FM the way it was meant to be heard.

FM synthesis exploded the sonic palette of keyboardists and producers almost overnight.

Going where analog doesn’t, it’s still one of the most versatile approaches to sound-making there is. But musicians found the original DX difficult to program and lacking in real-time control. DX7 V amps up the advantages, loses the limitations, and adds tons of functionality that put it right at home in a modern music making rig.

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Music for the Masses

FM easily produced sounds that eluded analog synths.

When the DX made it affordable, everybody wanted one — and pretty much everybody got one.
Once the exploratory genius of a Stanford University professor met the marketing savvy and production capacity of the world’s largest musical instrument maker, keyboards would never be the same again. After its introduction in 1983, it would go on to sell over 200,000 units and define countless sounds from the ‘80s and beyond.

FM is a simple idea at its core: audio-rate modulation of one waveform by another. But it was Dr. John Chowning of Stanford University who made FM viable as a synthesis method all on its own. His work proved that by carefully tuning the modulating waveforms, you could duplicate the harmonic profiles of all sorts of acoustic instruments.

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FM Made Easy

All the sound of the hardware.

All the real-time control it never had.

DX7 V’s uncluttered interface gathers exactly the controls you need for compelling performances and inspired sound creation.

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DX on Steroids

More waveforms. More envelopes. More modulation. Filters and FX. In hardware, these features would have made for a five-figure synthesizer.

Having just one slider and a bunch of buttons made programming the original somewhat tedious. Electronic music pioneer Brian Eno even built a custom knob controller to get at every parameter of his DX7 at once. With DX7 V, there’s not only more of everything, but our interface also makes it easy and fun to control.

Hear it in action

Like with so many classic synths, we now say the DX “has a sound.”

But it won hearts and minds precisely because of the diversity of sounds it could make. From unashamedly digital to surprisingly analog, these audio demos showcase the creative range of FM synthesis.


Part of what made the DX so recognizable is that even the pros tended to stick to factory presets rather than learning to program it.

DX7 V presents no such obstacles, so our world-class sound designers went to town creating 540 Presets covering every instrument type and musical style imaginable. After listening to these, download the free demo and play them all!

Artists corner

Included in
V collection

Legendary Keyboards Reinvented

This instrument is also part of the V Collection -your complete dream line-up of the legendary synths, organs, pianos and more that made keyboard history. They’re modeled with the most advanced technologies for authentic realism, and enhanced with new creative options. Whether you use it as DAW plugins in the studio or standalone at gigs, V Collection puts the greatest keys of all time at your fingertips for instant inspiration.

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All manufacturer and product names mentioned on this page are trademarks of their respective owners, which are in no way associated or affiliated with Arturia. The trademarks of other manufacturers are used solely to identify the products of those manufacturers whose features and sound were studied during the development. All names of equipment, inventors, and manufacturers have been included for illustrative and educational purposes only, and do not suggest any affiliation or endorsement by any equipment inventor or manufacturer.