¿Existe una sola realidad? Imaginemos un mundo paralelo repleto de los sonidos más emblemáticos del pasado y el presente. Un mundo tan inmenso que las posibilidades son ilimitadas. Escucha, replica y crea. Rompe los candados de la creación musical y empieza a explorar tu nueva zona de juegos.
Una paleta sonora infinita de sonidos de teclado y sintetizador, desde los instrumentos clásicos más apreciados hasta el diseño de sonido más vanguardista, accesibles al instante en tu DAW e integrado a la perfección con controladores MIDI preasignados para para conseguir el máximo control y expresividad sonora posible.
01
Tecnología única
Fruto de una dedicada investigación con nuestras exclusivas tecnologías de modelado TAE® y Phi®, el software y el hardware de la gama Lab constituyen la cúspide de la tecnología musical moderna.
02
Integración sin fisuras
Controladores plug & play que se adaptan a la perfección a tus instrumentos virtuales y a tu DAW. Del estudio al escenario, esta es la combinación ideal de los mundos del software y del hardware.
03
Sonidos espectaculares
Combinando la pasión y la habilidad de cientos de diseñadores de sonido de talla mundial y artistas de renombre, la gama Lab cuenta con decenas de miles de increíbles presets en una amplia gama de estilos.
La gama Lab incluye controladores MIDI expresivos y un software fácil de usar: aúnan expresividad profesional y sonidos inspiradores en un dispositivo accesible al instante. Teclas con las que da gusto tocar y los sonidos de sintetizador y teclado más deseados de la historia, renacidos, mejorados y optimizados para que disfrutes de una experiencia perfecta haciendo música.
De teclados portátiles para esbozar ideas musicales en cualquier lugar a superpianos de escenario contrapesados con 88 notas: existe un controlador Lab para cada aplicación. Teclas preparadas para la interpretación, controles expresivos mejorados y un paquete de software perfectamente integrado para allanar el camino a cualquier musicalidad que busques.
Los mejores teclados y sintetizadores jamás creados, disponibles con sólo pulsar un botón en tu DAW.
Resucita los instrumentos más emblemáticos de todos los tiempos y explora el diseño de sonido más vanguardista, desde instrumentos que han dado lugar a géneros musicales hasta los equipos de estudio más inusuales. Están emulados con total fidelidad, incorporan mejoras y están listos para que los manipules para expresar tu creatividad.
Una colección prémium de instrumentos virtuales profesionales, desde modernos motores de sintetizadores híbridos hasta emulaciones de los instrumentos más evocadores jamás creados, mejorados para los procesos de producción actuales.
ENERO DE 2002
Storm, precursor de la gama Lab
Antes de la gama Lab, antes de los Brute y de todo, existía Storm. Un paquete completo de producción musical para tu ordenador personal: Storm era la solución para los aspirantes a productores y músicos que necesitaban hacer realidad sus ideas en casa. Abrió camino a los instrumentos virtuales creativos, el fundamento de la gama Lab.
MARZO DE 2010
V Collection
Por primera vez, nuestra selección revolucionaria de emulaciones de instrumentos virtuales estuvo disponible en un paquete que sigue inspirando y mejorando hasta la actualidad. Estos codiciados instrumentos, desde el Mini V hasta el Prophet V, unidos bajo el lema de la V Collection, ofrecieron a músicos y productores un acceso sin precedentes a un sonido atemporal, estableciendo el estándar para las recreaciones de software de instrumentos icónicos.
NOVIEMBRE DE 2010
Laboratorio analógico
Analog Laboratory es una solución completa de síntesis virtual, diseñada para responder a las necesidades de los productores modernos: la necesidad de disponer de acceso instantáneo a sonidos clásicos. Con sus 3500 sonidos emblemáticos de sintetizador incluidos y la capacidad de ajustar los parámetros con precisión, se convirtió en la herramienta preferida de síntesis virtual y evolucionó hasta convertirse en el Analog Lab de 2016
ENERO DE 2013
MiniLab
En 2013, el MiniLab respondió a la llamada de una forma táctil y práctica de controlar nuestras emulaciones de sintetizadores, al igual que proyectos en el DAW. El MiniLab incluía suficientes perillas, pads y teclas para cualquier sesión de música o actuación, y ofrecía un diseño delgado y portátil, lo que lo convirtió en un éxito al instante. Su aclamado sucesor, el MiniLab MkII, se lanzó en 2016. La integración plug-and-play, junto con el software incluido como Analog Lab Lite, lo convirtieron en uno de los favoritos del sector.
MAYO DE 2016
Analog Lab
Como evolución de su predecesor Laboratory, Analog Lab introdujo miles de nuevos presets de la colección ampliada de emulaciones de sintetizadores legendarios de la V Collection. Con controles sencillos, una integración perfecta con el hardware Lab y una biblioteca de acceso instantáneo, Analog Lab subió el listón del flujo de trabajo con sintetizadores suaves, evolucionando constantemente con más sonidos y funciones para satisfacer las necesidades de los productores modernos.
ABRIL DE 2017
Gama KeyLab Essential
Los KeyLab Essential ampliaron la ya consolidada gama KeyLab, presentada originalmente en 2013. Con versiones de 49, 61 y 88 teclas, ofrecían una experiencia simplificada de creación musical que iba mucho más allá de un sencillo teclado MIDI — pero a un precio asequible. Sus controles prácticos, junto con la compatibilidad magnífica con Analog Lab y los DAW, hizo que la grabación e interpretación profesional fuera más accesible que nunca.
SEPTIEMBRE DE 2018
KeyLab MkII
La gama KeyLab MkII ampliaba en todos los sentidos la popular fórmula KeyLab y alcanzó nuevas cotas de expresividad y control para músicos y productores. Con sus interfaces mejoradas, mayor integración con el software y su conectividad superior, que incluía salidas CV, los KeyLab MkII ofrecían el control definitivo sobre todos los aspectos de tu configuración musical.
DICIEMBRE DE 2018
Pigments
Pigments fue el primer sintetizador de software exclusivo de Arturia, creado con 20 años de experiencia en ingeniería y diseño de sonido a sus espaldas. Con dos motores de sonido en paralelo, síntesis analógica virtual y de tabla de ondas de última generación, además de una arquitectura de modulación colorida y única, simplemente ningún otro sintetizador sonaba como él.
Magnetic Mag
On Pigments
"Something about Pigments unlocked a childlike joy inside of me that I have never felt before (...) I’ve genuinely never felt that way while sound designing."
MusicTech
On Pigments
"Pigments is a veritable chameleon of an instrument – it’s an analogue monster, a digital dream, a sampling powerhouse, and now a physical modelling marvel."
Sound On Sound
On Synthx V
"There’s a smoothness to the sound of Synthx V that makes it possible to close your eyes and think ‘synthesizer’ rather than ‘plug‑in’"
Gearnews
On KeyLab 88 mk3
"Looking at just the keybed alone, the KeyLab 88 mk3 is one of the finest I’ve played. It strikes a near-perfect balance that will work well across a broad range of instruments and playing styles."
Create Digital Music
On Pure LoFi
"It’s the best stress relieving instrument Arturia has made yet."
Gearnews
On Jup-8000 V
"Arturia’s JUP-8000 V absolutely nails the sound of the original hardware.Honestly, the JUP-8000 V is a time machine. The look, feel and sound instantly transport you back to those heady days of euphoria and chemical-fuelled hedonism. "
MusicTech
On V Collection 11 Pro
"Arturia has not only created an enormous library of virtual instruments boasting top-tier quality, it has made navigating it so marvellously easy that after a while, I’d almost forgotten about my DAW’s other software instruments entirely."
WeRaveYou
On Pigments
"Pigment 6’s versatility and ease of use make it a no-brainer when choosing which new software synth to try out."
Computer Music
On Modular V
"This is truly a no-compromise, no ifs, ands or buts. It's also an absolutely rock solid application. All of our little complaints aside, the boys at Arturia have achieved a milestone here. This simply doesn't sound like software!"
Mac Addict
On Modular V
"One of the most daunting monsters of analog synthesizers, the venerable Mg Modular, has been brought to glorious life in Arturia Software's stunning Modular V. This one of the best-sounding software emulations of a piece of hardware."
Mac Format
On Modular V
"The Arturia Modular V is the most authentic analog synth emulation we have ever heard. It looks and sounds just like the real thing. [Editor's Choice]"
Remix
On Modular V
"The Modular V is a powerhouse that models the old hardware to a tee, producing rich and beautiful tones that compare favorably to a real Mg system. If you're looking for a top-quality software synth that really does sound like the analog hardware it claims to emulate, look no further than Arturia's Modular V. This powerful tool is good enough for Bob Moog, and I'll wager it's good enough for you, too."
Future Music
On Modular V
"Arturia bring an unobtainable synth to the masses. It's powerful, easy to use and totally addictive. (Platinum Award)"
MusicTech
On Modular V
"The Modular V offers the sounds and programmability of the original, plus the powerful extras of modern technology such as MIDI, presets and polyphony. Outstanding!"
Raveline
On Modular V
"The Modular V sounds noble, warm and full of pressure like no other synthesizer available on the market."
Mac Format
On Mini V
"A stunningly realistic recreation of the legendary MiniMg synth. Every electronic musician should have one!"
Electronic Musician
On Mini V
"Arturia, a company that made a name for itself with Modular V and CS-80V, is the first company to produce an accurately detailed MiniMg emulation that runs native, without the need for additional hardware."
Remix
On CS-80 V
"In terms of sound quality, the CS-80V is absolutely divine. It's a first-rate-analog-style synthesizer with a wealth of detuning and modulation possibilities that allow you to cook up truly retro sounds-if that's what you're looking for. On the other hand, thanks to the sequencer, stereo delay and multitimbral aspects of the instrument, the CS-80V can sound as up-to-date as your programming chops will allow. The filters have plenty of bite - so much so that you have to watch for clipping. And I particularly like the implementation of the ring modulator, suboscillator and Touch Response features, which enable you to add weird little subtleties to a sound."
Recording
On Modular V
"The Modular V software is an absolute bargain piece of software, especially in light of the ultra-high prices of the real hardware [...]. Its great audio quality, flexible patching and interesting performance options are bringing a new level to audio."
Electronic Musician
On Modular V
"Endorsed by Bob Moog himself, Modular V probably comes as close as any software to re-creating complex analog synthesizer hardware, and it does it on a large scale. It runs standalone or as a plug-in for a variety of formats."
Mac Format
On CS-80 V
"Overall, the CS-80V is a wonderful sounding synth, capable of producing warm analogue sounds, from fat basses and leads to complex, organic sounding textures that would be ideal for atmospheric film music. It costs a fraction of Yamaha's original."
Future Music
On CS-80 V
"So just how close has Arturia got to emulating such a classic monster? I think they've done a superb job with just the right balance between faithful re-creation and modern elaboration. [...] The CS-80V is a phenomenal machine."
MusicTech
On CS-80 V
"Aesthetics and programming considerations aside, there's no doubt that the CS-80V captures the classic analogue sound of the original instrument. The additional features Arturia has added stands the virtual instrument well above the original hardware version. Arturia has taken all the good bits, enhanced them, and created a classy, high-quality synth with great appeal to those with an interest in analogue synthesizers."
Keyboard US
On CS-80 V
"The CS-80V is a killer soft synth. It's been over 25 years since the CS-80's introduction, and it remains a sought-after powerhouse to this day."
Computer Music
On Mini V
"The MiniMg is one of the most desirable and sought-after classic synths [...] the Mini V largely impressed us. It sounds great (if not quite Mg-great), has an excellent sound library and, once you learn what the badly-labelled knobs on the portly interface do, is easy and satisfying to program."
Nos sentimos muy honrados de ver cómo artistas que nos inspiran de todo el mundo eligen los productos de Arturia. Descubre cómo todo tipo de artistas de primera línea utilizan Arturia en su proceso creativo.
Tim Carmon
Keyboardist
"And for anyone who knows about the ARP 2600 keyboard it will NEVER get any closer than this, forget about it."
Judd Miller
Producer - Composer
"The sound and feel of this virtual instrument is much different than playing a sample... it has a life and aliveness. I don't know of anything else like it."
Philippe Saisse
Jazz composer
"Arturia has taken physical modeling technology to another level with BRASS... A must for anyone in film, commercial or serious orchestration."
Eddie Jobson
Roxy Music - Zappa – UK
"With the CS-80V, Arturia have done a fantastic job of both replicating this classic instrument and adding new features and extensive programmability."
Edwin Birdsong
Keyboardist
"I love the sound of that plug-in, and so does Stevie Wonder... I recommend it to anyone who wants great vintage sounds. (About the CS-80V)"
Eric Persing
Sound Engineer
"It has loads of personality and is capable of amazing sounds which are impossible on my real CS-80."
Franck Serafine
Sound Engineer
"The CS-80V is like a dream come true, with true classic vintage sounds but with all the latest digital control."
George Massenburg
Producer - Composer
"The original CS-80 was in constant need of tuning, which was a profoundly tedious chore. I'll take the plug, thanks. Faithfully and flawlessly modeled and stable! I couldn't live without it now."
Hans Zimmer
Score Composer
"I just sold my Yamaha GX1 because I have a great remplacement with Arturia's CS-80V."
James Lumb
Electric Skychurch
"It has a smooth, detailed sound that you would expect from a real analog synthesizer; with filters that make other digital synths sound gritty by comparison. The CS-80V just sounds great!"
Jamie Muhoberac
Keyboardist
"One of the most appealing things about the CS-80V was the unique sound and shape of its amplitude and tremolo modulation."
John Merchant
Sound Engineer
"Arturia has done a remarkable job of capturing the essence of the instrument. It's incredibly authentic. I hear no difference."
Phoenix
"The CS-80V is the cornerstone of our live shows. We use it on stage. We are really impressed by this software by the way as we own a real CS-80 unit and find the similarities with the software pretty amazing."
Randy Cantor
Producer - Composer
"The CS-80 sounded absolutely amazing and unique, and so does the CS-80V!... The sounds you can get from them are endless."
Alexander Adhami
Score Composer
"The Arturia Mini V so accurately re-creates the original. Perfected analog synthesis with the ease of being able to save your sounds as a preset. A must have in the world of synthesis."
Deadmau5
DJ / Producer
"I've been using the Mini V. Vintage hardware is not easy to come by these days, this is just simply the next best thing!"
Ian Pai
Blue Man Group
"I have a collection of vintage synths but the reliability and the infinite ways you can precisely manipulate and control all the parameters in Arturia's products have left them gathering dust."
Jake Wherry
The Herbalizer
"Very useable synths that integrate perfectly into my studio setup. Now I have some very good, instantly accessible sounds right at my fingertips. (About the Mini V)"
Strip Steve
DJ / Producer
"The fact that it is polyphonic is really cool. What I like most about this plugin is the way it is configured; it stays very true to the original, but also provides tasteful new tools which can be very useful indeed."
Chris Pitman
Guns N' Roses
"This is by far the best VST instrument I've ever heard, period! You guys are onto a winner here!"
Darrell Diaz
Producer - Composer
"I played some tracks for a producer for a record I'm working on and he couldn't believe it was a plug-in! I am in heaven with this plug-in!"
Gareth Jones
Music Director
"The sound is amazing and it's the most reliable virtual instrument that I have ever used."
Geoff Downes
Keyboardist (Yes, Asia, Buggles)
"For anyone who his a fan of the great analog giants of the 70's and 80's, the Modular V is the absolute "full ticket". Get one!"
Guy Allison
Producer - Composer
"He sound of this VSTi is nothing less than HUGE. Bravo Arturia!"
Hideki Matsutake
Sound Engineer
"The clipping of waveforms on the oscillator and the filter behaviour especially are perfect."
La tecnología que distingue a la gama Lab, marcando la pauta en hardware y software musical.
Crudo, potente, orgánico… Da igual cómo lo califiquemos y cómo lo definamos. Sólo hay que sentirlo. Explorar la máquina, buscar el sonido táctil, eléctrico y vital de la auténtica síntesis analógica. Ese momento inusual de creación pura en la punta de los dedos… Entra en el mundo de Brute.
