Black
Friday
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Plus, get an extra 15% OFF when you spend over 100€*
For those who break grounds
Discover a spectrum of studio tools used by the pros that continue to write music history - from legendary recreations to out-of-this-world sound design.
Are you already an Arturia customer?
Get an extra 15% OFF additional basket items when you spend over 100€.
*Valid on all individual software and sound banks. Excludes hardware and already discounted products.
V Collection 11
Reference instruments for music makers
Skyline
Rob Martland
This ambient electronic demo track results in using only percussive vibraphone elements to create this atmospheric feeling.
Echoes at Dawn
Victor Morello
A modern progressive trance track with a cinematic edge, showcasing the Jup-8000 V’s lush textures, soaring leads, and uplifting energy
Dawn Orbit
Simon Gallifet
A soaring, emotive melodic techno piece showcasing the Multi Arp and analog warmth of the Synthx V.
Haruto's Remembrance
Heather Fenoughty
Nostalgic drama on flutes and vocals, with expansive ambiences and a driving arpeggio bass line.
Midnight Gleams
Rémi Pelet
Moody synthwave track, blending haunting arpeggios with nostalgic analog textures.
Evening Bliss
Katsen Prod
Classic lo-fi hip hop track by Julien Diaz aka Katsen Prod, using Pure LoFi to set a smooth vibe.
CP Jam
Matt Paull
A simple modern funk / fusion track showcasing the CP-70 V's classic sound.
Airy Drop
Visages
Punchy drum & bass track using the MS-20 V to create an airy ambience and melodies.
Future V
Kabes
A colorful, energetic future bass track drawing its sound from a mix of V Collection instruments.
FX Collection 5
Reference effects for music makers
Pigments 6
Sound design synthesizer
Cobald
Richard Veenstra
Cobald contains only sounds from Pigments 3. The main presets I wanted to use for this track were “Parision” and “Brighton Gatekeeper”, both very dynamic sounds. I used macro modulation and aftertouch to play creatively with the presets.
Solar Particles
Matt PIKE
A deep mysterious sci-fi cue that centres around the Black Hole and Slur of Tines presets.
Plucked
Matt PIKE
A moody & dub inspired beat driven track focused around the Wave Vox Triangles & Additive Koto presets. Also featuring 3rd Harmonic and Cheap FX EP.
Minimal Ambiance
emptyvessel
Single preset demo showing mainly some choral, organ and keys sounds plus a couple of the experimental glitchy metallic patches. Automation of MW & Macro 3 on “Ashen”. Pigments only, no other FX/VST.
Lovecity
Yuli Yolo
Bass music track, in which all sounds, except cymbals, were made using presets from Yuli Yolo, that can be found in Pigments 3.
Liquid Drum
emptyvessel
Rolling liquid D&B showing a mixture of pads, lofi and cold keys and modern sub & mid bass sounds. All Pigments except drums, a little Arturia Plate-140 on the chopped snare.
Analog Lab Pro
Keyboard anthology
Strawberry Heaven
Victor Morello
Trap and grime inspired instrumental. 100 % of this track was made using Analog Lab Pro, using various presets and drum kits.
Seaside Escapade
Lily Jordy
Suspenseful ambient piece using the new Jun-6V presets and 2 Multis from Analog Lab Pro. All compression, reverb and delay effects are plugins from Arturia.
Groovy Collection
Michael Geyre
Typical 70s mood music, using the dream team of that that period - Mini V3 for the bass and solos, Prophet V3 for pads, Stage-73 V2 for tinkling chords and solos. The drums made using an external plugin.
Rhoderies
Michael Geyre
Jazzy trio showcasing the Stage-73 V2, running through Arturia’s Dimension-D Chorus, with the Mini-V3 for the bass part and an external drum plugin for the drums section.
Sinfield
Maxime Audfray
A colorful, funky tune using presets in Analog Lab Pro. No external effects or samples were used in this production.
Close To Me
Lily Jordy
This melancholy electro pop piece showcases the depth of combining the Emulator V and Vocoder V with other V Collection instruments as Multis in Analog Lab Pro. No external effects were used, only the internal effects of Analog Lab Pro Studio and the instruments themselves.
Are you already an Arturia customer?
Get an extra 15% OFF additional basket items when you spend over 100€.
*Valid on all individual software and sound banks. Excludes hardware and already discounted products.
Still not convinced?
Hear from some of the world’s most pioneering and prolific music-makers, from producers who need no introduction to sought-after audio engineers - Arturia software is a staple in modern music workflows.
Artist
Corner
Lorenzo Senni
Producer
"The JUP-8000 V expands incredibly the possibilities of my JP8000. Now i don’t have to stress to be in the studio anymore to get THAT sound."
Euan Dickinson
Massive Attack collaborator
"The Mini V4 is somehow even more rich and instantly usable than previous versions."
Blu2th
Producer
"Instant movement in a pleasant and synced way. I was immediately inspired. New go to for sure."
Anetha
Producer, DJ
"Analog Lab gives me access to a wide range of synthesizers. I like to produce tracks with different moods, which can be trance, techno, experimental or dance and with Analog Lab I'm able to find all the palettes of sounds and instruments that suit me."
Marcel Dettmann
Producer
"Finally a great to use and amazing sound 303 plugin"
Hardfloor
Producer
"Good sounding and an easy to use sequencer with a very inspiring pattern creating function. Also the distortion module is very versatile. The additional features like the Sub Osc and Vibrato are usable but if you just need a pure 303 - you feeling home and here you´re right."
Kiko
Producer
"Its multimode filter is top-notch and its chorus is magnificent! The pads are brilliant and powerful. Adding chorus to the bass sounds like a 90s techno rave - I love it! The multi arp is unique and easy to program! A great synth, bravo Arturia! "
DJ Bone
"I’ve really been drawn to Analog Lab V. It’s so stripped down and raw. So when I need to get ideas down quickly this plugin is my go-to. It’s very easy to navigate. Plus it helps to not have to search all over the place for new and different sounds to use. There are plenty within Analog Lab V and all can easily be edited. "
Sega Bodega
Producer
"It's crazy! Big fan."
Boy Harsher
"I love these plug-ins. They fill a major gap in my studio. They're familiar and easy to use out of the gate, but there's a ton of added features the deeper you dig. My favorite flanger I've used, hands down."
Henrich Mueller
Producer (Dopplereffekt)
"After careful scientific experimentation, evaluation and data collection the Pigments application has proven to be quite a powerful and extensive application for deep investigations into new dimensions and possibilities within the domain of sound synthesis. Just as the particle accelerator is essential to atomic physics, Pigments is essential to the physic of advanced synthesis."
Yaeji
Musician / Producer
"The V Collection has simplified my studio workflow - all I need is a midi keyboard to play all the vintage synthesizers I’ve ever wanted to have in the studio. It sounds great and is perfect for writing on the road."
Steve Ferlazzo
Keyboardist
"Arturia's CP-70V sounds absolutely incredible and has permanently replaced any sample based version in all my live shows and studio productions. "
Neal H Pogue
Producer (Stevie Wonder, Nelly Furtado, Lil Wayne, Pink)
"I love how the J-37 allows me to paint the tones I need on my mixes."
Jacknife Lee
Mixing Engineer, Producer (U2, R.E.M., Snow Patrol)
"Another brilliant emulation! The drive is great. The graphic and design is beautiful. Much better any other I've seen. The stop and start is very fun. Touching the tape to mess with is great! The EQ is so smart and musical. The instability feature is also very musical. And I love the delays. Really intuitive and 'analog' sounding. It's remarkable. You have written a hit single!"
Tom Lord Alge
Mixing Engineer (The Rolling Stones, Pink, Peter Gabriel)
"They sound GREAT, are easy to use and the Software Center is the best one out there! This morning, when I booted Pro-Tools a message popped up and said updates for Arturia plug-ins are available. If only all manufacturer's did this. Keep up the GREAT work!"
Boys Noize
Producer
"I‘m using Arturia‘s instruments a lot in my productions. Soft synths like the Modular V or the recently added Synthi V are so fun. I also like to go back and just use the classic Mini V which has a powerful sound. "
Greg Wells
Producer / Mix Engineer (Quincy Jones, Deftones, Timbaland, Taylor Swift, Dua Lipa, John Legend, Selena Gomez…)
"Mix DRUMS is mix ready and puts a smile on my face. It does something no other plugin does, and does it with Arturia's signature flair. Great presets, ready to go. Brilliant plugin!"
Press
Clippings
Create Digital Music
On Pure LoFi
"It’s the best stress relieving instrument Arturia has made yet."
Gearnews
On Jup-8000 V
"Arturia’s JUP-8000 V absolutely nails the sound of the original hardware.Honestly, the JUP-8000 V is a time machine. The look, feel and sound instantly transport you back to those heady days of euphoria and chemical-fuelled hedonism. "
MusicTech
On V Collection 11 Pro
"Arturia has not only created an enormous library of virtual instruments boasting top-tier quality, it has made navigating it so marvellously easy that after a while, I’d almost forgotten about my DAW’s other software instruments entirely."
Magnetic Mag
On Pigments
"Something about Pigments unlocked a childlike joy inside of me that I have never felt before (...) I’ve genuinely never felt that way while sound designing."
MusicTech
On Pigments
"Pigments is a veritable chameleon of an instrument – it’s an analogue monster, a digital dream, a sampling powerhouse, and now a physical modelling marvel."
Gearnews
On Synthx V
"It sounds big, wide, rich, warm, searing and yes, it does that laser harp sound very nicely indeed."
Future Music
On CS-80 V
"So just how close has Arturia got to emulating such a classic monster? I think they've done a superb job with just the right balance between faithful re-creation and modern elaboration. [...] The CS-80V is a phenomenal machine."
MusicTech
On CS-80 V
"Aesthetics and programming considerations aside, there's no doubt that the CS-80V captures the classic analogue sound of the original instrument. The additional features Arturia has added stands the virtual instrument well above the original hardware version. Arturia has taken all the good bits, enhanced them, and created a classy, high-quality synth with great appeal to those with an interest in analogue synthesizers."
Computer Music
On Mini V
"The MiniMg is one of the most desirable and sought-after classic synths [...] the Mini V largely impressed us. It sounds great (if not quite Mg-great), has an excellent sound library and, once you learn what the badly-labelled knobs on the portly interface do, is easy and satisfying to program."
Sound On Sound
On Prophet V
"There have already been numerous soft synths purporting to emulate the Prophet 5, and I have not been impressed by any of them. Arturia have created something closer to the original than any of these, and I am confident that Prophet V will continue to improve. Furthermore, by creating this strange marriage of the Prophet 5 with one of my all-time favourite synthesizers, the Prophet VS, the company have shown the imagination needed to take their offering way beyond those of their competition."
Happy Mag
On MiniFreak V
"The MiniFreak V is one of those synths that does everything, and everything well."
Future Music
On Efx FRAGMENTS
"A powerful, user-friendly sound design tool. It’s likely to become a secret weapon for many users. "
Gearspace
On Rev LX-24
"A great emulation of a great early electronic reverb unit, just like the 70’s, only better."
Music Radar
On Pigments
"Pigments is still the synth that crams in the power and flexibility, but presents it to you in a very easy to use way. One of the best sound design tools around"
Music Radar
On Efx MOTIONS
"Real-time effects modulation that’s as rewarding to hear as it is stylish. It makes complex time-based effects a total breeze."