulate and customise sounds and it really feels like you can create any sound on it - from big pads to powerful deep bass sounds and beyond. One of the most exciting soft synthesizers, one that I am using more and more."

Leon Vynehall

Producer

"Since I've had Pigments, it's made its way on to pretty much everything I've written. The maliable combination of sample and synth makes Pigments a perfect all rounder for me."

Daisuke Tanabe

Producer

"Love Pigments 4. It brings a cinematic layer to the production with a very delicate and present sound."

Sofie Birch

Producer

"I like how Arturias Pigments allow me to create high quality sounds that still have this noisy lo-fi vibe to them. The predesigned sounds have a lot of interesting layers and textures that connect with my taste in dusty woodwinds and rustling organic surfaces."

Andrew Huang

Producer/YouTube Influencer

"Pigments is super deep and super flexible. The layout and visual feedback for modulation routing is the best I've ever seen in a softsynth. "

Marc Houle

DJ / Producer

"Pigments is my favourite software synth - the layout is phenomenal, letting you have an overview of everything that's going on with that great modulation bar. Seeing everything at once inspires new ideas with very unique sounds. The giant preset bank is great for inspiration."

Howie B

Mixing Engineer, Producer (Bjork, Brian Eno, U2, Siouxsie and the Banshees)

"I can very quickly get and create what I hear in my head. Sonically sound and visually a treat use. "

Dem Jointz

Producer (Rihanna, Kendrick Lamar, Janet Jackson)

"It's crazy, but since I got it, I’ll make like seven beats in a couple of days. So when I can get a hold of that and do something like that, that's definitely going to end up being the go-to. "

Christian Löffler

Producer

"Absolutely loving it. Great work! Love the gentle, atmospheric sounds. Very inspiring presets as well."

Ttristana

Producer

"Pigments 4 is in the top three of my favourite virtual synthesizers. Its clear interface makes it easy to navigate. Pigments allows me to explore my creativity without limit."

INVT

Producer

"Pigments is super versatile, has almost every type of sound from basses to fx to pads and drums. The built in sequencer is awesome. Really beautiful design as well."

Alex Lustig

Producer (Young Thug, Don Toliver, French Montana)

"I love the textures Pigments is able to create. The hybrid synth enables me to create some new different sounds that help me be creative. The layout of Pigments is also super user friendly. Great synth. "

Zaliva D

Producer / Composer

"Its my main weapon for sound design work and music production. I love the Granular synth part so much, it's perfect for my beloved apocalyptic sounds. Love it, Love it, Love it!"

Monty

Producer, DJ

"The combination of wavetable, virtual analog, and granular engines in Pigments is unmatched. It's incredibly versatile, allowing me to create everything from lush pads to aggressive basses with ease."

NxxxxxS

Producer

"The strongest point of Pigments is its interface; everything is visible in a single window. The visual is modern and pleasant to look at, you understand quickly and easily each section and their functions."

Etch

Producer

"An absolute behemoth of a synth, the fact I was able to create a whole track using nothing but it is a testament to what a versatile powerhouse it is - recommend to ANYONE."

Camo & Krooked

Electronic Music Duo

"Pigments is a state of the art softsynth, which combines all classic and modern synthesis possibilities we wished for in one powerful package. The only limitation is your own mind! "

Janus Rasmussen

DJ / Producer / Band Member (KIASMOS)

"It's a very inviting synth. Before you know it, you'll be tweaking your own intricate and interesting presets. Pigments has a good balance between being simple and really deep, which is no small feat for this many features. "

FEMME

Artist / Performer

"I'm impatient, work fast and like stuff to sound great quickly. I found Pigments does just that and I've had a ton of fun playing with the sequencer. It's powerful and hugely flexible, but the controls accessible, easily understood and manipulated. "

Zola Blood

Producer

"It feels like the possibilities are endless without being overwhelming, which opens up a welcomed door to some serious sonic creativity."

Press
Clippings

Sound On Sound

On Pigments

"Pigments is an absolute pleasure to use and never feels confusing or intimidating thanks to its excellent interface. Yet there is still enough depth and thoughtful musical features to keep the most demanding sound designer happy. Hats off to Arturia - I hope they will continue to develop software of their own design. (...) A pleasure to use thanks to its excellent design and graphical interface."

Gearnews

On Pigments

"Arturia has done it again. Pigments has grown in terms of features and become leaner and meaner under the hood, with those CPU and workflow improvements. It retains its place at the top table of software synthesizers."

Gearspace

On Pigments

"Excellent sound quality, with powerful oscillators and a diverse set of filters."

Future Music ES

On Pigments

"Working with Pigments 7 has become much smoother and faster, but above all, more fun. It's a synthesis powerhouse and a gateway to sound design; and once you understand its dynamics, Pigments 7 is incredibly intuitive and fun to use for creating any kind of sound..."

Music Radar

On Pigments

"5/5 Pigments easily earns a place at the top table of synthesis. (...) The whole thing impresses from end to end. It’s hard to imagine how Arturia could have made it any easier to use - the work it has done in that regard is hugely commendable. With its voluminous, expressive sound and inspiring interface and architecture, Arturia’s first homegrown synth is a marvel."

Sonic State

On Pigments

"At the heart of Pigments is the deep, deep modulation routing system, with a highly visual approach. Each source can have multiple destinations and can also be modified by the same sources. It's deeply powerful, yielding highly complex and compelling sounds."

Tape Op

On Pigments

"Pigments is a great synth for complex evolving sounds (...) And, this is a very fun instrument to play (...) If you’re into synths, you’ll really want to check this one out for sure. Hats off to Arturia for successfully expanding into a new instrument category (...) Pigments takes Wavetable synths to a new, more refined and mature level than any other implementation I’ve seen to date."

DJMag

On Pigments

"How the hell do you make Pigments even better? From the original product, which was amazing, to this new version 7, which, once again, takes things to another level. Arturia keeps continuing to deliver the goods and then some with each new edition. Pigments is a must for all sound designers, Electronic Music Makers and creative artists, it has to be one of the most versatile synths that you NEED in your collection."

Audio Fanzine

On Pigments

"I highly recommend you to try out Pigments, which sound pallet could perfectly fit all your tracks. Arturia's developers keenly designed the ergonomics of the interface in order to make it easier and intuitive for users when working with it. It's the type of synthesiser we can use to learn synthesis."

Future Music

On Pigments

"Pigments is a powerful synth unifying the best of virtual synthesis, it has an amazing sound and modulation options are a delight to design dynamic sounds. An excellent and flexible ally for the creation of new sounds."

Electronic Musician

On Pigments

"A lot is going on in this latest synth powerhouse. (...) a surprisingly adept emulation machine (...), excellent controllable randomization tools."

Audio Technology

On Pigments

"This instrument is paradise for those who love geeking out in the process of crafting unique sound."

Matrixsynth

On Pigments

"Pigments is going to change the way you make music."

Hispasonic

On Pigments

"Arturia's most personal and comprehensive software synthesiser."

Noisegate

On Pigments

"Pigments is a deep instrument perfect for sound designers and producers alike."

Synth Anatomy

On Pigments

"Pigments: a very impressive update offering some great new features, but also overall tweaks that makes the entire engine even more capable and workflow at the same time easier. Big like for this update."

DJMag

On Pigments

"Pigments has established itself as a must-have plugin in the audio world."

Audio Fanzine

On Pigments

"The ultimate plugin"

Gearnews

On Pigments

"Pigments is an essential tool in any sound designer's box."

Create Digital Music

On Pigments

"Each upgrade has me discovering some existing features I hadn’t fully explored before. That ease of discoverability and play is something special. "

Magnetic Mag

On Pigments

"Something about Pigments unlocked a childlike joy inside of me that I have never felt before (...) I’ve genuinely never felt that way while sound designing."

MusicTech

On Pigments

"Pigments is a veritable chameleon of an instrument – it’s an analogue monster, a digital dream, a sampling powerhouse, and now a physical modelling marvel."

WeRaveYou

On Pigments

"Pigments’ versatility and ease of use make it a no-brainer when choosing which new software synth to try out."

DJMag

On Pigments

"Pigments is a very powerful and unique soft synth created by Arturia who, we have to say, are masters of their game."

Hispasonic

On Pigments

"It is a synthesizer in which Arturia has wanted to concentrate a large number of resources and get out of the most established areas. It is not a synthesizer that intimidates its use, but in spite of offering a very recognizable global structure, it floods with details in each element that go out of the most traveled and allow to accumulate many simultaneous actions."

Strong Mocha

On Pigments

"Arturia keeps the promises that Pigments can sound like other synths; no other synth can sound like Pigments. New vibes and tones are always helpful to stay unique with the sound you deliver. (...) Pigments is because of its layout and approach an outstanding way to learn how to use a Synth."

KRHome Studio

On Pigments

"Pigments is a success. The interest of this instrument is double: a powerful synthesizer and a real learning tool (...) Pigments reconciles the look and listening."

Gearjunkies

On Pigments

"Fairly easy to use softsynth that uses the best of Arturia has to offer when it comes to softsynths. (...) Very usable for laying down sequence basslines if you combine it with additional FX plugins that can make it sound dirtier."

Ask Audio

On Pigments

"Incredible sounding oscillators and filters, beautifully designed, amazing modulators, powerful and flexible effects, great sequencer and arpeggiator section."

Estrada Studio

On Pigments

"Pigments sounds excellent. It is because of both perfectly built synth engines and  great filters, as well as the availability of a wide range of perfectly designed wavetables (...) In terms of sound, Pigments represents the highest league, while workflow, GUI, and unbelievable possibilities of modulation and effects section can appeal to many musicians."

Recording

On Pigments

"It’s an entirely original virtual synthesizer with an unusual and compelling sound, a wonderful slate of great features, and a user interface that’s as easy to navigate as it is, well, colorful"

Interface

On Pigments

"Impressive capabilities!"

RouteNote

On Pigments

"Pigments is one of the most versatile software syntheiszers out there"

Happy Mag

On Pigments

"A highly creative and intuitive polychrome software synthesizer"

Engadget

On Pigments

"Shimmer reverb, drag and drop UI elements and 'light mode' are the latest free updates to the super synth."

Gearspace

On Pigments

"Pigments could be my ‘desert island’ virtual instrument, with about every kind of sampler and synth mode one could ask for, extensive modulation routing, excellent FX, and a sequencer/arpeggiator to boot."

MusicTech

On Pigments

"Controls are laid out logically and sensibly, visualisations are intuitive and clear, and interactions are obvious and consistent."

Synth Anatomy

On Pigments

"This update takes the plugin to another level"

WeRaveYou

On Pigments

"Pigments 5 continues to set the standard for sonic excellence, opening doors to limitless possibilities in music production and sound design."

Music Radar

On Pigments

"Pigments is still the synth that crams in the power and flexibility, but presents it to you in a very easy to use way. One of the best sound design tools around"

Synth Anatomy

On Pigments

"The new modal synthesis engine takes Pigments to a new level because it enables completely new organic, acoustic-like sounds that are impossible with VA, wavetable, etc."

Gearnews

On Pigments

"Once again, Arturia delivers an upgrade worthy of a full version jump. It is, and continues to be, the most amazing and powerful software synth and it has very few peers."

Audio Fanzine

On Pigments

"If we had to keep just one virtual synth, it could be the ideal candidate, as it can do it all."

Noisegate

On Pigments

"Whether you’re an experienced producer or just starting out, Pigments offers a playground for creativity."

Bonedo

On Pigments

"With Pigments, the Arturia plugin comes very close to perfection in terms of sound options, variety and workflow."

MusicTech

On Pigments

"Pigments update enhances nearly every aspect of the soft synth"

Create Digital Music

On Pigments

"I’m having a great deal of fun with it. And we’re clearing at a new generation of advanced soft synths. Then on top of all of that, it’s not an exaggeration to say that Pigments is really a synth combined with a sequencer. The polyphonic sequencer/arpeggiator is full of trigger options and settings that mean it’s totally possible to fire up Pigments in standalone mode and make a whole piece, just as you would with a full synth workstation or modular rig."

Sound Bytes Mag

On Pigments

"Pigments is yet another winner in their lineup of synth plugins. I really can’t think of anything I’d like added to it. (...) It is very easy to use, the layout of controls in the display seems well thought out, and best of all it just sounds great."

Gallery

combi-view
envelopes-view
functions-view
fx-view
keyboard-view
lfo-view
play-view-light
play-view
random-view
sequencer-view
tips-view
aw1aw1aw1aw1aw1aw1aw1v-collection-weraveyou-best-vst-plugin-2024pigments-99-sounds-best-synth-vst-2023pigments-4-integraudio-top-synth-plugin-2024pigments-edm-prod-favorite-plugin-emulation-2024pigments-5-kvr-favorite-synth-2024pigments-5-weraveyou-best-vst-audio-plugin-2024pigments-5-plugin-boutique-best-synth-2024

Main Features

Two engines in parallel

  • Modal physcial-modeling engine

  • Complex Wavetable engine

  • Sample and Granular engine

  • Harmonic Oscillator additive engine

  • Virtual Analog triple-osc engine

  • Includes Engine Cross-modulation

Utility Engine

  • 5-shape Virtual Analog Oscillator

  • 2 Noise Engines

  • External audio input

Dual filters

  • 19 modern filter types and 68 filter modes

  • Classic filter types from V Collection instruments

  • Continuous series/parallel routing

Powerful FX section

  • 2 Insert buses, 1 Send/Return effect bus, 3 FX slots per bus

  • Modulable parameters

  • 20 algorithms including Shimmer Reverb, MultiBand Compressor, Distortion, Vocoder, and more.

Advanced modulation system

  • Color-coded workflow

  • Drag-and-drop assignation

  • Hover quick-edit adjustment

  • Modulation side-chain

  • Envelopes, Morphing LFOs, Function generators, Random generators, Combinators and more

  • 4 dynamic, assignable Macro controls

Generative Sequencer and Arpeggiator

  • Create complex, evolving and polymetric sequences/arps

  • Advanced random sequence generator

  • Sequencer lock & browser

Visual interface

  • 4k resizeable interface

  • Interactive animated interface

  • Audio-reactive Play View

  • Dark or Light themes

Interactive Play View optimized for expressive performance and preset browsing

Extensive library of more than 1700 presets

MPE compatibility

NKS controller compatible

MTS-ESP microtuning compatibility

Platform Specifications

Windows

  • Win 10+ (64bit)

  • 4 GB RAM

  • 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)

  • 3GB free hard disk space

  • OpenGL 2.0 compatible GPU

  • ARM processors not supported on Windows

Required configuration

  • Works in Standalone, VST, AAX, Audio Unit, NKS.

Apple

  • Mac OS 11+

  • 4 GB RAM

  • 4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU

  • 3GB free hard disk space

  • OpenGL 2.0 compatible GPU

Work with ASC

  • An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

All manufacturer and product names mentioned on this page are trademarks of their respective owners, which are in no way associated or affiliated with Arturia. The trademarks of other manufacturers are used solely to identify the products of those manufacturers whose features and sound were studied during the development. All names of equipment, inventors, and manufacturers have been included for illustrative and educational purposes only, and do not suggest any affiliation or endorsement by any equipment inventor or manufacturer.