brute
Kantige Analog-Synthesizer
Roh, massive und organisch. Egal wie man es nennt, egal wie man es definiert. Du musst es nur fühlen. Entdecke diese Maschine, auf der Suche nach dem taktilen, elektrischen und lebendigen Sound echter Analog-Synthese. Dieser eine Moment der reinen Kreativität unter deinen Fingerspitzen... willkommen in der Welt des Brute.
Leistungsstarke analoge
Synthesizer und Drumcomputer
Die Brute-Reihe umfasst analoge Synthesizer und Maschinen, die entwickelt wurden, um aus purer elektrischer Spannung Rhythmus, Melodie und Textur zu formen. Entdecke den begehrten Analog-Sound mit innovativen und experimentellen Funktionen für wilde und inspirierende Klangergebnisse.
01
100% Analog-Power
Diese Instrumente erzeugen einen Klang, indem sie den Stromfluss kontrollieren und manipulieren. Mit der Brute-Reihe kannst du praktisch Elektrizität in Audiosignale umwandeln, wobei jede Komponente dem Klang einen eigenen Charakter verleiht.
02
Brute-Faktoren
Jeder dieser Synthesizer bietet einzigartige Funktionen, die ihn wirklich unersetzlich machen: Steiner-Parker-Filter, Master-Bus-Verzerrung, Brute-Factor-Feedback und eine verkabelbare Architektur.
03
Hands On-Workflow
Keine verwirrenden Menüs, keine versteckten Optionen – bei diesen Instrumenten dreht sich alles um das taktile und intuitive Erlebnis beim Spielen. Schick das Signal direkt aus deinem Gehirn zum Lautsprecher.
Die Erforschung der Klangmaterie
Die Brute-Reihe nutzt die rohe, kraftvolle und organische Natur der analogen Synthese und entfesselt den Klang elektrischer Spannung. Von semi-modularen Keyboards über Eurorack-Cases bis hin zu kraftvollen analogen Drum-Machines dreht sich alles um die Erforschung der Klangmaterie. Seismische Bässe, luftige Lead-Sounds und massive Sägezahn-Pads mit jeder Menge elektrisierendem Charakter.
Wähle
deinen Brute
Von der reinen, monophonen Sinuswelle bis hin zu ausdrucksstarker mehrdimensionaler Polyphonie findest du bei den Brutes jede analoge Variante.
Wo die
Geschichte beginnt
Spulen wir vor ins Jahr 2011. Die Digitalisierung schritt weiter voran. Software-Instrumente waren in aller Munde und jeder beliebte Hardware-Synthesizer war letztendlich digitaler Natur.
[...] als Arturia auf der NAMM 2012 das erste analoge Keyboard, den MiniBrute, ankündigte – ausgestattet mit fantastischem Sound und zu einem Preis, weniger als halb so teuer wie der der Konkurrenz. Arturia besaß die Weitsicht, einen neuen Trend zu erkennen und zu inspirieren: das Wiedererstarken und schließlich die Dominanz der analogen Synthese. Das Timing hätte nicht besser sein können.
Geary Yelton, Redakteur der ersten Stunde bei Synth and Software
JANUAR 2012
MiniBrute
Unser erster Schritt in die Welt der analogen Synthese. Der MiniBrute war ein Desktop-Synthesizer mit einer praktischen Bedienung, einem raffinierten Keyboard- und Arpeggiator-basierten Workflow und einem unverkennbar rohen Sound. Die Aggressivität des Brute-Faktors, die Schärfe des Metallizers, die Wärme des Multimode-Steiner-Parker-Filters – der MiniBrute hat die Messlatte für analoge All-in-One-Synthesizer definitiv höher gelegt. Und das zu einem mehr als erschwinglichen Preis.
OKTOBER 2013
MicroBrute
Die pure Kraft der Brute-Anatomie, zusammengefasst in einem tragbaren Design. Pumpende Sägezahn-Basslinien, glühend heiße Lead-Sounds und eine semimodulare Architektur – trotz seiner kompakten Größe besitzt der MicroBrute eine kolossale Schlagkraft. Dieses taktile kleine Biest ist perfekt für Musiker und Produzenten, die unterwegs sind und die keine Kompromisse bei einem satten Analog-Sound machen möchten. Ob verspielt oder drastisch.
JANUAR 2016
MatrixBrute
Die Flexibilität eines Modular-Synths, die Unmittelbarkeit eines One-Knob-One-Function-Designs, die Vertrautheit, Presets zu speichern und abzurufen – und der unverkennbar seismische Brute-Sound. Der MatrixBrute bietet die echte Analog-Kraft, mit der man rechnen muss. Dieser allumfassende Monster-Monosynth vereint das Beste aus Alt und Neu – mit mehreren Filtern, LFOs, integrierten Effekten und der atemberaubenden Mod-Matrix als Herzstück. Der Stoff, aus dem analoge Träume sind.
OKTOBER 2017
DrumBrute
Die unverkennbare Schlagkraft und der Punch roher Spannungs-Percussion – klassische Analog-Beats mit dem Brute-Faktor. Die elegante Bedienoberfläche des DrumBrute ist bei Live-Auftritten genauso komfortabel wie im Studio, mit 17 rein analogen Percussion-Sounds und einem Sequenzer mit 64 Schritten, der für Echtzeitmanipulation konzipiert wurde. Der ultimative rhythmische und massive Sound auf Knopfdruck.
SEPTEMBER 2018
DrumBrute Impact
Mit anpassbaren analogen Drum-Sounds, einer integrierten Verzerrungsschaltung und leistungsstarker polymetrischer Sequenzierung ist der DrumBrute Impact die Weiterentwicklung der Brute-Rhythmusformel. Sein kompaktes Design, sein interaktives Layout und sein knalliger Klangcharakter wurden entwickelt, um dir rhythmischen Charakter und analoges Chaos in die Hand zu geben.
SEPTEMBER 2020
PolyBrute
Durch Kombination der rohen Power der Brute-Oszillatoren mit digitaler Matrix-Präzision, dem innovativen dreidimensionalen Morphée-Performance-Touchpad und fantastischen Stereoeffekten eröffnete der PolyBrute eine neue Ära der Polyphonie. Ein ausdrucksstarkes Brute-Kraftpaket mit sechs Stimmen und 61 Tasten, das darauf ausgelegt ist, einen Sound in ständiger Bewegung zu entdecken.
Press
Clippings
Pro Sound
On PolyBrute
"It's no coincidence that the manufacturer says that PolyBrute is made by musicians for musicians!"
MusicTech
On Origin Desktop
"It may have been a long time coming, but Origin is a bold first step into hardware for Arturia. Huge-sounding and accessible but with great depth, this is a tremendous synth. -MusicTech Choice Award-"
Future Music
On Origin Desktop
"It sounds fantastic and sets a new high in contemporary synth design. Put it on your shopping list."
Music Radar
On Origin Desktop
"It's with great pleasure that I can tell you that the Origin sounds amazing and well worth the effort that Arturia has put into programming it. It's everything you would expect and more and should keep you occupied for many years."
Audio Technology
On Origin Desktop
"The Origin has an unashamedly large, lush sound and quite unlike what you'd expect from software synths - and rightly so as this isn't a software synth. This is dedicated DSP, designed strictly for the creation of huge analogue-sounding synth patches. All the usual adjectives spring to mind: syrupy, smooth, fat, etc. In short, it sounds quite amazing, with a lot fo the "hybrid" patches screaming "Oberheim®" to me. Plus, it really has a very hands-on synthesis engine thrown into the bargain- easy to program and edit, and lots of fun to use."
Sound On Sound
On Origin Desktop
"The Origin is a unique instrument, combining modular virtual analogue synthesis derived from imitative soft synths with modern features such as splits, layers and truly multitimbral effects. It sounds excellent and, if you can afford it, you should take a close look, because there's nothing else that does quite the same thing."
Keyboard Magazine
On Origin Desktop
"The Synth Freak's Dream Realizer. Monstrously huge sound. Lots of knobs. Interactive step sequencer. Highly patchable, quite like a modular synth. Four-part multitimbral with aux outs. Numerous modules emulate vintage synth components."
Electronic Musician
On Origin Desktop
"Terrific, animated sounds. Generous supply of modules. Powerful modulation capabilities with flexible routing. Brilliant user interface with intuitive controls, navigation, and display. Versatile mixer options. Writing for EM, I've witnessed many evaluations of products based on whether they are evolutionary or revolutionary. With its innovative coupling of classic synthesis and contemporary musical-instrument technology and design, the Origin manages to satisfy both criteria easily. This is the first hardware synth I've wanted to buy in nearly a decade; need I say more?"
Electronic Musician
On Origin Desktop
"I highly recommend the Origin Keyboard. It's an inspiring piece of well-designed gear at a fair price. It isn't cheap, but you get a tremendous amount of sound engine for your money. Although the Origin has lots of useful and interesting factory programs, it's one of those synthesizers obviously designed with programmers in mind. If you like to build sounds from scratch, you could spend many happy hours and years exploring and programming the Origin Keyboard. If live performance is your gig, it could very effectively take the place of half a dozen vintage keyboards onstage. I was especially impressed by the well-thought-out versatility of the ribbon controller, which may be reason enough to prefer the keyboard model over the module."
Future Music
On Origin Desktop
"This is a fantastic and rewarding instrument with a sound that is unrivalled in the emulation stakes."
Music Radar
On Origin Desktop
"Superb analogue synth emulation. Large ribbon controller. Seemingly limitless modular combinations."
Ask Audio
On MicroBrute
"Getting creative with the routing is what makes the Microbrute so much fun—and ensures its usefulness in the studio for years to come. The MicroBrute is an amazing deal that meets all needs with savage style."
Future Music
On MiniBrute
"MiniBrute offers you a good value quality - price on its options"
Future Music
On MiniBrute
"A great little synth, which manages to pack a lot of punch into its modest frame. The final word on MiniBrute is that we're seriously considering buying one - though we might have to wait for the 'PolyBrute' should Arturia decide to make one!"
Meet Music Magazine
On MicroBrute
"This synthesizer has a whole bunch of new characteristics as interesting as unique"
Beatport
On MiniBrute
"The MiniBrute combines 21st-century amenities like USB MIDI and the festival-friendly Ultrasaw waveform with vintage tools like the Steiner-Parker multimode filter, arpeggiator, and a thoroughly nasty feedback circuit in its signal path"
Electronic Musician
On MiniBrute
"Are we crazy for giving a monosynth an Editors’ Choice Award in the 21st century? We’d be crazy not to, because the MiniBrute is packed with features, built like a tank and, most importantly, sounds fantastic."
Electronic Musician
On MicroBrute
"An inexpensive monophonic instrument with flexible modulation routing and a Steiner-Parker multimode filter that provides vintages tones without sounding like an ARP, Mg or Oberheim®"
Estrada Studio
On MicroBrute
"The MicroBrute - with its own characteristic sound - is one of our favorites."
Keyboard US
On MiniBrute
"This real analog monosynth looks and plays like the love child of an ARP Axxe and an Octave Cat. The filter from the rare Steiner-Parker Synthacon has an aggressive sound you won't find elsewhere and the arpeggiator is wicked decent. Be warned: if you use the MiniBrute just for Dubstep, we will find you."
Keyboard Magazine
On MicroBrute
"If you’re an analog head, the Arturia MicroBrute is definitely the way to go."
Keyboard Magazine
On MicroBrute
"The sound is anything but “pretty” compared to other contemporary analog synths, but that aggressive character is what makes it essential to my sounds. This synth is meaty and macho like nothing else. If you don’t already own a ’Brute, it’s clear that you will. At this price, practically everyone will."
KRHome Studio
On MiniBrute
"More fun that a SH-101, equipped with a filter that surpasses more expensive vintage models, available at a very reasonable price, the MiniBrute should meet with success that will be very well deserved."
Music & Musicians
On MiniBrute
"Between its brilliant simplicity and modest price tag, the Arturia MiniBrute is one of the most accessible pure analog synthesizers available"
Music Radar
On MicroBrute
"you get plenty of synth for not a great deal of money"
Brute
aus der Perspektive der Künstler
Arturia hatte schon immer eine starke Verbindung zu Künstlern, deshalb wollen wir zeigen, was sich hinter den Kulissen abspielt. Erfahre, was weltbekannte Musiker und Produzenten über ihre Lieblingsprodukte von Arturia sagen und wie sie diese verwenden.
Alan Hewitt
The Moody Blues
"Origin allows me to get those great fat sounds I had with my old analog synths. The keyboard is very expressive, allowing you to set it up in just about any way you can think of, also the sequencers and last note expression are invaluable."
Amin Bhatia
Score Composer
"Now this is the future: All the sounds from the worlds greatest synthesizers in a box that is as easy and as fun to use as a MiniMg. The joyous days of analog power and warmth, but with digital recall. And no computer required. I'm liking this !"
Brian London
Keyboardist for Lady Gaga, Rihanna
"Arturia’s Origin is a dream come true. Its huge sound palette and incredible control over massive synths have made it my tool of choice on stage with Rihanna and Lady Gaga."
Bruce Somers
Kidneythieves
"The Origin Keyboard is such an amazing and original instrument. I immediately created a new patch that became my favorite sound and song idea. True inspiration from an amazing piece of gear. Thanks Arturia!"
Che Pope
Producer - Composer
"I purchased my origin site unseen because I love all of Arturia's virtual plug ins and to my surprise the origin sounded bigger and fatter than I expected. It is one of my go to weapons in my arsenal."
Chris Godbey
Sound Engineer
"Whether you are simply calling up a simple MiniMoog patch or custom building a four oscillator, four filter polyphonic monster, the Origin provides you with interactive inspiration. Origin allows you to create impossible synth combinations."
Danny Saber
Sound Engineer
"The Arturia Origin is the most pliable sound source I've ever heard. It sticks to what ever you throw it at."
Drew Neumann
Score Composer
"The Origin easily covers everything from CS, VS to ARP, and even does Digital FM noises. It is a one-stop all-in-one virtual modular synth that covers the history of vintage synths while adding capabilities that the originals lacked."
Herbie Hancock
Jazz composer
"There are a lot of things on the Origin that I've never seen before, and the end results are sounds I've never heard before, and it's great to me. They found another great path for Arturia."
Jordan Rudess
Dream Theater
"Origin is a super powerful synthesizer. Having grown up with the world of classic analog synthesizers and now living in the digital age, the Origin marries these worlds for me in a perfectly intuitive, great sounding hardware musical instrument."
Kern Brantley
Lady Gaga
"I think the Arturia Origin is amazing. It's perfect for live shows as I can have multiple synth sounds on stage without the extra lap top. I love the presets and I'm very excited about incorporating it on tour."
Luis Resto
Producer - Composer
"On Eminem's "Recovery" album (2010), I used Origin on the song "WTP (White Trash Party)" in the chorus doubling up Marshall's melody fairly verbatim with a lead sound that accentuated his phrasing as well as stood out in track."
Steve Ferlazzo
Keyboardist
"The Arturia Origin is a truly inspirational instrument. Having some of the most classic synth engines available onboard and the ability to mix and match components from each of these synths really allows me to create fresh and exciting new sounds."
Steve Jablonsky
Score Composer
"I love how easily I was able to integrate it into my writing process. It's a really deep synth that you can spend hours and hours experimenting with, or you can twiddle some knobs and quickly have a cool and unique patch."
The Crystal Method
Producer - Composer
"I can't tell you how many people asked us where did those particular sounds come from. When we say Arturia Origin, immediatly you can see them checking their bank account to see if they can afford it."
Wally Badarou
Level 42
"Origin is to me a Bentley, a Rolls Royce, and yet so small and powerful."
Adrian Utley
Portishead
"MiniBrute is very nice to play with. The knobs are exactly where they should be. I could sit with my MiniBrute for hours."
Arnaud Rebotini
Black Strobe
"Arturia makes the best synth emulations in my opinion. They are very faithful to the original machines. I think people will soon notice the minibrute signature sounds in electronic music, because it has a true personality."
Capri
DJ / Producer
"When I received my MiniBrute, what caught my attention was it's really solid build quality. It's a nomadic synth, which has absolutely nothing to envy from its analog ancestors. It's an amazing analog creation tool."
Citizen Kain
DJ / Producer
"MiniBrute, My new best friend. 100% inspiring analog sound and unlimited creative possibilities."
Dave Clarke
"The MiniBrute doesn't feel cheap, but very well made. It's a brute, an animal. You can do anything, there is no limit. Arturia is absolutely on the forefront and I'm so happy I've found them."
Gesaffelstein
DJ / Producer
"I've tested the MiniBrute and I find it really good, it is simple in usage as well as in the sounds provided that are basic and effective. MiniBrute allows for specific sounds quickly without going through a complex modulation."
Jean-Benoit Dunckel
Air
"MiniBrute condenses outstanding analog sounds in a compact and solid format that is great for touring. I was impressed by its raw, sometimes dark, and incredibly edgy sounds."
Junkie XL
DJ / Producer
"The MiniBrute is a wonderful analog synth that gives you all the controls you need. You can make great sounds from very dirty to very smooth."
No ID
Producer - Composer
"Arturia has created a keyboard which will re-introduce the world to analog sound on steroids... Definately what the new generation needs."
Technologie
Anatomie des Brute
Die Technologie, die für die Brute-Reihe verantwortlich ist und den Standard für analoges Musikmachen setzt.
- Brute-Oszillator : Ein origineller Analog-Oszillator, der mehrere Wellenformen, komplexes Wavefolding und ein integriertes Brute-Factor-Feedback für massive Rückkopplungen beinhaltet.
- Steiner-Parker Filter : Ein legendäres Multimode-Filter, das in den 70er-Jahren eingeführt, überarbeitet, verbessert und von Nyle Steiner selbst abgenommen wurde. Knusprig, bissig, samtig weich und alles dazwischen.
- Patching : Die Brute-Serie besitzt die Fähigkeit, Audiosignale und Spannungen neu zu verdrahten und umzuleiten – von semi-modularen CV-Anschlüssen bis hin zur komplexen Modulationsmatrix.
Was kommt als nächstes?
Freak
Bissige Digital-Synthesizer
Ein Freak vom Namen her, ein Freak von Natur aus. Entdecke die ultimativen Grenzen deines Synthesizers und erlebe das radikalste Klangerlebnis. Entdecke eine Vielzahl synthetischer Klänge, finde deinen eigenen kreativen Wahnsinn und treib diesen auf die Spitze, um etwas noch nie dagewesenes zu schaffen. Das ist so was von freakig!