fuse

Steve Levine

Producer / Engineer (Culture Club / Beach Boys)

"It's the “character” of the Rotary CLS-222 that is really cool. It's really wonderful at widening the stereo image very subtle way. The setting that spins the rotors in opposite directions is truly mind blowing. This is not just another Leslie effect but a creative tool for the creative producers."

Sega Bodega

Producer

"It's crazy! Big fan."

Jake Wherry

The Herbalizer

"This will be a very useful tool for making transitions more exciting and it has almost endless possibilities. I’m excited about getting into Efx Motions a lot deeper with my new productions."

Olly Burden

The Prodigy / Imagine Dragons

"Efx MOTIONS is great, really loving playing around with it. Its like hours worth of processing and editing at the click of a button! Love how random it is too, it creates angles that you didn’t know were there."

Billy Bush

Producer / Engineer

"The flexibility that the new compressors from Arturia have with the stereo, dual mono, M/S and sidechain options as well as a global mix control give you so many tonal options that don’t exist in the original units."

Howie B

Mixing Engineer, Producer (Bjork, Brian Eno, U2, Siouxsie and the Banshees)

"This plugin takes me back to my analogue days in a beautifully warm environment. I'll be using it on drum, vocal buses and everywhere. The color is really subtle. I'll keep working with it. Really good job Arturia!"

Alan Meyerson

Immersive Mixing Engineer (Hans Zimmer, James Newton Howard, Henry Jackman)

"What a useful, beautiful, subtle, extreme fucking plugin this is."

Craig Bauer

Mixing Engineer, Producer (Kanye West, Ed Sheeran, Rihanna)

"I own every single tape machine emulation ever released. This BLEW them out of the water. Seriously. I had tried all the usual suspects out there. It's just fantastic."

Joe Chiccarelli

Mixing engineer

"The J-37 delivers all the character of a classic analog J-37 tape machine. It can easily add some subtle analog warmth to a mix or switch the tape speed to 71/2ips for a great low end bump to add to a overall mix or a bass track. The Drive feature let’s you push the tape Saturation well beyond the typical analog tape overload. Perfect tool for coming up with some great vocal color or even guitar distortion."

Katie May

Mixing Engineer / Producer (Foals, GoGo Penguin, Maggie Rogers)

"I'm a big fan of the J-37. It's great for adding a touch of warmth to a track but to me it really shines when you dive headfirst into the drive control! There's an incredibly wide range tones to work with."

Tom Lord Alge

Mixing Engineer (The Rolling Stones, Pink, Peter Gabriel)

"Tape J-37 is great for adding just that bit of warmth & saturation. Perfect for fattening up tom toms, bass guitar and vocals. The delay function gives a great vintage slap sound. The user interface is easy to use with the ability to really tweak the sound and come up with something completely unique."

Marc Urselli

Producer / Engineer / Mixer / FOH Sound (Lou Reed, Nick Cave, Mike Patton)

"I recently was working on a ‘vintage’ mix that needed that something-special-and-vibey and so I reached for the J37 to add a period-specific analog tape feel to the mix and the client loved it."

Rik Simpson

Mixing Engineer / Producer (Jay-Z, Portishead, PJ Harvey)

"This thing is great, it really feels like the higher end tape machines I used back in the day. I currently have it on my mix bus and it's definitely glueing everything together, bringing the mid range forward in a lovely smooth way. "

Michael Beinhorn

Producer

"This plugin is interesting because compared to the other tape recorder emulations I have, it has a much different tonal characteristic. Overall, it seems to be a slightly broader and bigger in the sonic field it’s reproducing. It also sounds a bit smoother. It does something really nice with certain low end information and in some cases, seems to make the lows, low-mids and mids pop in a way I really like... The richness of the J37 added a wonderful tonal color and made the sounds even more present."

Jacknife Lee

Mixing Engineer, Producer (U2, R.E.M., Snow Patrol)

"Another brilliant emulation! The drive is great. The graphic and design is beautiful. Much better any other I've seen. The stop and start is very fun. Touching the tape to mess with is great! The EQ is so smart and musical. The instability feature is also very musical. And I love the delays. Really intuitive and 'analog' sounding. It's remarkable. You have written a hit single!"

Emre Ramazanoglu

Engineer / Mixing / Noel Gallagher, Carly Rae Jepsen, Sia

"This is UNBELIEVABLE."

Sul Ki Son

Mixing Engineer (Lil Wayne, Coi Leray, Chief Keef)

"As a mix engineer, I'm usually getting source material from various different studios. Tape saturation has been one of my go to techniques when dealing with tracks that may sound a bit dull or two dimensional. I found the new Arturia J-37 tape machine to be extremely helpful in those instances & it also adds some depth, dimension & warmth back to the sound."

Steve Levine

Producer / Engineer (Culture Club / Beach Boys)

"They have a special sound, it’s not just the fact it’s tape, it’s the pre amps- they had a certain “mojo” that’s been perfectly captured by Arturia, the plug in gets you the sound you want. It’s really a secret sauce for low end."

Ali Staton

Mix Engineer

"I was instantly captivated by it’s warm, gooey charm. Drums, bass, vocals, it works beautifully on all sources."

Ilan Rubin

Drummer/Nine Inch Nails

"Tape J-37 does exactly what you want it to but goes above and beyond as a creative tool on any source."

Brian Kehew

Tape expert

"IT WORKS! I'm definitely going to use this. I really like the overbias and vintage ones. It's good sounds we need, slight compression. This is very useful."

Charlie Coffeen

Producer / Keyboardist

"Adding the 8Pre to my home studio set up has been a game changer. Right out of the box, the sound is amazing and so easy to use. I'm not sure if I want to tell everyone about it or keep the secret to myself!"

Joakim Svalberg

Opeth

"With a lot of features for different recording situations and the dynamic, great sounding preamps, AudioFuse 8Pre is definitely what I was looking for."

Blu2th

Producer

"Instant movement in a pleasant and synced way. I was immediately inspired. New go to for sure."

Simo Cell

Producer, DJ

"I’m using EFX motions as a filter to create unexpected rhythm and noise texture. It has become an essential tool for creating movement and depth in my track."

Boy Harsher

"I love these plug-ins. They fill a major gap in my studio. They're familiar and easy to use out of the gate, but there's a ton of added features the deeper you dig. My favorite flanger I've used, hands down."

Richard Furch

Mixer - Prince, Frank Ocean, Tyrese

"Often, I need a harmonic processor to add extra liveliness and presence in a sound that might not have been recorded with enough of that information. Bus Exciter adds just the right edge and is tweakable in super musical and straight forward ways. This will see a lot of use here. Great job, guys!"

Tom Lord Alge

Mixing Engineer (The Rolling Stones, Pink, Peter Gabriel)

"They sound GREAT, are easy to use and the Software Center is the best one out there! This morning, when I booted Pro-Tools a message popped up and said updates for Arturia plug-ins are available. If only all manufacturer's did this. Keep up the GREAT work!"

Neal H Pogue

Producer (Stevie Wonder, Nelly Furtado, Lil Wayne, Pink)

"I love how the J-37 allows me to paint the tones I need on my mixes."

Riccardo Damian

Producer / Lady Gaga, Adele, Miley Cyrus

"Absolutely in love with the new Tape J-37, super malleable and intuitive to use, sounds great from the get go and the parameters are really tuned to get what you want quick and easy."

John Nathaniel

OneRepublic / Kygo

"Tape J-37 is amazing for dialing tones in. I love the saturation profiles and I can audition through them quickly to get different flavours, all within a few clicks! The calibration section is easy to tweak, I love playing with the instability module."

Glitch Mob

Producer, DJ

"The AudioFuse16Rig has been a game-changer for my studio and creative workflow. Its seamless routing and patching capabilities have made integrating my hardware synths and Eurorack into my DAW sessions effortless—no more constant plugging and unplugging."

Greg Wells

Producer / Mix Engineer (Quincy Jones, Deftones, Timbaland, Taylor Swift, Dua Lipa, John Legend, Selena Gomez…)

"Mix DRUMS is mix ready and puts a smile on my face. It does something no other plugin does, and does it with Arturia's signature flair. Great presets, ready to go. Brilliant plugin!"

Alex Elena

Producer (Lily Allen, Evan Dando, Citizen Cope, and Michelle Shaprow)

"Mix DRUMS is now my one stop shop for drums. So much creativity within just one plugin. It gets my ideas to the next level fast! "

Jake Morelli

Music director / Guitarist (Queen Latifah, Bruno Mars, The Roots, Ed Sheeran)

"Mix DRUMS is the Instant Magic & Life & you never knew you needed in your records!!"

Mike Tucci

Mastering Engineer (Chris Brown, RZA, Cory Henry)

"The most flexible transient designers out there. Add the exact punch you want, where you want while also enhancing the stereo image. If you sleep on this one, the only punch you’ll add is one to your face."

Tec Beatz

Producer (Killer Mike, The Game, Cyhi)

"Bus Transient might just be my new go to plugin for my drum bus! The ability to be able to switch between Full Band or Multi-band is dope! - It really brings the drums to life! "

Gojko Marić

Welicoruss

"Holy smokes.... this thing is on fire. Who ever knows all the amazing secret weapons the Moog Filers hold, well imagine the legendary "Ladder" filter combined with Multimode Filter, then you know what am talking about."

Emre Ramazanoglu

Engineer / Mixing / Noel Gallagher, Carly Rae Jepsen, Sia

"Arturia have taken the same uncompromising attention to detail that they’ve shown in their synth modelling and applied it these classic preamps. Incredibly impressive and amazingly realised."

Dov Waterman

Audio Editor and Sound Designer

"Crunchy but very even input gain, with a great addition of an EQ section that's easy on the ears, and an M/S feature that brings everything to the fore like no other. The Pre V76 is one plugin I know it’s going to get used!"

Alicia Light

Tracking engineer

"The Pre 1973 has such a characteristic tone, it works wonderfully on drums and adds warmth and tone to vocal recordings It's a must-use for me during tracking."

Emre Ramazanoglu

Engineer / Mixing / Noel Gallagher, Carly Rae Jepsen, Sia

"Arturia continue to showcase their ability to make incredible software with their three new filter plugins. Growl, fire, depth and haunting tone. Big BIG love to you guys for dropping these monster tone tools"

Paul Godfrey

Morcheeba

"Damn these filters and preamps are insane! So thick and syrupy. What am I supposed to do with all my precious hardware? Uh?"

Tommaso Colliva

Producer

"The plugins are different, very good by themselves, and flexible"

Richard Furch

Mixer - Prince, Frank Ocean, Tyrese

"The Arturia PreAmp Collection is astounding. Love the highend on the Pre TridA and the transformers on the Pre 1973. And the drive those and the Pre V76 is such a welcome addition to exite lackluster sounds and make the track pop a little more."

Riccardo Damian

Producer / Lady Gaga, Adele, Miley Cyrus

"Finally my favourite compressor now in the box. The DBX 165 is the absolute Swiss Army knife for the best drum sounds"

Emre Ramazanoglu

Engineer / Mixing / Noel Gallagher, Carly Rae Jepsen, Sia

"Arturia have delivered way beyond my expectations with these new models. The depth, character and feeling is amazing."

Steven A Williams

Producer/Engineer - The Chapel Studios London

"Wow, what an amazing compressor. I can use the FET-76 along with my arsenal of analogue compressors, including two 1176s, to create the exact sound I want, and so easily. I love the FET-76."

Steven A Williams

Producer/Engineer - The Chapel Studios London

"What? This is just ridiculous. So many easily manipulated controls that make a real difference to the sound. And the presets are amazing."

Jake Miller

Producer / Engineer

"I don’t know why barely anybody has made an emulation of the Gates STA, but I’m really glad you did."

Nikolaj Bjerre

Mix and Recording Engineer

"Delay Eternity is a beast! The bitcrusher and the filter give so many sonic options to explore. As soon as I heard this plugin I put it straight on a drum machine...! I think the Eternity is going to be an immense tool for rhythmic experimentation."

Chris Dudley

Underøath

"The Memory Brigade just became my go-to delay. I've been missing that analog style control of my signal path you normally only get with a pedal.... this thing is a beast!"

Mickey Hurcombe

Archive

"Absolutely killer delays with some super useful extra features under the hood."

Jem Godfrey

Producer - Blue, Lulu, Atomic Kitten

"All 3 Delays You'll Actually Use are superb. The Memory Brigade my current favourite, the stereo offset and width options make lead vocals sound gigantic without dominating the mix. A go-to delay for me without question."

Riccardo Damian

Producer / Lady Gaga, Adele, Miley Cyrus

"AudioFuse 8Pre is the perfect setup for my mobile rig. I can now connect it to my already trusted AudioFuse and get 8/16 more precious DiscretePRO preamps in a single rack space, which makes it very efficient and practical."

Justin Stanley

Producer / Engineer

"Outstanding recreations of STA Level, 1176 and DBX165. I have the hardware versions of each of these compressors and the Arturia versions live up to the hype."

Trevor Muzzy

Producer / Grammy-nominated mixer & engineer

"I love having access to different styles of compressors and I find these Arturia compressors to be super versatile recreations of some hardware classics. They give you some extra tweakability and range that the hardware units never had."

Christian Matthew Cullen

Producer / Engineer

"The Arturia Preamps have changed my production and sound design workflow in many ways. They bring so much life and excitement to otherwise flat sound sources."

Josiah Bell

Producer / Musician / Birds of Prey, Jaden Smith

"I’m out of the studio a lot of the time so I’m always looking for something that’s compact and crazy dope where I can hook my record player in. With AudioFuse Studio, this Bluetooth thing is life-changing for producers all over the place. "

Emre Ramazanoglu

Engineer / Mixing / Noel Gallagher, Carly Rae Jepsen, Sia

"The new Arturia Modulators blew me away, providing the classic sound and feel of the units I'd expect, but with the option of deep diving into the expanded control section and fine-tuning them beyond the parameters of the original units. Class acts!"

Tim Bazell

Mix Engineer

"This is the first one I’ve heard that instantly gave me the feeling of a piece of hardware I’ve owned for years. I’m having so much fun using it and remembering just how creative and fun this unit can be."

Max Mitchell

Keyboardist / Producer

"The subtle widening of the Dimension D has always been one of my favorite effects, and Arturia nailed it."

Jacob Wilkinson-Smith

Producer / Recording Engineer

"When I heard how the three modulators added a new layer to my mix I was sold. From simple modulations that make your beats feel wider to extreme modulations that take your sound to a whole new level of experimentation, the trio has you covered."

Jacob Wilkinson-Smith

Producer / Recording Engineer

"A perfect combination is the CS80 V with the Chorus Dimension D "Glitchy Vibe" preset on top. It's put's a modern twist on a classic synth."

Tim Bazell

Mix Engineer

"Arturia have nailed it with this latest release, which has managed to capture the depth and musicality of some of the hardware in incredible detail. An absolute joy to use."

Thiago Baggio

Recording & Mixing Engineer

"I used to think that these are 3 very peculiar effects that you either love or hate: Chorus, Phaser and Flanger. Been using Dimension-D and I have been experimenting with Phaser and Flanger a lot lately which is something that I would never do."

Thiago Baggio

Recording & Mixing Engineer

"The Chorus Dimension-D has taken its place in my mixing template and I use it on vocals, guitars and other instruments on a daily basis to give them more width when needed. By far the best chorus effect out there."

Thiago Baggio

Recording & Mixing Engineer

"I never thought I’d say that but Arturia changed my mind about using a flanger and I have been experimenting with it in every single track every single day whether I’m mixing or recording a new project."

Thiago Baggio

Recording & Mixing Engineer

"I can remember the first time I saw this phaser on a pedalboard and fell in love with it. It’s amazing that I can now use it with ease without the need of a re-amp box and other accessories. It’s right there, ready to go. "

Utters

Producer - Drake / Chronixx

"The Rev SPRING 636 is an incredible plugin. Being able to very quickly audition the different spring tanks is a real timesaver too. That and a touch of wow and flutter and I’m there. Thanks Arturia! "

David Hofman

Mixing Engineer / Producer

"The Rev SPRING-636 is the best software spring I've ever used. It gives anything an instant, distinctive vibe. "

Emre Ramazanoglu

Engineer / Mixing / Noel Gallagher, Carly Rae Jepsen, Sia

"The Arturia spring is so realistic I've turned the power off my favourite hardware springs now and rely instead on this incredible, characterful plugin! "

Cecil Bartlett

Producer / Mixer / Engineer

"The Phaser BI-TRON is an absolute classic for adding space to synths and drum machines, has all the feel of the real one but I love being able to automate it to the nines right up until the mix is printed. "

Cecil Bartlett

Producer / Mixer / Engineer

"Chorus DIMENSION-D, what more can I say. It sounds like the real deal with the added bonus of having a wet dry control. Absolute winner."

Samuli Kosminen

Producer

"I was using the spring reverb (I’m a huge fan of springs) and this is by far the best spring plugin I’ve ever tried. So versatile and cool with all the extra functions. Such a juicy and inspiring sound. Wow…"

Fred Everything

Producer

"One of the highlights for me is the Delay Eternity. Great for taking delays to the next level by adding sound design to the signal."

Riccardo Damian

Producer / Lady Gaga, Adele, Miley Cyrus

"The beauty of this is that if you use the extra features, there are some amazing things that you can do. It sounds great. "

Riccardo Damian

Producer / Lady Gaga, Adele, Miley Cyrus

"As soon as you put this on, everything is just glued in. One of my favorte compressors to use, it makes the sound super smooth."

Riccardo Damian

Producer / Lady Gaga, Adele, Miley Cyrus

"It's a total game changer. Sounds just how it should, and better."

Mark Bowen

IDLES

"Despite Flanger BL-20 being an emulation of a near-mythical bit of old-school outboard gear, it has some versatile tricks up its sleeve."

Mark Bowen

IDLES

"Sometimes the smallest tweaks can make just the right difference."

Mark Bowen

IDLES

"I really like the ridiculousness of Rev INTENSITY - I think it’s really useful not as a conventional room or hall sound, but it can become rhythmical, tonal, it’s even got melodic elements to it."

Nate Williams

Jamiroquai

"Comp VCA-65 sounds amazing and has lots of advanced features"

Jeremy Griffith

Mix Engineer (Underøath, Matt Redman)

"The Comp TUBE-STA is my go to bass compressor now. I've been using the vintage compressor for many years, it’s great to be able to have this classic on many channels in my mix. It provides a thickening and smoothness that I always search for."

Robert Levon Been

Black Rebel Motorcycle Club

"The old school Space Echo 201 was always like a very sexy high maintenance girlfriend, as are a lot of these analog FX. The Delay Tape-201 however is like finally having a nice dinner out with your crazy girlfriend."

Romesh Dodangoda

Producer / Mixer Motorhead, Bring Me The Horizon, Funeral For A Friend, Twin Atlantic

"Bus Force is an incredible sounding plugin that makes parallel processing easy within one window. There is such a great amount of colour and tone you can add to your mix with all the combinations available. I would buy this for the saturator alone!"

TJ Allen

Mixing Engineer

"I’ve tried the Bus Force on a few things and absolutely loved it - it’s really captured the concept of the Overstayer, but with the SEM filters, it’s got it’s own vibe."

Alan Parsons

Audio engineer / songwriter / producer

"The AudioFuse Studio worked great for a virtual Masterclass where we had 3 cameras and 3 mic sources and the stereo program which had to be switched according to what was going on. It was invaluable."

Ilan Rubin

Drummer/Nine Inch Nails

"Tape MELLO-FI lets you put anything into the mellotron world as subtly or aggressively as you'd like. The Drive and Tone controls are fantastic, the tape controls are as soothing or seasick sounding as possible. Tape MELLO-Fi is simple and perfect."

Stephen Kozmeniuk

Dua Lipa / Kendrick Lamar

"Love this! You can give anything that same classic character as a mellotron! Great on vocal pads. "

Steve Levine

Producer / Engineer (Culture Club / Beach Boys)

"A stunning lo-fi effect can be achieved with this lovely plugin in. The Mellotron effect gets the classic “wow” and tape saturation sound. "

Steve Levine

Producer / Engineer (Culture Club / Beach Boys)

"I'm a big fan of the way you can spice up even quite plain tones into something epic. It instantly satisfies your creative streak and at a fraction of the cost of a eurorack module."

Romesh Dodangoda

Producer / Mixer Motorhead, Bring Me The Horizon, Funeral For A Friend, Twin Atlantic

"Manipulate the audio, create huge atmospheric layers or interesting rhythmic patterns that sync up to the track. It's such a great plugin for creating exciting and unique parts to a production with the audio you already have."

Tim Bazell

Mix Engineer

"Oh man, it’s absolutely magic! Transform anything into a long lush soundscape, stuttering, a bouncing rhythmic groove, or a trip through space and time. Remix with this plugin alone and have an incredible time doing it. "

Ben Van Vlissingen

Composer / Producer

"The Comp FET-76 is an absolute Swiss Army knife in my studio. The sidechain function is so easy and well thought out. The Comp FET-76 just sounds amazing on quite literally anything you throw at it."

Si Begg

Composer / Netflix

"Fragments combines quick usable results with a seriously powerful granular engine under the hood that has endless possibilities for the deep diving sound designer."

Stefan Engblom

Dada Life

"Damn, it's good, it's really good! I've always had a hard time finding something for my high strings to make them sound "real" and not just a high-pitched string. It's crucial to have them sit and feel alive in the mix, well done Arturia!"

Tim Bazell

Mix Engineer

"This thing is just pure vibe. Bend it, wobble it, or just give it a lovely old fashioned warmth."

Tusks

Songwriter / Producer

"I love how you can push the plugin to the extreme and use it as a purely creative tool as well as something to enhance and process the sound source"

Gareth Jones

Music Director

"This is the stuff dreams are made of."

Steve Levine

Producer / Engineer (Culture Club / Beach Boys)

"Turn the drive up and then the creamy magic kick is in on the stems and the mix"

Steve Levine

Producer / Engineer (Culture Club / Beach Boys)

"The DIST-OPAMP 21 amp sounds terrific on guitar tracks - really helps the mid range of the guitar blend with the vocals."

Romesh Dodangoda

Producer / Mixer Motorhead, Bring Me The Horizon, Funeral For A Friend, Twin Atlantic

"The OPAMP-21 by Arturia is a brilliant recreation of a piece of gear I use all the time! A secret weapon for drums and vocals, it’s not just for guitar! "

Brian Scheuble

Mix Engineer (Dave Matthews, Fiona Apple, John Mayer)

"From me using the real pedal as outboard to now using the Delay Memory Brigade plugin is fantastic. It has all the cool grainy-ness & smear of the real pedal."

Brian Scheuble

Mix Engineer (Dave Matthews, Fiona Apple, John Mayer)

"Very vibey spring reverb like the old spring box reverb I would carry session to session. The “tank” settings make life easy when searching for a sound."

Brian Scheuble

Mix Engineer (Dave Matthews, Fiona Apple, John Mayer)

"Very useful EQ after one the first consoles I learned on. Great presets to get you started as well. Having input & output gain really helps."

Stan Greene

Producer / Rihanna, Big Sean, Snoop Dogg, O.T. Genasis

"The Dist TUBE-CULTURE is a BEAST. I don’t think I’ve ever heard of a plugin that breaks up your sound as beautifully. A little bit added into your 808’s or completely crushing a synth, breaking it apart bit by bit, then gently adding it back in, goes a long way."

Thiago Baggio

Recording & Mixing Engineer

"So versatile and sounds so good. Dist OPAMP-21 has already replaced my go to distortion plugin for bass and vocals right away and will live in my mixing template from now on, it was a no brainer."

Thiago Baggio

Recording & Mixing Engineer

"These plugins are amazing. The results that I’d achieve with the combination of two or even three different distortion plugins can now be done with only Dist Tube-Culture."

Andy Toy

Miguel, Sabrina Carpenter, Kiiara

"TridA beautifully recreates the curves and adds really handy features like mid/side processing and in/out gain. It may be the most musical EQ plugin I've used in recent memory, PLUS it's extremely light on CPU so it won't bog down your mix sessions."

Andy Toy

Miguel, Sabrina Carpenter, Kiiara

"OPAMP-21 is based on one of my favorite hardware distortions for vocals of all time. Arturia absolutely nailed the filter curves and distortion modelling, and the added features like 3 band EQ and Wet/Dry blend make this plugin extremely versatile."

Paul Godfrey

Morcheeba

"Wow, Dist-COLDFIRE is so far out and psychedelic and a real mangling smorgasbord. There are tons of saturators out there now but this one is really something else! I could listen to it for hours"

Ali Staton

Mix Engineer

"Having the dual engines gives you the opportunity to design or treat the sound exactly the way you want - the distortions are incredible sounding."

Romesh Dodangoda

Producer / Mixer Motorhead, Bring Me The Horizon, Funeral For A Friend, Twin Atlantic

"Dist-COLDFIRE is one of the most powerful distortion plugins ever! From subtle to absolutely extreme, there are so many ways to manipulate the sound and turn it into something completely unique."

Y3LLO KOALA

"Dist-COLDFIRE is a creative saturation tool, it has been inspiring me to make new rhythmic elements in my production and it sounds incredible."

Jacknife Lee

Mixing Engineer, Producer (U2, R.E.M., Snow Patrol)

"Dist-Coldfire is insanely great. It's one of the deepest tools I have now. I thought it was going to be just a saturation/distortion plugin and i know what they do. I love them and can't have enough of 'em. but this is far more than that."

Anthony J Resta

Ajax

"Dist-Coldfire is wonderful out of the box; it's the most powerful tone shaper I've ever used. I'm beyond blown away. It's a sound designer/composer's dream come true. I honestly can't remember the last time the sun came up while I was experimenting with something. Overnight, this has changed the way I make music and manipulate sound. ENDLESS POSSIBILITIES. MIND Blowing!"

Billy Bush

Producer / Engineer

"I love Coldfire. So many times distortion in the digital world sounds so one dimensional but this sounds like real life. COLDFIRE brings great tweakability and unique modulation options to a palette of distortion effects that can range from warm and subtle to absolutely apocalyptic."

Basile 3

Basile 3/Gaspar Claus/Sabrina Bellaouel

"Fragments is the kind audio effect i was looking for at the moment, it allows me to create organic textures and otherworldy sounds that make electronic music less mechanical and more in touch with the natural chaos surrounding us !"

Luiggy Santiago

Arranger / Music Director / Grammy Award Nominee

"Amazing sound design tool, so inspiring! Also works incredibly on keyboards sounds and electric guitars as well. Definitively a must have plugin."

Andreas Kleerup

Producer

"The sequencer is awesome. If I had to choose one filter to knob-twiddle it would be this one´s low pass filter. Classic. Arturias MS-20 V is the perfect example to showcase how good it gets when technology actually works for us."

Andreas Kleerup

Producer

"This is something new. This makes your BV’s shine like the songs played on the radio while growing up. “Large vocal plate and “modern guitar hall“ are instant channel strip “save as.”"

Krikor

Producer

"The LX24 is not only the finest 224 emulation I've ever encountered, but it also incorporates modern features that elevate its sound-sculpting capabilities. The advanced settings panel, in particular, brings it up to date and provides additional flexibility. It is my go-to for 3D sound."

Tom Marsh

Lana Del Rey / Composer

"I love this new Arturia reverb contraption... I'm already using it on 3 projects - a commercial, a future pop record and a score for a horror film ... it's pure vibe and super user friendly. Another Aruria banger."

Tim Bazell

Mix Engineer

"The combination of the classic sound combined with useful modern features makes this an amazing sounding and really fast and flexible tool. I was hit with a wave of nostalgia from countless records I loved growing up. It was instantly familiar. "

Hudson Mohawke

Producer

"This is really great, 224 is already my fave reverb to use. Love how this is really streamlined, the UI looks and feels great and especially love the dry / wet lock feature, thats really really handy."

Romesh Dodangoda

Producer / Mixer Motorhead, Bring Me The Horizon, Funeral For A Friend, Twin Atlantic

"The ability to select between the different convertor options is such a cool feature to make it sit in the track exactly how you want it, especially with vocals. The ducker is also such a welcome tool as it saves me having to use other plugins to do this technique which I use a lot! "

Aviel Calev Hirschfield

Producer

"This reverb has quickly become my go to for vocals and drum sends. Whether I’m looking for that classic 80’s sound, or something modern, the Rev LX-24 has it covered."

Gerry "The Gov" Brown

Producer / Mixing engineer

"I'm so happy with this reverb and the way the team at Arturia has thought about this Plug-in to make it better. And the presets are fantastic! I'm starting to mix Stanley Clarke's next CD. This will be one of my main Reverbs for sure..... LX24 rocks!"

Craig Bauer

Mixing Engineer, Producer (Kanye West, Ed Sheeran, Rihanna)

"When was the last time I got the perfect reverb sound on a vocal without spending 20+ minutes to get there. Actually, never. I was shocked and amazed at how great the LX24 sounds on any number of sources."

Jacknife Lee

Mixing Engineer, Producer (U2, R.E.M., Snow Patrol)

"You've done something extraordinary here. The advanced page is very easy to navigate. The sound is natural and as subtle as you'd like or as extreme as you dare to go. It's the best emulation of this I've come across. It will probably become my go-to reverb. Brilliant work!"

David Sztanke

Producer

"Exceptional rendering of the famous reverb that needs no introduction! The presets are very interesting, and you can obviously make the sound of your choice yourself. Very intuitive, I am impressed by the result."

INVT

Producer

"The ms20 has great creative filtering automation and distortion. So much control over parameters, especially with the built in sequencer. It’s excellent for enhancing textures and timbres."

Anthony J Resta

Ajax

"The new Arturia LX 24 sounds PHENOMENAL. Room A" is on my guitars on my current mix, and dialing it in even delicately, brings a wide wonderful expensiveness to my guitar bus. Love it ! "

Tom Lord Alge

Mixing Engineer (The Rolling Stones, Pink, Peter Gabriel)

"I think this sounds GREAT! I really like it and it is really easy to operate. Keep up the good work."

Joe Chiccarelli

Mixing engineer

"The new LX- 24 Reverb captures all that is the Original 1980’s classic digital reverb. Additionally the Ac Chamber is great for getting tight reverbs on lead and backing vocals."

Joe Chiccarelli

Mixing engineer

"Fragments works so well to process synth pads and give them some character and warmth. It really helps them blend into a track."