ソフトウェア
インストゥルメント
カードを選んでシンセサイザー・テクノロジーのスペクトラムを旅し、揺るぎない本物のサウンドからイノベーティブなモダンエンジンまで、音楽の歴史を刻み続けるインストゥルメントを発見しましょう。
細部まで徹底的に再現された、時代を超えたボルテージパワードマシンが織り成す比類なきアナログサウンド。
From the studio to the living room
The evolution of analog synthesis revolutionized music. In the 1950s, electronic sound was confined to research labs and large-scale studios, where avant-garde composers experimented with oscillators and tape machines to craft new sonic landscapes. However, by the 1970s, advancements in technology made analog synthesizers more accessible, bringing them from specialized environments into the hands of musicians and hobbyists.
Prophet-5 V
アナログの先駆的モデルを忠実に再現
Trent Reznor
“When I got my hands on it I was blown away...” [Prophet-5 V]
Michael Trent Reznor (born May 17, 1965) is an American musician, singer, producer, and multi-instrumentalist. He is the founder and primary creative force behind the industrial rock band Nine Inch Nails, and was previously associated with the bands Option 30, Exotic Birds, and Tapeworm. Trent embraces the creative potential afforded to him by emulated synths. Long-gone are the days of scarcity when it comes to having a studio full of iconic gear.
Synthi V
ロンドン版実験的サウンドスケープ。
Synthi V
Analog Synth
A modular synth in a briefcase that became the engine of British space rock, soundtracks, and electronica.
Unique ability:
Sound effects and experimental texturesHardware credits:
"On the Run" and "Welcome to the Machine" by Pink Floyd (1973/1975)Software credits:
Sasha Carassi, Tom Furse
Buchla Easel V
西海岸のサウンドデザイン・プレイグラウンド。
Buchla Easel V
Analog Synth
The Buchla Easel V brings the experimental sounds of West Coast synthesis into the digital age.
Unique ability:
Organic, evolving textures and percussive soundsHardware credits:
"LesAlpx" by Floating Points (2019), "Silver Apples of the Moon" by Morton Subotnick (1967)Software credits:
Molécule, Leanna Primiani
Modular V
モジュラー創世記の巨人。
Vocoder V
究極のボイス帯電機
Vocoder V
Analog Synth
The Vocoder V combines speech synthesis with rich analog tones to create robotic voices.
Unique ability:
Vocal processing and rhythmic modulationHardware credits:
"Trans-Europe Express" by Kraftwerk (1977), "Funkytown" by Lipps Inc. (1980)Software credits:
Ben Van Vlissingen, Stefano Ritteri
Film composition with the Prophet-5
John Carpenter, renowned for composing the scores to many of his own films, developed a deep understanding of the Prophet-5, which became integral to creating the atmospheric and suspenseful soundscapes in his movies. He valued the Prophet-5 for its ability to produce rich, dark tones that perfectly matched the mood of his films including "Escape from New York" (1981), "The Fog" (1980), and "The Thing" (1982). This dedication to the instrument enabled Carpenter to create iconic music that influenced a generation of composers and filmmakers.
SEM V
シンセシスの新たな可能性を生み出す。
SEM V
Analog Synth
SEM V resurrects the Oberheim® Synthesizer Expander in stunning detail, augmented for today's music makers.
Unique ability:
Punchy basslines and thick leadsHardware credits:
"Tom Sawyer" by Rush (1981), "Flashdance... What a Feeling" by Irene Cara (1983)Software credits:
Brendon Perry, Erik Norlander
Matrix-12 V
プログラム可能なアナログフリーダム。
Matrix-12 V
Analog Synth
The Matrix-12 V captures the expansive modulation matrix and lush sound of the Oberheim Matrix-12.
Unique ability:
Rich pads and deep modulation capabilitiesHardware credits:
"Danger Zone" by Kenny Loggins (1986), "Take On Me" by a-ha (1985)Software credits:
DJ Sasha, Jason Miles
デジタル技術の先駆者であり、音楽界を最もエキサイティングにしたサウンドがリマスターされ、ここに蘇ります。
Digital evolved
Modern end-to-end synthesizers are ushering in a new era of textural composition. By blending the expressive warmth of analog engines with wavetable, harmonic and sample-based synthesis, the horizon of creative possibilities extends infinitely in all directions. Tools like Pigments offer intuitive workflows and powerful sound design capabilities, enabling musicians to visualize and refine their creations with ease. This allows for the creation of rich, multidimensional soundscapes that push musical boundaries.
MiniFreak V
対をなすアルゴリズム・ソフトシンセ
SQ80 V
オーガニック・デジタル・ウェーブメーカー
SQ80 V
Digital Synth
The SQ-80 V brings hybrid digital and analog synthesis, blending gritty waveforms with warm filters.
Unique ability:
Crunchy digital textures and hybrid analog warmthHardware credits:
"Pump Up the Volume" by M/A/R/R/S (1987), "Good Life" by Inner City (1988)Software credits:
Marc Romboy, Steve Levine
Emulator II V
質感サンプリングのアンサンブル
Emulator II V
Digital Synth
The Emulator II V recreates the legendary early sampler known for its cinematic sound and sample-based synthesis.
Unique ability:
Lo-fi samples and atmospheric texturesHardware credits:
"Shout" by Tears for Fears (1985), "Don’t You (Forget About Me)" by Simple Minds (1985)Software credits:
Ben Van Vlissingen, Ilan Rubin
CZ V
フェイズディストーションの妖怪変化。
CZ V
Digital Synth
The CZ V brings back the phase distortion synthesis of the original Casio CZ-series, known for its sharp digital tones.
Unique ability:
Bright, glassy leads and bassesHardware credits:
"Living in a Box" by Living in a Box (1987), "Dangerous" by Depeche Mode (1990)Software credits:
Jason O'Bryan, Marcus Lambkin
The rise of digital
Digital synthesizers were pivotal in shaping the sound of Electronic Body Music (EBM) and other genres like synthpop, new wave, and industrial in the 1980s. Instruments such as the Yamaha DX7, Ensoniq SQ80 and Synclavier introduced sharper, more precise tones that suited EBM’s aggressive rhythms and cold, mechanical textures. In synthpop and new wave, these digital synths produced bright, melodic hooks and atmospheric soundscapes, while in industrial music, they fuelled harsh, metallic textures that aligned with its dystopian, abrasive aesthetic.
DX7 V
FMシンセシスのゲームチェンジャー。
Synclavier V
デジタル・ドリームマシン。
Synclavier V
Digital Synth
The Synclavier V revives the powerhouse digital synthesizer known for its pristine additive and FM synthesis.
Unique ability:
Pristine digital clarity and complex harmonic texturesHardware credits:
"Beat It" by Michael Jackson (1982), "Moments in Love" by Art of Noise (1983)Software credits:
Barry Burns, Tim Kelly
Prophet-VS V
ベクターシンセサイザーの眠れる鉱脈
Prophet-VS V
Digital Synth
The Prophet-VS V recreates the hybrid vector synthesis that blends digital waveforms with sweeping modulation.
Unique ability:
Sweeping pads and evolving digital texturesHardware credits:
"Enjoy the Silence" by Depeche Mode (1990), "West End Girls" by Pet Shop Boys (1984)Software credits:
Harmonic accidents with Brian Eno
The Yamaha DX7 was notoriously difficult to program due to its complex FM synthesis, but Brian Eno saw great potential in it and mastered the instrument during a period of illness. He valued his deep understanding of the DX7 over newer synthesizers, stating, "I use the DX7 because I understand it. I know that there are theoretically better synths, but I don’t know how to use them." This mastery allowed him to create unique sounds integral to his album Apollo: Atmospheres and Soundtracks.
CMI V
無敵のサンプリングキャラクター。
CMI V
Digital Synth
The CMI V brings back the groundbreaking Fairlight CMI, the first digital sampler and sequencer to shape countless hit songs.
Unique ability:
Sample-based sounds and groundbreaking sequencingHardware credits:
"Moments in Love" by Art of Noise (1983), "Owner of a Lonely Heart" by Yes (1983)Software credits:
Mark Ayres, Paul Frazier
ゆらめくテープサンプリングから魂を揺さぶるトーンホイールオルガンまで、時代を彩ってきたサウンドの数々。
Mellotron V
サイケデリック・アナログサンプラー。
Mellotron V
Keyboard
The Mellotron V recreates the tape-based sampler famous for its lush orchestral sounds and iconic flutes.
Unique ability:
Orchestral and choral tonesHardware credits:
"Strawberry Fields Forever" by The Beatles (1967), "Watcher of the Skies" by Genesis (1972)Software credits:
Jade Bird, Tom Furse
B3 brawn with John Lord
During Deep Purple's performances in the early 1970s, Jon Lord pushed the boundaries of the Hammond B3 organ by running it through Marshall amplifiers to achieve a raw, distorted sound. His innovative approach turned the B3 into a lead instrument rather than mere accompaniment. The sheer power and volume of the organ became a defining element of Deep Purple's live shows, cementing Lord's legacy as a rock innovator.
B-3 V
強大なオルガン界の君主。
B-3 V
Organ
The B-3 V brings the legendary Hammond organ sound to life, known for its soulful tone and vibrant rotary effects.
Unique ability:
Jazzy organ leadsHardware credits:
"A Whiter Shade of Pale" by Procol Harum (1967), "Green Onions" by Booker T. & the M.G.'s (1962)Software credits:
Kyle Austin Davis
Farfisa V
コンパクトなオルガンのエコーズ。
Farfisa V
Organ
The Farfisa V recreates the iconic combo organ sound that dominated 60s rock and psychedelic music.
Unique ability:
Bright, reedy tonesHardware credits:
"House of the Rising Sun" by The Animals (1964), "96 Tears" by ? and the Mysterians (1966)Software credits:
Sascha Funke, David Hofman
Solina V
正真正銘のオーケストラマシン。
Solina V
Keyboard
The Solina V brings back the lush, string-machine sound that shaped 70s and 80s music.
Unique ability:
Rich, warm string ensemble soundsHardware credits:
"Shine On You Crazy Diamond" by Pink Floyd (1975), "Oxygène" by Jean-Michel Jarre (1976)Software credits:
Snow Patrol, Two Door Cinema Club
From hardware to software with Herbie Hancock
In the early 1970s, Hancock began exploring electronic instruments and was particularly intrigued by the Minimoog's expressive capabilities. He was introduced to the Moog synthesisers by Dr. Patrick Gleeson, who used the synthesizer on Hancock's landmark album "Crossings" (1972). However, it was Hancock’s later work, especially with "Headhunters" (1973), that saw him fully embrace the instrument. To this day he revere’s Arturia’s instrument engines for their accuracy and innovation - an artist committed to evolving with the times.
Vox Continental V
レッドホットなトランジスタ・ヒットメイカー。
Clavinet V
フィジカルファンクマシーン。
フィジカルモデリングで再現し、新たな生命を吹き込まれた最も汎用性が高く、認知度の高いサウンドの数々。
CP-70 V
エレクトリック・レジェンドの表現力
CP-70 V
Electric Grand Piano
The CP-70 V faithfully recreates the sound of Yamaha's electric grand piano, known for its portability and distinct tone.
Unique ability:
Bright, percussive piano soundsHardware credits:
"Don't Stop Believin'" by Journey (1981), "In the Air Tonight" by Phil Collins (1981)Software credits:
The electric era
The rise of electric pianos like the Wurlitzer, Fender Rhodes Stage 73, and Yamaha CP-70 ushered in a new musical era from the late 1960s onward. These instruments blended the familiar feel of traditional pianos with electro-acoustic components, offering musicians fresh tonal possibilities. The Wurlitzer's gritty timbre became a soul and rock staple, the Stage 73's warm tones enriched jazz and R&B, and the CP-70 provided portable grand piano resonance for live shows. Much like how digital synthesizers later shaped genres with their precise tones, these electric pianos expanded the sonic horizon and inspired new styles.
Wurli V
Soulful electric bite
Wurli V
Electric Piano
The Wurli V3 captures the unmistakable sound of the Wurlitzer electric piano, beloved for its warm, gritty tone.
Unique ability:
Warm, biting tonesHardware credits:
"I Feel the Earth Move" by Carole King (1971), "You're My Best Friend" by Queen (1975)Software credits:
Jim McGorman, Jordan Rudess
Piano V
普遍的なピアノの表現力
Stage-73 V
エレクトリック・ソウルマシン
Stage-73 V
Electric Piano
The Stage-73 V recreates the classic sound of the Rhodes electric piano, known for its smooth and jazzy tones.
Unique ability:
Warm, bell-like tones and smooth tinesHardware credits:
"Riders on the Storm" by The Doors (1971), "You Are the Sunshine of My Life" by Stevie Wonder (1973)Software credits:
Dennis Hamm
アコースティック楽器や伝統的な楽器を刺激的な現代の音楽制作の領域へと押し上げる、サンプリング、シンセシス、音楽表現のユニークな融合を現代のミュージックメイカーへ。
Acoustic sounds meet modern innovation
The fusion of sampled acoustic instruments and synthesizers is ushering in a new musical era. By blending the expressive warmth of traditional instruments with the limitless possibilities of modern technology, composers are exploring fresh sonic territories. The authentic timbres of strings, brass, and woodwinds are now intertwined with synthetic textures, offering musicians unique tonal possibilities. This synergy allows for the creation of rich, multidimensional soundscapes that resonate emotionally while pushing musical boundaries.
"The V Collection has simplified my studio workflow - all I need is a midi keyboard to play all the vintage synthesizers I’ve ever wanted to have in the studio."
Kathy Yaeji Lee, known professionally as Yaeji, is a Korean-American electronic music artist based in Brooklyn, New York. Her style blends elements of house music and hip hop with mellow, quiet vocals sung in both English and Korean. Her music often explores themes of identity, cultural disconnection, and introspection, making her a distinctive voice in the electronic scene.
ソフトウェア
エフェクト
カードを選んでレコーディングの歴史を旅し、伝説的なエフェクトやイノベーティブな最新エンジンを発見して、サウンドを再構築し、まとまり感のあるミックスを作り出すことができます。
サウンドに色付けをし、新たな質感やキャラクター、躍動感を加えます。これらのツールは往年の名機をベースにしており、即座に満足のいくサウンドを再構築し、変貌させることができます。
Masters of sonic transformation
From the lush delays of the Roland RE-201 Space Echo to the gritty distortion of the Thermionic Culture Vulture, outboard FX gear revolutionized music production. From the 1960's onwards we see a proliferation of audio tools that enable a range of alterations to a sound or master. Modules like the Siemens™ Sitral allowed for precise EQ shaping, ensuring balanced mixes with rich tonal depth while other gear like the Dynacord Rotary Speaker offered unique idiosyncratic audio effects and patterns. These legendary tools empowered producers to craft intricate soundscapes and achieve unprecedented sonic character and reproduction, shaping the evolution of studio workflows and music as we know it.
Filter MINI
モーグ博士の伝説のラダーフィルターをプラグインに。
Stevie Wonder's Funk Innovations with the Mu-Tron Bi-Phase
A master of blending soulful melodies with innovative sounds, Stevie Wonder embraced the Mu-Tron Bi-Phase to add dynamic movement to his music. On albums like Innervisions (1973), the Bi-Phase was used to process the Clavinet on tracks like "Higher Ground," infusing them with a funky, swirling texture. This effect became a signature element of Wonder's sound, showcasing his willingness to experiment and push musical boundaries.
Tape MELLO-FI
デラックスなローファイの至福。
サウンドに色付けをし、新たな質感やキャラクター、躍動感を加えます。これらのツールは、現代的なアプローチで音を変化させることができます。
A new frontier of effects processing
Modern FX engines like EfX Motions and EfX Fragments have unlocked new possibilities for creative post-processing. By combining advanced digital algorithms with the rich heritage of classic effects, these engines empower producers to explore innovative sonic territories and elevate expressiveness and experimental manipulation. From intricate movement dynamics to granular processing, artists can seamlessly add depth and complexity to their tracks and create unique textures that go far beyond traditional FX capabilities.
Jake Wherry with Efx MOTIONS
"This will be a very useful tool for making transitions more exciting and it has almost endless possibilities. I’m excited about getting into Efx MOTIONS a lot deeper with my new productions." Jake Wherry is a music producer with decades of experience blending hip hop, jazz, and electronic sounds, Jake leverages Efx MOTIONS to unlock new sonic possibilities for his productions, an invaluable tool for introducing some dynamic and polished sonic manipulation.
一体感のあるミックスを作り、空間を作り、一貫性、高い明瞭度、迫力を生み出します。伝説的なアウトボードにインスパイアされたこれらのツールは、サウンドの魅力を最大限に引き出し、洗練された仕上がりの実現に役立ちます。
Bring out the best
From the harmonic augmentation of the Aphex Type C2-104 Aural Exciter to the legendary stereo enhancement of the Roland Dimension D Chorus, studio mixing tools have evolved significantly in form and function over the years. These include iconic compressors like the UREI 1176 and the Neve® 33609, classic preamps such as the Telefunken V76 and Trident A-Range and reverberation units like the EMT 140 Plate Reverb and Grampian Spring Reverb - legendary tools that have been instrumental in achieving polished, professional mixes, enabling producers to bring out the best in every sound and add some spaciousness and depth.
Comp VCA-65
極上のドラムトリートメントをプラグインで。
Radiohead's Experimental Depths with the Space Echo
Pushing the frontiers of alternative rock, Radiohead guitarist Jonny Greenwood utilized the Roland RE-201 Space Echo to add layers of complexity to the band's sound. On OK Computer (1997), tracks like "Subterranean Homesick Alien" feature the Space Echo's characteristic warm delays and modulation, enhancing the otherworldly feel of the music. Greenwood's inventive use of the Space Echo helped define Radiohead's innovative sonic identity.
King Tubby and the Birth of Dub with Spring Reverbs
Osbourne Ruddock, better known as King Tubby, was a pioneering Jamaican sound engineer who revolutionized music in the 1970s by inventing dub. Central to his innovation was the creative use of spring reverbs, specifically units like the Grampian Spring Reverb. By sending drum and vocal tracks through the reverb and manipulating the results with delay and feedback, King Tubby created mesmerizing, echo-laden mixes that became the hallmark of dub music, influencing generations of producers and sound engineers worldwide.
一体感のあるミックスを作り、空間を作り、一貫性、高い明瞭度、迫力を生み出します。これらのツールは、現代的なアプローチで洗練されたサウンドとミックスを実現できます。
Modern mixing evolved
Modern mixing tools take the DNA of classic outboard gear and offer augmented features that provide even more dynamic and creative processing. Bus PEAK ensures crystal-clear gain control without sacrificing audio quality, while Bus FORCE offers integrated filtering, EQ, compression and saturation for instant mix enhancement. Other tools like the Delay Brigade draw upon iconic pedalboard tech to deliver beautifully lo-fi echo effects, adding depth and atmosphere to any track. These cutting-edge engines seamlessly blend classic audio principles with modern capabilities, empowering producers to craft polished, professional mixes with unparalleled flexibility.
Queen's Majestic Tones with the Neve 1073 Preamp
Producing some of the most iconic rock anthems, Queen benefited greatly from the rich sonic character of the Neve 1073 preamp. Producer Roy Thomas Baker harnessed the preamp's warm tonality and musical EQ curves to capture Freddie Mercury's powerful vocals and Brian May's distinctive guitar sound. The Neve 1073 was instrumental in crafting the lush layers of "Bohemian Rhapsody," contributing to the song's grandeur and the band's enduring legacy."